<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-33189808</id><updated>2012-02-16T11:02:17.370-08:00</updated><category term='Bibliography'/><category term='Introduction'/><category term='Andras Hamori'/><category term='Scheherazade'/><category term='Chapter 5'/><category term='Orientalism'/><category term='Parodies'/><category term='Crusades'/><category term='comics'/><category term='Charles Dickens'/><category term='Kirby'/><category term='Chauvin'/><category term='Preface'/><category term='Travellers'/><category term='Robert Irwin'/><category term='commentary'/><category term='Edgar Allan Poe'/><category term='Chapter 1'/><category term='Chapter 3'/><category term='Jorge Luis Borges'/><category term='Morte d&apos;Arthur'/><category term='Burton'/><category term='comparative literature'/><category term='imitations'/><category term='Mark Twain'/><category term='1001 Nights'/><category term='3 Ladies of Baghdad'/><category term='Chapter 4'/><category term='translations'/><category term='John Barth'/><category term='criticism'/><category term='adaptations'/><category term='contents'/><category term='W. M. Thackeray'/><category term='Chronology'/><category term='Concordance'/><category term='history'/><category term='Edward Said'/><category term='Richard F. Burton'/><category term='Eliséef'/><category term='Malory'/><category term='texts'/><category term='Chapter 2'/><title type='text'>Scheherazade's Web</title><subtitle type='html'>The Thousand and One Nights and Comparative Literature</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>21</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-33189808.post-2795031193512307611</id><published>2009-07-25T18:51:00.000-07:00</published><updated>2009-07-27T16:10:01.094-07:00</updated><title type='text'>Site-map</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ZO6brBJskrI/SS9AXIA_0LI/AAAAAAAACBc/Y8lXsjBnngI/s1600-h/arabian_nights.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 329px; height: 327px;" src="http://1.bp.blogspot.com/_ZO6brBJskrI/SS9AXIA_0LI/AAAAAAAACBc/Y8lXsjBnngI/s400/arabian_nights.jpg" alt="" id="BLOGGER_PHOTO_ID_5273504454706974898" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://trashotron.com/agony/columns/2004/pre_raph_gallery.htm"&gt;Kay Nielsen, "Scheherazade and Shahryar"&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;Between 1991 and 1995, I spent a good deal of time studying and collating all the different texts of the &lt;em&gt;1001 Nights&lt;/em&gt; I could get hold of. The idea was to compile a complete list of all the stories included in all the various editions. I never really succeeded in finishing this task (it's since been done rather more satisfactorily by Ulrich Marzolph and Richard van Leeuwen in their 2004 &lt;em&gt;Arabian Nights Encyclopedia&lt;/em&gt;).&lt;br /&gt;&lt;br /&gt;In the process, I produced a number of papers and essays on the &lt;em&gt;Nights&lt;/em&gt;, which I planned eventually to collate and rewrite into a comprehensive work on the &lt;em&gt;Arabian Nights&lt;/em&gt; seen from the perspective of comparative literature. I never managed to complete this either, but rather than leaving it as unfinished (possibly unfinishable) business, I thought I'd put as much of it as I &lt;em&gt;did&lt;/em&gt; get done up online.&lt;br /&gt;&lt;br /&gt;I suppose I think of it as a sort of unofficial Post-Doctoral thesis, to be regarded as a companion to my &lt;a href="http://masefieldnovels.blogspot.com/"&gt;MA&lt;/a&gt; and &lt;a href="http://versionsofsouthamerica.blogspot.com/"&gt;PhD&lt;/a&gt; dissertations, both of which I'm also (gradually) transferring online.&lt;br /&gt;&lt;br /&gt;I'll continue to update it from time to time, but not (I fear) with the same fervour I brought to the subject two decades ago.&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;- Dr Jack Ross, Mairangi Bay (26 July, 2009)&lt;/div&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Scheherazade's Web&lt;/span&gt;:&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;The 1001 Nights&lt;/em&gt; &amp;amp; Comparative Literature&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2009/01/updates.html"&gt;&lt;strong&gt;Updates&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/contents.html"&gt;&lt;strong&gt;Contents:&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/preface.html"&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/08/scheherazades.html"&gt;Scheherazades&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Introduction:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2006/08/redu-92.html"&gt;Redu ‘92&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/08/school-for-paradox.html"&gt;The School for Paradox&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 1:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/malory-and-scheherazade-study-in.html"&gt;Malory and Scheherazade&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/malory.html"&gt;Malory&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/scheherazade.html"&gt;Scheherazade&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 2:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/europe-christianity-and-crusades.html"&gt;Europe, Christianity and the Crusades&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/plot-summaries.html"&gt;Plot Summaries&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 3:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/voyage-en-orient.html"&gt;&lt;em&gt;Voyage en Orient&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 4:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/parodies-of-arabian-nights.html"&gt;Parodies of the &lt;em&gt;Arabian Nights&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 5:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/chapter-5-poetics-of-stasis.html"&gt;The Poetics of Stasis&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/09/metaphors-of-1001-nights.html"&gt;J. L. Borges: &lt;em&gt;Metaphors of the &lt;/em&gt;1001 Nights&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-bibliography.html"&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-chronology.html"&gt;&lt;strong&gt;Chronology&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/concordance.html"&gt;&lt;strong&gt;Concordance&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/list-of-stories-in-1001-nights.html"&gt;A List of the Stories in the &lt;em&gt;1001 Nights&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/concordance-notes.html"&gt;Table of References&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ZO6brBJskrI/SS9KkFmsE9I/AAAAAAAACB8/2CB61BdbISk/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 177px; height: 199px;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/SS9KkFmsE9I/AAAAAAAACB8/2CB61BdbISk/s400/Arabian+Nights+girl.jpg" alt="" id="BLOGGER_PHOTO_ID_5273515672514335698" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;[&lt;a href="http://www.bellydanceschoolcalgary.com/"&gt;Arabian Nights Girl&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-2795031193512307611?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/2795031193512307611/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=2795031193512307611' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/2795031193512307611'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/2795031193512307611'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2009/07/site-map.html' title='Site-map'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZO6brBJskrI/SS9AXIA_0LI/AAAAAAAACBc/Y8lXsjBnngI/s72-c/arabian_nights.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-4756141819167238363</id><published>2009-01-26T17:56:00.000-08:00</published><updated>2010-12-11T14:10:25.755-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='comics'/><category scheme='http://www.blogger.com/atom/ns#' term='Orientalism'/><category scheme='http://www.blogger.com/atom/ns#' term='Robert Irwin'/><category scheme='http://www.blogger.com/atom/ns#' term='Edward Said'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><category scheme='http://www.blogger.com/atom/ns#' term='translations'/><title type='text'>Updates:</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SYnwEi31yLI/AAAAAAAACKk/JcfX_cV7caM/s1600-h/Arabian_Backglass.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 276px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SYnwEi31yLI/AAAAAAAACKk/JcfX_cV7caM/s400/Arabian_Backglass.jpg" alt="" id="BLOGGER_PHOTO_ID_5299030397449259186" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.pinball.com/games/arabian/"&gt;Tales of the Arabian Nights&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;December, 2010&lt;/span&gt;:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;My new &lt;a href="http://mairangibay.blogspot.com/2010/12/how-do-you-make-single-volumed-arabian.html"&gt;post&lt;/a&gt;, "How do you make a single-volumed &lt;i&gt;Arabian Nights&lt;/i&gt;?" is an attempt to sum up the various attempts made to date, together with my own suggestion for an updated &lt;i&gt;Portable Arabian Nights&lt;/i&gt;.&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_ZO6brBJskrI/TP1Ez1JVgvI/AAAAAAAAC8k/PV7Gl7LX7vs/s1600/campbell1.jpg"&gt;&lt;img style="display: block; margin: 0px auto 10px; text-align: center; cursor: pointer; width: 242px; height: 400px;" src="http://4.bp.blogspot.com/_ZO6brBJskrI/TP1Ez1JVgvI/AAAAAAAAC8k/PV7Gl7LX7vs/s400/campbell1.jpg" alt="" id="BLOGGER_PHOTO_ID_5547665973220573938" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size: 85%;"&gt;Joseph Campbell, ed.: &lt;em&gt;The Portable Arabian Nights&lt;/em&gt; (1952)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;July, 2009&lt;/span&gt;:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;The post I've put up &lt;a href="http://mairangibay.blogspot.com/2009/07/orientalism-its-enemies.html"&gt;here&lt;/a&gt;, "Orientalism and its Enemies, or The Empire Strikes Back," is a reaction to reading Robert Irwin's latest book &lt;em&gt;For Lust of Knowing: The Orientalists and their Enemies&lt;/em&gt;. To put it mildly, I don't find his attack on Edward Said's classic text &lt;em&gt;Orientalism&lt;/em&gt; particularly cogent or convincing.&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ZO6brBJskrI/SmTitonF73I/AAAAAAAACWc/lxUc2-BESqs/s1600-h/irwin1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 259px; height: 400px;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/SmTitonF73I/AAAAAAAACWc/lxUc2-BESqs/s400/irwin1.jpg" alt="" id="BLOGGER_PHOTO_ID_5360658730101108594" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size: 85%;"&gt;Robert Irwin: &lt;em&gt;For Lust of Knowing&lt;/em&gt; (2006)&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;February, 2009&lt;/span&gt;:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;I've been meaning for quite some time to do a post on the various &lt;em&gt;Arabian Nights&lt;/em&gt; comics, gamebooks &amp;amp; other oddities I've collected to date. The seven I list &lt;a href="http://mairangibay.blogspot.com/2009/01/arabian-nights-comics-graphic-novels.html"&gt;here&lt;/a&gt; range from classic Carl Barks Uncle Scrooge comics from the 50s to the latest Korean "manhwa" versions.&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ZO6brBJskrI/SYnuTplwjmI/AAAAAAAACKU/NQ5oN5w5nBk/s1600-h/Jeon+JinSeok2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/SYnuTplwjmI/AAAAAAAACKU/NQ5oN5w5nBk/s400/Jeon+JinSeok2.jpg" alt="" id="BLOGGER_PHOTO_ID_5299028457927249506" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;December, 2008&lt;/span&gt;:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;The appearance of Malcolm (&amp;amp; Ursula) Lyons' complete, 3-volume complete translation of the &lt;em&gt;1001 Nights&lt;/em&gt; in the Penguin Classics is a milestone in the history of the collection in English. I've written a review of it &lt;a href="http://mairangibay.blogspot.com/2008/12/new-translation-of-arabian-nights.html"&gt;here&lt;/a&gt;.&lt;/blockquote&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ZO6brBJskrI/SX5sNLF1PKI/AAAAAAAACIU/tAFa8ejcxmM/s1600-h/Lyons1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 400px;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/SX5sNLF1PKI/AAAAAAAACIU/tAFa8ejcxmM/s400/Lyons1.jpg" alt="" id="BLOGGER_PHOTO_ID_5295789185405631650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_ZO6brBJskrI/SS9KkFmsE9I/AAAAAAAACB8/2CB61BdbISk/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 177px; height: 199px;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/SS9KkFmsE9I/AAAAAAAACB8/2CB61BdbISk/s400/Arabian+Nights+girl.jpg" alt="" id="BLOGGER_PHOTO_ID_5273515672514335698" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-4756141819167238363?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/4756141819167238363/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=4756141819167238363' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/4756141819167238363'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/4756141819167238363'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2009/01/updates.html' title='Updates:'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZO6brBJskrI/SYnwEi31yLI/AAAAAAAACKk/JcfX_cV7caM/s72-c/Arabian_Backglass.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-2955388088438672355</id><published>2007-09-26T20:02:00.001-07:00</published><updated>2009-07-27T16:10:27.054-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='contents'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><category scheme='http://www.blogger.com/atom/ns#' term='comparative literature'/><title type='text'>Contents:</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="http://mairangibay.blogspot.com/2007/09/scheherazades-web.html"&gt;Scheherazade's Web&lt;/a&gt;:&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;The 1001 Nights&lt;/em&gt; &amp;amp; Comparative Literature&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_ZO6brBJskrI/RvsdcUrOryI/AAAAAAAAAVY/nNc2dPpA_ew/s1600-h/Arabian_nights_manuscript.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114714174232899362" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://1.bp.blogspot.com/_ZO6brBJskrI/RvsdcUrOryI/AAAAAAAAAVY/nNc2dPpA_ew/s320/Arabian_nights_manuscript.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.1902encyclopedia.com/T/THO/thousand-and-one-nights.html"&gt;14th-century ms. of the &lt;em&gt;Nights&lt;/em&gt; (Bibliothèque Nationale, Paris)&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/preface.html"&gt;&lt;strong&gt;Preface&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/08/scheherazades.html"&gt;Scheherazades&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Introduction:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2006/08/redu-92.html"&gt;Redu ‘92&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/08/school-for-paradox.html"&gt;The School for Paradox&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 1:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/malory-and-scheherazade-study-in.html"&gt;Malory and Scheherazade&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/malory.html"&gt;Malory&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/scheherazade.html"&gt;Scheherazade&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 2:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/europe-christianity-and-crusades.html"&gt;Europe, Christianity and the Crusades&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/plot-summaries.html"&gt;Plot Summaries&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 3:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/voyage-en-orient.html"&gt;&lt;em&gt;Voyage en Orient&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 4:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/parodies-of-arabian-nights.html"&gt;Parodies of the &lt;em&gt;Arabian Nights&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Chapter 5:&lt;/strong&gt; &lt;a href="http://dinarzade.blogspot.com/2007/09/chapter-5-poetics-of-stasis.html"&gt;The Poetics of Stasis&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2006/09/metaphors-of-1001-nights.html"&gt;J. L. Borges: &lt;em&gt;Metaphors of the &lt;/em&gt;1001 Nights&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-bibliography.html"&gt;&lt;strong&gt;Bibliography&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-chronology.html"&gt;&lt;strong&gt;Chronology&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/concordance.html"&gt;&lt;strong&gt;Concordance&lt;/strong&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/list-of-stories-in-1001-nights.html"&gt;A List of the Stories in the &lt;em&gt;1001 Nights&lt;/em&gt;&lt;/a&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/concordance-notes.html"&gt;Table of References&lt;/a&gt;&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;span style="font-size:85%;"&gt;[The substance of this book was given as a course of 6 lectures: “East Meets West – The Lesson of the &lt;em&gt;Thousand and One Nights&lt;/em&gt;” in the Continuing Education Department, Auckland University, from February to March, 1996.]&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-2955388088438672355?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/2955388088438672355/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=2955388088438672355' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/2955388088438672355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/2955388088438672355'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/contents.html' title='Contents:'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZO6brBJskrI/RvsdcUrOryI/AAAAAAAAAVY/nNc2dPpA_ew/s72-c/Arabian_nights_manuscript.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-698111676588052445</id><published>2007-09-26T19:59:00.000-07:00</published><updated>2009-07-27T16:08:53.350-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Burton'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard F. Burton'/><category scheme='http://www.blogger.com/atom/ns#' term='Concordance'/><category scheme='http://www.blogger.com/atom/ns#' term='Chauvin'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><category scheme='http://www.blogger.com/atom/ns#' term='translations'/><title type='text'>Table of References</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;for the Concordance to the &lt;em&gt;1001 Nights&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_ZO6brBJskrI/RvsnQkrOrzI/AAAAAAAAAVg/uZtLuV7DWo8/s1600-h/art6.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_ZO6brBJskrI/RvsnQkrOrzI/AAAAAAAAAVg/uZtLuV7DWo8/s320/art6.jpg" alt="" id="BLOGGER_PHOTO_ID_5114724967485714226" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.touregypt.net/historicalessays/calligraphy.htm"&gt;Arabic Calligraphy&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;List of Abbreviations&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;[Artin]&lt;/strong&gt; = Artin Pacha, &lt;em&gt;Contes populaires inédits de la Vallée du Nil&lt;/em&gt; (1895)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[B]&lt;/strong&gt; = Breslau Edition, 12 vols (1825-43)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Bulaq]&lt;/strong&gt; = Bulaq Edition, 2 vols (1835)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Burton]&lt;/strong&gt; = Burton Translation, 16 vols (1885-88)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[C1]&lt;/strong&gt; = First Calcutta Edition, 2 vols (1814-18)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Calc. 2]&lt;/strong&gt; = Macnaghten or Second Calcutta Edition, 4 vols (1839-42)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Chauvin]&lt;/strong&gt; = Victor Chauvin, &lt;em&gt;Bibliographie des ouvrages arabes&lt;/em&gt;, 12 vols (1892-1922)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Ch]&lt;/strong&gt; = Chavis and Cazotte Translation, 4 vols (1788-89)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[D]&lt;/strong&gt; = &lt;em&gt;Les Dames de Bagdad&lt;/em&gt;, trans. André Miquel (1991)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[D &amp;amp; M]&lt;/strong&gt; = Decourdemanche, &lt;em&gt;Sottisier de Nasr-eddin-Hodja bouffon de Tamerlan&lt;/em&gt; (1878); Müllendorff, &lt;em&gt;Die Schwänke des Nasr-ed-din &amp;amp; Buadem von Mehemed Tewfik&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Eliséef]&lt;/strong&gt; = Nikita Eliséef, &lt;em&gt;Thèmes et Motifs des Mille et Une Nuits&lt;/em&gt; (1949)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Galland]&lt;/strong&gt; = Galland Translation, 12 vols (1704-17)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Garcin]&lt;/strong&gt; = Garcin de Tassy, &lt;em&gt;Allégories, récits poétiques et chants populaires&lt;/em&gt; (1876)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Gerhardt]&lt;/strong&gt; = Mia I. Gerhardt, &lt;em&gt;The Art of Story-telling&lt;/em&gt; (1963)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[H]&lt;/strong&gt; = Habicht Translation, 15 vols (1824-25)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[K/ ]&lt;/strong&gt; = Chauvin, &lt;em&gt;Bibliographie&lt;/em&gt;, vol. 2: “Kalîlah” (1897)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Kirby]&lt;/strong&gt; = W. F. Kirby, “Contributions to the Bibliography of the 1001 Nights” (1885)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[L/ ]&lt;/strong&gt; = Chauvin, &lt;em&gt;Bibliographie&lt;/em&gt;, vol. 3: “Louqmâne et les fabulistes” (1898)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[M]&lt;/strong&gt; = Mardrus Translation, 16 vols (1899-1904)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Mohdy]&lt;/strong&gt; = J. J. Marcel, &lt;em&gt;Contes du cheykh Él-Mohdy&lt;/em&gt;, 3 vols (1835)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[PI-III]&lt;/strong&gt; = &lt;em&gt;Tales from the Arabic&lt;/em&gt;, trans. John Payne, 3 vols (1884)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[P2]&lt;/strong&gt; = &lt;em&gt;Alaeddin &amp;amp; Zein ul Asnam&lt;/em&gt;, trans. John Payne (1889)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Perron]&lt;/strong&gt; = Perron, &lt;em&gt;Femmes arabes avant et depuis l’islamisme&lt;/em&gt; (1858)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Reinhardt]&lt;/strong&gt; = Aboubakr Chraibi, &lt;em&gt;Contes nouveaux des 1001 Nuits: Etude du manuscrit Reinhardt&lt;/em&gt; (1996)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[S]&lt;/strong&gt; = &lt;em&gt;Tales, Anecdotes and Letters&lt;/em&gt;, trans. Jonathan Scott (1800)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[S/ ]&lt;/strong&gt; = Chauvin, &lt;em&gt;Bibliographie&lt;/em&gt;, vol. 8: “Syntipas” (1904)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Spitta]&lt;/strong&gt; = Guillaume Spitta-Bey, &lt;em&gt;Contes arabes modernes, recueillis et traduits&lt;/em&gt; (1883)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[T]&lt;/strong&gt; = Felix Tauer, &lt;em&gt;Neue Erzählungen aus den 1001 Nächten&lt;/em&gt;, 2 vols (1982)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Tr]&lt;/strong&gt; = Trébutien Translation, 3 vols (1828)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[W]&lt;/strong&gt; = Weil Translation, 4 vols (1838-41)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[WM]&lt;/strong&gt; = Wortley-Montague Ms., 7 vols (1764-65)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[ZER]&lt;/strong&gt; = ‘Zotenberg’s Egyptian Recension’ (Paris, 1888)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt; &lt;table style="border-collapse: collapse; width: 355pt;" width="473" border="0" cellpadding="0" cellspacing="0"&gt;&lt;col style="width: 175pt;" width="233"&gt;  &lt;col style="width: 70pt;" width="93"&gt;  &lt;col style="width: 62pt;" width="83"&gt;  &lt;col style="width: 48pt;" width="64"&gt;  &lt;tbody&gt;&lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="height: 12.75pt; width: 175pt;" width="233" height="17"&gt;VERSIONS   &amp;amp; DATES&lt;/td&gt;   &lt;td class="xl64" style="width: 70pt;" width="93"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="width: 62pt;" width="83"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="width: 48pt;" width="64"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;[CONTENTS]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[1900-05]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[References]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[1885-88]&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;Introduction&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;King Shahryar and his Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 111a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 188&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 2&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Tale of the Bull and the Ass&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 179&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 16&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(1) Tale of   the Trader and the Jinni&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 194&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 22&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 24&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The First Shaykh's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 396&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 129&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 27&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Second Shaykh's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 397&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 6&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 32&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Third Shaykh's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 398&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 130&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 36&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(2) The   Fisherman and the Jinni&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 195&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 23&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 38&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Wazir and the Sage Duban&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 156&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 275&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 45&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a1/ King Sindibad and his Falcon&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 173&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 289&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 50&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a2/ The Husband and the Parrot&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 294&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 139&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 52&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a3/ The Prince and the Ogress&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 197: S/8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 26; 8:39&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 54&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Tale of the Ensorcelled Prince&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 222&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 56&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 69&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(3) The Three   Ladies of Baghdad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 148&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 251&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 82&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The First Kalandar's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 115&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 196&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 104&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Second Kalandar's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 197&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 113&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b1/ The Envier and the Envied&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 158&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 14&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 123&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Third Kalandar's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 117&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 200&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 139&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Eldest Lady's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 443&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 4&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 162&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Tale of the Portress&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 33&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 98&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 173&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e1/ Conclusion&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 148]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 252&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 184&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(4) Tale of   the Three Apples&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 302&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 186&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(5) Nur   Al-Din and Badr Al-Din Hasan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 270&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 102&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 195&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(6) The   Hunchback's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 105&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 180&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 255&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Nazarene Broker's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 249&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 80&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 262&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Reeve's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 305&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 220&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 278&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Tale of the Jewish Doctor&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 253&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 288&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Tale of the Tailor&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 300&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Barber's Tale of Himself&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 80&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 156&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 317&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e1/The Barber's First Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 157&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 319&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e2/ The Barber's Second Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 158&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 324&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e3/ The Barber's Third Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 159&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 328&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e4/ The Barber's Fourth Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 160&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 331&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e5/ The Barber's Fifth Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 161&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 335&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e6/ The Barber's Sixth Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 163&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 343&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d1/ The End of the Tailor's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 78]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 155&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;I, 348&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(7) Nur   Al-Din Ali and Anis Al-Jalis&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 58&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 120&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(8) Tale of   Ghanim Bin Ayyub&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 188&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 14&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 45&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Tale of the First Eunuch, Bukhayt&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 160&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 277&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 49&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Tale of the Second Eunuch, Kafur&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 161&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 278&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 51&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(9) Tale of   King Omar Bin Al-Nu'uman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 277&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 112&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 77&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Taj Al-Muluk and Princess Dunya&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 60&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 126&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 283&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a1/ Tale of Aziz and Azizah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 71&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 298&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Tale of the Hashish-Eater&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 278&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 124&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 91&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Tale of Hammad the Badawi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 277]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 124&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 104&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(10) The   Birds, Beasts &amp;amp; the Carpenter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 284: K/ 154:1&lt;span style=""&gt; &lt;/span&gt;&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 130; 2:225&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 114&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(11) The   Hermits&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 125&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;ii/ The Hermit and Pigeons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 125&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;iii/ The Shepherd's Temptation&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 3&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 126&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(12) The   Water-fowl and the Tortoise&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 5&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 129&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(13) The Wolf   and the Fox&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 6&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 227&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 132&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Falcon and the Partridge&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 7&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 227&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 138&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Two Invalids&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 227&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 140&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Man and the Serpent&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 9&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 227&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 145&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(14) The   Mouse and the Ichneumon&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 10&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 147&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(15) The Cat   and the Crow&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 4&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 149&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(16) The Fox   and the Crow&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 11&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 150&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Flea and the Mouse&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 12&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 151&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Saker and the Birds&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 154&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Sparrow and the Eagle&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 14&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 155&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(17) The   Hedgehog &amp;amp; the Wood-Pigeons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 228&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 156&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Seed badly Sown&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 16&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 229&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 156&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Merchant &amp;amp; the Two Sharpers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 17&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 229&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 158&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(18) The   Thief and his Monkey&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 229&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 159&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Foolish Weaver&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 19&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 229&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 159&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(19) The   Sparrow and the Peacock&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 154: 20&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 230&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 161&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(20) Ali Bin   Bakkar &amp;amp; Shams Al-Nahar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 76&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 153&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 162&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(21) Tale of   Kamar Al-Zaman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 120&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 204&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;III, 212&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Ni'amah bin Al-Rabia and Naomi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 263&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 96&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(22) Ala   Al-Din Abu Al-Shamat&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 29&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(23) Hatim of   the Tribe of Tayy&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 215&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 94&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(24) Ma'an   and the Three Girls&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 247&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 96&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(25) Ma'an   and the Badawi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 248&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 97&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(26) The City   of Labtayt&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 254&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 99&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(27) Caliph   Hisham and the Arab Youth&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 172&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 288&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 101&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(28) Ibrahim   and the Barber-Surgeon&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 219&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 103&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(29) The City   of Many-Columned Iram&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 224&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 36&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 113&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(30) Isaac of   Mosul&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 241&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 119&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(31) The   Sweep and the Noble Lady&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 306&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 148&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 125&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(32) The Mock   Caliph&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 174&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 99&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 130&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(33) Ali the   Persian&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 162&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 279&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 149&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(34) Harun   Al-Rashid &amp;amp; the Slave-Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 383&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 114&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 153&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(35) The   Lover who feigned Thief&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 403&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 134&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 155&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(36) Ja'afar   and the Bean-Seller&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 164&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 159&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(37) Abu   Mohammed hight Lazybones&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 233&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 64&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 162&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(38) Yahya   bin Khalid and Mansur&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 165&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 179&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(39) Yahya   bin Khalid and the Forger&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 166&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 181&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(40) Caliph   Al-Maamun &amp;amp; the Scholar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 163&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 279&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 185&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(41) Ali Shar   and Zumurrud&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 28&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 187&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(42) The   Loves of Jubayr and Budur&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 374&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 228&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(43) The Man   and his Six Slave-Girls&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 313&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 151&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 245&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(44) Harun   Al-Rashid and Abu Nowas&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 296&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 261&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(45) The Man   who Stole the Dog's Dish&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 191&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 20&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 265&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(46) The   Sharper and the Police-Chief&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 404&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 135&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 269&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(47) Al-Malik   &amp;amp; the Police-Chiefs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 427]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 147&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 271&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The New Cairo Police-Chief's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 427&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 148&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 271&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Bulaq Police-Chief's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 428a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 148&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 273&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Old Cairo Police-Chief's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 429&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 149&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 274&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(48) The   Thief and the Shroff&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 405&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 135&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 275&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(49) The Kus   Police-Chief &amp;amp; Sharper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 428b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 149&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 276&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(50) Ibrahim   &amp;amp; the Merchant's Sister&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 220&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 278&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(51) The   Woman with Cut-off Hands&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 67&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 281&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(52) The   Devout Israelite&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 68&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 283&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(53) Abu and   the Khorasan Man&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 257&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 285&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(54) The Poor   Man and his Friend&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 192&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 21&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 288&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(55) The Man   enriched by a Dream&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 258&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 94&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 289&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(56) Caliph   Al-Mutawakkil &amp;amp; Mahbubah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 105&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 291&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(57) Wardan,   the Lady and the Bear&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 101&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 177&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 293&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(58) The   King's Daughter and the Ape&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 102&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 178&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 297&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(59) The   Ebony Horse&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 130&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 221&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(60) Uns   Al-Wujud and Rose-in-Hood&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 282&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 127&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 32&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(61) Abu   Nowas and the Three Boys&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 297&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 64&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(62) Abdullah   and the Slave-Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 36&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 106&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 69&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(63) The   Lovers of the Banu Ozrah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 37&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 106&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 70&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(64) The   Wazir and his Young Brother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 38&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 107&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 71&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(65) The   Schoolboy and the Schoolgirl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 39&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 73&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(66)   Al-Mutalammis and Umaymah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 40&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 74&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(67) Harun   Al-Rashid and Zubaydah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 298&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 75&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(68) Harun   Al-Rashid and the Poets&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 299&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 77&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(69) Mus'ab   bin Al-Zubayr and Ayishah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 41&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 109&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 79&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(70) Abu   Al-Aswad and his Slave-Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 320&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 80&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(71) Harun   Al-Rashid &amp;amp; the Two Girls&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 314&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 81&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(72) Harun   Al-Rashid &amp;amp; the Three Girls&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 314]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 81&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(73) The   Miller and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 367&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 195&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 82&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(74) The   Simpleton and the Sharper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 406&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 136&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 83&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(75) The Kazi   Abu Yusuf with the Caliph&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 384&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 115&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 85&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(76) Caliph   Al-Hakim &amp;amp; the Merchant&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 86&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(77) Kisra   Anushirwan and the Damsel&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 198&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 87&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(78) The   Water-Carrier and the Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 361&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 192&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 89&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(79) Khusrau,   Shirin &amp;amp; the Fisherman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 164&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 280&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 91&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(80) Yahya   bin Khalid and the Poor Man&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 168&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 92&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(81) Mohammed   Al-Amin and the Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 42&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 109&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 93&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(82) The Sons   of Yahya and Said&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 94&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 169&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 94&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(83) The   Woman's Trick on her Husband&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 337&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 177&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 96&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(84) The   Woman &amp;amp; the Wicked Elders&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 362&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 192&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 97&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(85) Ja'afar   and the Old Badawi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 165&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 281&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 98&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(86) Omar and   the Young Badawi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 125&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 216&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 99&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(87)   Al-Maamun and the Pyramids&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 255&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 91&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 105&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(88) The   Thief and the Merchant&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 407&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 137&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 107&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(89) Masrur   and Ibn Al-Karibi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 166&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 282&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 109&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(90) The   Devotee Prince&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 363&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 193&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 111&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(91) The   Schoolmaster in Love&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 287&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 136&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 117&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(92) The   Foolish Dominie&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 288&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 137&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 118&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(93) The   Illiterate Schoolmaster&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 289&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 137&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 119&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(94) The King   and the Virtuous Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 391&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 120&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 121&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(95) Abd   Al-Rahman's Tale of the Rukh&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 256&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 92&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 122&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(96) Adi bin   Zayd and Princess Hind&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 216&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 50&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 124&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(97) Di'ibil   Al-Khuza'i with the Lady&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 127&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(98) Isaac of   Mosul and the Merchant&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 225&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 129&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(99) The   Three Unfortunate Lovers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 44&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 133&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(100) How Abu   Hasan brake Wind&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 167&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 283&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 135&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(101) The   Lovers of the Banu Tayy&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 45&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 111&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 137&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(102) The Mad   Lover&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 46&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 111&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 138&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(103) The   Prior who became a Moslem&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 137&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 237&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 141&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(104) Abu Isa   and Kurrat Al-Ayn&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 47&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 112&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 145&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(105) Al-Amin   and his Uncle Ibrahim&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 315&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 152&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(106) Al-Fath   and Al-Mutawakkil&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 316&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 153&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(107) The   Excellence of Male &amp;amp; Female&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 317&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 153&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 154&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(108) Abu   Suwayd and the Old Woman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 318&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 153&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 163&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(109) Ali bin   Tahir and the girl Muunis&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 319&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 164&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(110) A Boy   and a Man to Lover&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 48&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 112&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 165&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(111) Ali and   the Haunted House&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 22&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 77&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 166&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(112) The   Pilgrim and the Old Woman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 200&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 28&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 186&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(113) Abu   Al-Husn and Tawaddud&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 387&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 117&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 189&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(114) The   Angel of Death&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 349&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 183&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 246&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(115) The   Angel and the Rich King&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 350&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 184&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 248&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(116) The   Angel and the Israelite King&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 351&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 185&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 250&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(117)   Iskander and the Poor Folk&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 352&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 185&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 252&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(118) King   Anushirwan's Righteousness&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 199&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 27&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 254&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(119) The   Jewish Kazi and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 321&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 256&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(120) The   Shipwrecked Woman &amp;amp; Child&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 324&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 160&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 259&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(121) The   Pious Black Slave&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 353&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 186&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 261&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(122) The   Tray-maker and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 354&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 187&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 264&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(123)   Al-Hajjaj and the Pious Man&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 355&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 188&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 269&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(124) The   Blacksmith and the Fire&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 356&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 188&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 271&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(125) The   Devotee and the Cloud&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 357&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 189&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 274&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(126) The   Moslem &amp;amp; the Christian Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 238&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 277&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(127) The   Christian King's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 139&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 239&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 283&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(128) The   Prophet and Providence&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 358&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 190&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 286&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(129) The   Ferryman and the Hermit&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 359&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 191&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 288&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(130) The   Island King and the Israelite&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 325&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 161&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 290&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(131) Abu   Al-Hasan and Abu Ja'afar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 360&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 191&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 294&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(132) The   Queen of the Serpents&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 255&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 298&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Adventure of Bulukiya&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 77&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 304&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Story of Janshah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 153&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 39&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 329&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(133) Sindbad   the Seaman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 1&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The 1st Voyage of Sindbad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 7&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 4&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ the 2nd Voyage of Sindbad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 9&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 14&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The 3rd Voyage of Sindbad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373c&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 22&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ the 4th Voyage of Sindbad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373d&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 34&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ the 5th Voyage of Sindbad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373e&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 21&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 48&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The 6th Voyage of Sindbad [Galland]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373f&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 24&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f1/ The 6th Voyage of Sindbad [ZER]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373f&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 58&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The 7th Voyage of Sindbad [Galland]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373g&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 78&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g1/ The 7th Voyage of Sindbad [ZER]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 373h&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 27&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 68&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(134) The   City of Brass&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 16&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 32&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 83&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(135) The   Craft and Malice of Women&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 402: S/1&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:133; 8:33&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 122&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The King and his Wazir's Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:122; 8:35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 129&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Confectioner and the Parrot&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/3&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 132&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Fuller and his Son&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/4&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 36&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 134&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Rake's Trick against the Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/5&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 37&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 135&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Miser and the Loaves of Bread&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/6&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 38&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 137&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Lady and her Two Lovers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/7&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 38&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 138&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The King's Son and the Ogress&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/8b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 40&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 139&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Drop of Honey&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/9&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 41&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 142&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Husband who sifted Dust&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/10&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 42&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 143&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Enchanted Spring&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/11&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 145&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ The Wazir's Son and the Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/12&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 44&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 150&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l/ The Wife who cheated her Husband&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 45&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 152&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;m/ The Goldsmith and the Singing-Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/14&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 46&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 156&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n/ The Man who never laughed&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 47&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 160&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;o/ The King's Son and the Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/16&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 48&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 167&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;p/ The Page and the Birds&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/17&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 169&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;q/ The Lady and her Five Suitors&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 50&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 172&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;r/ The Three Wishes&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/19&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 51&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 180&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;S/The Stolen Necklace&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/20&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 53&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 182&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;t/ The Two Pigeons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/21: K/ 66&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;8:53; 2:104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 183&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;u/ Prince Behram and Al-Datma&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/22&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 184&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;v/ The House with the Belvedere&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/23&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 57&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 188&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;w/ The King's Son &amp;amp; Ifrit's Mistress&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/24&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 199&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;x/ The Poisoning&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/25&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 201&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;y/ The Merchant and the Sharpers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 60&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 202&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;z/ the Debauchee and the Child&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/27&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 62&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 208&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;aa/ The Stolen Purse&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/28&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 63&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 209&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;bb/ The Fox and the Folk&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/29&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 64&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 211&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(136) Judar   and his Brethren&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 154a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 257&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 213&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(137) Gharib   and his Brother Ajib&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 19&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 257&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(138) Otbah   and Rayya&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 115&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 91&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(139) Hind,   daughter of Al-Nu'uman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 50&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 115&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 96&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(140)   Khuzaymah and Ekrimah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 193&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 21&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 99&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(141) Yunus   the Scribe and the Caliph&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 51&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 104&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(142) Harun   Al-Rashid &amp;amp; the Arab Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 300&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 143&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 108&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(143)   Al-Asma'i and the Three Girls&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 301&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 110&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(144) Ibrahim   of Mosul and the Devil&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 226&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 113&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(145) The   Lovers of the Banu Uzrah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 117&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(146) the   Badawi and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 53&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 118&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 124&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(147) The   Lovers of Bassorah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 118&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 130&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(148) Ishak,   his Mistress &amp;amp; the Devil&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 227&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 60&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 136&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(149) The   Lovers of Al-Medinah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 55&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 119&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 139&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(150)   Al-Malik Al-Nasir and his Wazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 56&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 119&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 142&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(151) The   Rogueries of Dalilah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 147&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 245&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 144&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Mercury Ali of Cairo&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 147]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 248&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 172&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(152)   Ardashir and Hayat Al-Nufus&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 124&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 209&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(153) Julnar   the Sea-born&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 73&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 147&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 264&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(154) King   Mohammed bin Sabaik&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 348&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 64&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 308&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Sayf Al-Muluk and Badi'a Al-Jamal&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 348]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 65&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 314&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(155) Hasan   of Bassorah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 212a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 29&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 7&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(156)   Khalifah, Fisherman of Baghdad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 190&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 145&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Khalif the Fisherman [Breslau ed.]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 190]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 18&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 184&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(157) Masrur   and Zayn Al-Mawassif&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 251&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 205&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(158) Ali Nur   Al-Din and Miriam&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 271&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 264&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(159) The Man   and his Frankish Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 240&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 19&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(160) The   Ruined Man &amp;amp; his Slave-Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 75&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 24&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(161) King   Jali'ad &amp;amp; his Wazir Shimas&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No.184:K/150-2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:9; 2:216&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 32&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Mouse and the Cat&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 218&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 35&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Fakir and his Jar of Butter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 3&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 218&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 40&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Fishes and the Crab&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 4&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 219&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 43&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Crow and the Serpent&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 5&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 219&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 46&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Wild Ass and the Jackal&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 6&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 219&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 48&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The King and the Pilgrim Prince&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 7&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 219&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 50&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Crows and the Hawk&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 220&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 53&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Serpent-Charmer and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 9&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 220&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 56&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Spider and the Wind&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 10&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 220&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 59&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Two Kings&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 12&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 221&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 65&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ The Blind Man and the Cripple&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 221&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 67&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l/ The Lion and the Hunter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 222&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 72&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;m/ The Foolish Fisherman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 16&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 222&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 93&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n/ The Boy and the Thieves&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 17&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 222&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 95&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;o/ The Man and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 19&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 223&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 98&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;p/ The Merchant and the Robbers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 20&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 223&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 100&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;q/ The Jackals and the Wolf&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 21&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 223&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 103&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;r/ The Shepherd and the Rogue&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 22&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 223&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 106&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;S/The Francolin and the Tortoises&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;K/ 152: 23&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;II, 224&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 113&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(162) Abu Kir   and Abu Sir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 10&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 134&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(163) The   Abdullahs of Sea and Land&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 3&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 6&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 165&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(164) Harun   Al-Rashid and Abu Hasan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 276&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 111&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 188&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(165) Ibrahim   and Jamilah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 218&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 207&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(166) Abu   Al-Hasan of Khorasan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 129&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 218&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 229&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(167) Kamar   Al-Zaman &amp;amp; the Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 121&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 212&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 246&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(168)   Abdullah bin Fazil &amp;amp; his Brothers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 304&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(169) Ma'aruf   the Cobbler &amp;amp; his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 250&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;X, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(170) The   Sleeper and the Waker&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 155&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 272&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Story of the Larrikin and the Cook&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 436&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 155&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 4&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(171) Caliph   Omar and the Poets&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 295&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 39&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(172)   Al-Hajjaj &amp;amp; the Three Young Men&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 205&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 47&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(173) The   Woman of the Barmecides&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 169&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 51&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(174) The Ten   Wazirs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 402: S/48&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:133; 8:78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 55&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Of Striving against Ill Luck&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 63&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a1/ The Merchant who Lost his Luck&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 65&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Of Looking to the Ends of Affairs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/50&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 80&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 73&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b1/ Tale of the Merchant and his Sons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 327e: S/50&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 166&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 73&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Of the Advantages of Patience&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/51&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 81&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c1/ Story of Abu Sabir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/51&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 81&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Of the Ill Effects of Impatience&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 89&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d1/ Story of Prince Bihzad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 89&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Of Good and Evil Actions&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/53&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 93&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e1/ Story of King Dadbin &amp;amp; his Wazirs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/53&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 94&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ Of Trust in Allah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 102&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f1/ Story of King Bakhtzaman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/54&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 102&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ Of Clemency&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/55&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 107&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g1/ Story of King Bihkard&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/55&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 107&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ Of Envy and Malice&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/56&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 111&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h1/ Aylan Shah and Abu Tammam&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/56&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 112&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ Of Destiny or that which is written&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/57&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 120&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i1/ Story of King Ibrahim &amp;amp; his Son&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/57&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 121&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ Of the Appointed Term&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/58&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 129&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j1/ King Sulayman Shah &amp;amp; his Niece&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/58&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 131&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ Of the Speedy Relief of Allah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 151&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k1/ Story of the Prisoner&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/59&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 151&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(175) Ja'afar   &amp;amp; Abd Al-Malik bin Salih&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 167&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 159&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(176)   Al-Rashid and the Barmecides&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Nos 91-92&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 167&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 165&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(177) Ibn   Al-Sammak and Al-Rashid&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 393&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 125&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 171&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(178)   Al-Maamun and Zubaydah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 244&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 77&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 175&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(179) The   Arab of the Banu Tay&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 124&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 215&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 179&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(180) Firuz   and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 391b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 121&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 185&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(181) King   Shah Bakht and his Wazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 402: S/60&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:133; 8:90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 191&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Man, his Son &amp;amp; his Tutor&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/61&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 194&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Tale of the Singer and the Druggist&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/62&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 91&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 203&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Quintessence of Things&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/63&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 163&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 212&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Richard and his Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/64&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 92&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 218&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Tale of the Sage and his Three Sons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/65&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 222&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Prince who loved a Picture&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/66&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 226&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Fuller, his Wife &amp;amp; the Trooper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/67&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 231&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Merchant, Crone and King&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/68&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 96&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 235&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ Tale of the Simpleton Husband&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/69&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 97&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 239&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Unjust King and the Tither&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/70&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 98&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 242&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j1/ Story of David and Solomon&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/71&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 99&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 244&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ Tale of the Robber and the Woman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/72&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 100&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 246&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l/ The Three men and Our Lord Isa&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/73&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 100&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 250&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l1/ The Disciple's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/73&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 101&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 251&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;m/ Tale of the Dethroned Ruler&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/74&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 101&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 253&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n/ The Man whose Caution slew him&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/75&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 102&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 258&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;o/ The Man lavish of his House&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/76&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 102&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 259&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;p/ The Melancholist and the Sharper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/77&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 264&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;q/ Khalbas, his Wife &amp;amp; the Scholar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 267&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;r/ The Devotee accused of Lewdness&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 322b: S/79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:157;8:104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 270&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;S/Tale of the Hireling and the Girl&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/80&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 279&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;t/ The Weaver who became a Leach&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 105&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 282&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;u/ The Two Sharpers cozened&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 106&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 288&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;v/ The Sharpers, Shroff and the Ass&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 107&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 298&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;w/ Tale of the Cheat &amp;amp; the Merchants&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 302&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;w1/ Story of the Falcon &amp;amp; the Locust&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/85: L/ 50: 25&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;8:108; 3:61&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 305&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;x/ The King &amp;amp; his Chamberlain's Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:123;8:108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 308&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;x1/ The Crone and the Draper's Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 109&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 309&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;y/ The Ugly Man &amp;amp; his Beautiful Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 109&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 315&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;z/ The King who Lost his Kingdom&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 327b: S/89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:164;8:110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 319&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;z1/ Tale of Salim &amp;amp; Salma his Sister&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 332&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;z2/ The King of Hind and his Wazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/91&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 111&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XI, 352&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(182) Bibars   &amp;amp; the Captains of Police&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Nos 408-26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 3&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ First Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 408a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 6&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Second Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 409&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 16&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Third Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 410&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 19&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Fourth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 411&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 140&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 23&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Fifth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 412&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 26&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ Sixth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 413&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 27&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ Seventh Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 414&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 30&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ Eighth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 415&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 34&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h1/ The Thief's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 416&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 143&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 42&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ Ninth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 417&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 143&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 44&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ Tenth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 418&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 47&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ Eleventh Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 419&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 49&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l/ Twelfth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 420&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 144&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 52&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;m/ Thirteenth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 421&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 145&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 53&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n/ Fourteenth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 422&lt;span style=""&gt; &lt;/span&gt;&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 145&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 54&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n1/ A Merry Jest of a Clever Thief&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 423&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 146&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 56&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n2/ Tale of the Old Sharper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 424&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 146&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 57&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;o/ Fifteenth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 425&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 146&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 59&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;p/ Sixteenth Constable's History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 426&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 147&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 63&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(183)   Al-Rashid &amp;amp; Abdullah bin Nafi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 211&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 46&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 67&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Tohfat Al-Kulub &amp;amp; the Caliph&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 211]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 46&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 70&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(184) Women's   Wiles&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 331a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 173&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 137&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(185) Nur   Al-Din Ali and Sitt Al-Milah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 269&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 100&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 151&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(186) King   Ins bin Kays &amp;amp; his Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 61&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 128&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 191&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(187) The   Kings &amp;amp; Wazir's Daughters&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 111c&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 189&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 263&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(188) The   Concubine and the Caliph&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 178&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 290&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 275&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(189) The   Concubine of Al-Maamun&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 179&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 291&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XII, 281&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(190)   Conclusion&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 111b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 189&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;X, 54&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(191) The   Tale of Zayn Al-Asnam&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 442&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 165&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII i, 3&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(192)   Khudadad and his Brothers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 237&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 69&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII i, 269&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Princess of Daryabar's history&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 237&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 70&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII i, 281&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(193)   Alaeddin; or, the Wonderful Lamp&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 19&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 55&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII i, 51&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(194) The   Caliph's Night Adventure&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 209&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 44&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 307&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Blind Man, Baba Abdullah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 72&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 146&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 311&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ History of Sidi Nu'uman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 371&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 198&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 325&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ History of Khwajah Hasan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 202&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 31&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 341&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(195) Ali   Baba and the Forty Thieves&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 24&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 369&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(196) Ali   Khwajah and the Merchant&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 26&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 405&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(197) Prince   Ahmad and the Peri-Banu&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 286&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 133&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 419&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(198) The Two   Envious Sisters&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 375&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIII ii, 491&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(199) Ja'afar   the Barmecide&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[Nos 90-91]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 166&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[IV, 181]&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(200) Ali and   Zaher of Damascus&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 21&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 70&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Story of Tarad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 21]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 73&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(201)   Adventures of Judar of Cairo&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 154b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 261&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Mahmood's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 154]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 261&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Story of Queen Daruma&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 154]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 265&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Taj Al-Muluk, King of Tauris&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 154]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 268&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Story of the Golden Castle&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 154]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 271&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(202) The   Physician and the Young Man&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 253]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[I, 288]&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(203) The   Sultan and his Three Sons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 438&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 158&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(204) Story   of the Three Sharpers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 439&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 162&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 17&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Sultan in a Darwaysh's Habit&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 439]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 163&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 35&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Mohammed, Sultan of Cairo&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 234&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 67&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 37&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Story of the First Lunatic&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Nos 175-76&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 101&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 49&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Story of the Second Lunatic&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 331b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 174&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 67&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Story of the Sage and the Scholar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 377&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 102&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 74&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Three Foolish Schoolmasters&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 385&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 90&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Broke-back Schoolmaster&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 290&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 137&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 95&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Split-mouthed Schoolmaster&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 291&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 97&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ Story of the Limping Schoolmaster&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 292&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 101&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Sultan's Visit to the Sisters&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 385]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 102&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ The Three Sisters and their Mother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 327a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 162&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 109&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(205) The   Kazi who bare a Babe&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 107&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 184&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 167&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(206) The   Kazi and the Bhang-Eater&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 279&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 125&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 187&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Bhang-Eater and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 280&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 125&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 202&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ How Abu Kasim became a Kazi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 230&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 62&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 210&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Kazi and his Slipper&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 283&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 129&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 212&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Tale of the Bhang-Eater&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 189&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 17&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 215&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d1/ The Bhang-Eater become Wazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Nos 231-32&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 63&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 235&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(207) The   Sultan and Mahmud the 'Ajamí&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 385b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 117&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 241&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Tale of Mahmud the Persian&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 162]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 279&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 242&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Sultan and the Poor Man&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 146&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 245&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 242&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Three Princes and the Bird&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 273&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 244&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Fruit-Seller and the Concubine&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 146]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 245&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 256&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The King of Al-Yaman and his Sons&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 182&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 5&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 258&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ History of the First Larrikin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 430&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 150&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 281&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ History of the Second Larrikin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 431&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 151&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 290&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ History of the Third Larrikin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 432&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 294&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Sultan of Al-Hind and his Son&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 274&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 297&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(208) j/ Tale   of the Fisherman's Son&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 20&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 68&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 314&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ The Third Larrikin's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 178&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 329&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(209) Abu   Niyyah and Abu Niyyatayn&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 11&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XIV, 334&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Courtier's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 52&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 116&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[VII, 117]&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Another relation of the Courtier&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Shaykh with Beard shorn&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(210) The   Prince &amp;amp; the Lady Fatimah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 372&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 199&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(211) History   of the Lovers of Syria&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 30&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 94&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 19&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(212)   Al-Hajjaj bin Yusuf and Sayyid&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 204&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 34&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 37&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Sultan's Son &amp;amp; Wazir's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(213) Tale of   Sultan Káyyish&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 235&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 68&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(214) The   Young Lady Turned Gazelle&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(215) The   History of Mázin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 212b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(216) Harun   Al-Rashid and Manjab&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 177&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 61&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Lovers of Bassorah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 374]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[VII, 130]&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Night Adventure of Harun Al-Rashid&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 177]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 62&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Tale told by Manjab&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 177]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 65&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Darwaysh &amp;amp; the Barber's Boy&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 378&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 105&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Tale of the Simpleton Husband&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 332: S/69&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:175;8:142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 116&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Wife and her two Gallants&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(217) Loves   of Al-Hayfa and Yusuf&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 206&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 35&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 121&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(218) The   Three Princes of China&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 239&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 72&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 211&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(219) History   of the First Brave&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(220) History   of another Brave&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(221) The   Adventures of a Simpleton&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(222) The   Goodwife of Cairo&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(223) The   Righteous Wazir gaoled&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 401: S/108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:132;8:122&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 229&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(224) The   Youth, Barber and Captain&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 79&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 156&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 241&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(225) The   Wife and her Four Gallants&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 185&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 11&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 251&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Tailor, the Lady &amp;amp; the Captain&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 333: S/142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:175;8:142&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 261&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Syrian and the Women of Cairo&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 335&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 176&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 271&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Lady with Two Coyntes&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 336&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 176&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 279&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Whorish Wife vaunting Virtue&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 338&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 177&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 287&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(226) CÏlebs   the Droll and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 187&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 295&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(227) The   Gate-Keeper &amp;amp; the She-Thief&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 408b&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 139&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 307&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(228) Tale of   Mohsin and Musa&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 9&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 13&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 319&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(229)   Mohammed the Shalabi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 339&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 178&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 333&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(230) The   Fellah and his wicked Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 340&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 178&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 345&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(231) The   Woman and her Lover&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 341&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 179&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 355&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(232) The   Kazi schooled by his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 108&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 185&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 361&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(233) The   Merchant's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 150&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 253&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 371&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(234) The   Story of Ahmed and Ali&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(235) The   Fellah and his fair Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(236) The   Youth &amp;amp; his Father's Wives&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 342&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 180&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 439&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(237) Story   of the Two Lack-Tacts&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 168&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 283&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 453&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(238) The   Tale of Musa and Ibrahim&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(239) The   Brother Wazirs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 32&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Story of the Unfaithful Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(240) The   Thief and his Step-mother&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(241) The   Kazi and his Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 322a&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 155&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The King's Tale of Himself&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 326&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 162&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XV, 463&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Sultan of Al-'Irák&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(242) Shaykh   Nakkit the Fisherman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ the Sultan of Andalusia&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 57&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 120&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(243) Sultan   Taylún and the Fellah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(244) The   Sage and his Servant-lad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IV, 208&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(245) The   Merchant's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 133&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 234&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(246) The   History of Al-Bundukani&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 106&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 182&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 39&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(247) The   Warlock &amp;amp; Cook of Baghdad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 376&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 100&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 119&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(248) The Say   of Haykar the Sage&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 207&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 36&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 1&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(249) The   Tale of Attaf&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 64&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 135&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 165&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(250) The   History of Prince Habib&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 203&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 32&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 223&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The History of Durrat Al-Ghawwas&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 203]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 33&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 234&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(251) The   Forty Wazirs&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 402: S/93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:133;8:112&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Story of Shaykh Shahabeddin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/94&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:105;8:113&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Gardener, his Son, and the Ass&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 139&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Sultan Mahmoud and his Wazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/119&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 129&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Brahman Padmanaba and Fyquai&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 118&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Story of Sultan Akshid&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 123&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Husband, Lover and Thief&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 123&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Princess of Georgia&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/121&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;7:74; 8:130&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Cobbler &amp;amp; the King's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/136&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Woodcutter and the Genius&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Royal Parrot&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/162&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 157&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(252) The   King and Queen of Abyssinia&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/58&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(253) Story   of Princess Amina&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 31&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Story of the Princess of Tartary&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 31]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 95&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Story told by the Old Man's Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 31]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 97&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(254) Story   of Ali Johari&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 27&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(255) The two   Princes of Cochin China&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 134&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 234&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(256) Story   of the two Husbands&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 151&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 253&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Story of Abdallah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 149&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 252&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Story of the Favourite&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 334&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 176&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(257) Yusuf   and the Indian Merchant&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 441&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 164&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(258) Story   of Prince Benazir&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 100&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 175&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(259) Story   of Selim, Sultan of Egypt&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 369: S/115&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;6:196;8:127&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Story of the Cobbler's Wife&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 267&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 99&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Story of Adileh&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 11: S/104&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;5:17; 8:119&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Story of the scarred Kalender&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 118&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 203&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Continuation of the Story of Selim&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 369]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 197&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(260) Story   of Seif Sul Yesn&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 347&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 183&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;X, 475&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(261) The   Labourer and the Chair&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 131&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 232&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(262) Story   of Ahmed the Orphan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 14?&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 32&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(263) The   Three Princes and the Genius&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 181&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 1&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 363&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(264) The   Linguist-Dame &amp;amp; the Duenna&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 114&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 194&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 87&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(265) The   Cock and the Fox&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 141&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 240&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 143&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(266) The   Fowl-let and the Fowler&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 275&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 110&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;XVI, 151&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(267) The   Idiot; or, Story of Xailoun&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 437&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 155&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(268)   Alibengiad, Sultan of Herat&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 25&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(269) The   Family of the Schebandad&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 366&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 194&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Abil Hasan's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 29&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 92&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Debil Hasan's Story&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 392&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 124&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Dream of Valid Hasan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 328&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 171&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(270) History   of Maugraby&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 252&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Halaiaddin, Prince of Persia&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 85&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ Yemaladdin, Prince of Great Katay&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Baha-Ildur, Prince of Cinigae&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Badvildinn, Prince of Tartary&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 86&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Shahadildin, Prince of Damascus&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Amours of Maugraby&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Birth of Maugraby&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 252]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 88&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(271) Solomon   and the Queen of Sheba&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Death and Downfall of Solomon&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Story of the Deceitful Widow&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(272) The   Story of Ibn Tamim Addari&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(273) The   Adventures of Sultan Beibars&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The History of the Moslems&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Treacherous Priest Djawan&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Early life of Schahin&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ Salech's Dream, Beibars' Birth&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Youth of Zaher Beibars&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ Djawan's Plot against Beibars&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ Beibars and the Princess Mariam&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ Beibars Meets his Brother &amp;amp; Uncle&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ Djawan's New Plot, Beibars' Dream&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ Beibars' Adventures in Syria&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(274) Ali the   Fisherman&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(275)   Satilatlas and Hamamatelliwa&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(271) The   Parable of True Learning&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 444&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 169&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(272) The   Keys of Destiny&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 388&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 39&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(273) The   Diwan of Easy Jests&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 80&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Buhlûl the Jester&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 393a-e&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 126&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Tale of the Kadi-Mule&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 445&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 170&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Kadi and the Ass's Foal&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 446&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 171&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Tale of the Astute Kadi&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 448: S/245&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 172&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Man Who Understood Women&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 447&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 171&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(274) The   Tale of the Unending Treasure&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 5&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 8&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(276) The   Tale of Princess Zulaikah&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;S/65&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VIII, 93&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(277) Sweet   Tales of Careless Youth&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ Hard-Head &amp;amp; his Sister Little-Foot&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 149&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Anklet&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 63&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;SHORT TITLES&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;CHAUVIN 2&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;BURTON&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The He-Goat &amp;amp; the King's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 87&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Prince and the Tortoise&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 103&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Chick-Pea Seller's Daughter&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 185&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Looser&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 123&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Captain of Police&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Artin, 195&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Gelded Barber&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;V, 154&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(278) The   Tale of Prince Diamond&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Garcin, 423&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(279) Some   Jests and Suggestions&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;D &amp;amp; M&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(280) Baibars   and His Captains&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[Nos 408-26]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 138&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Second Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Third Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ The Fourth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 43&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Fifth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 30&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ The Sixth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 61&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ The Eighth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 112&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ The Ninth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 105&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 82&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Tenth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 94&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Eleventh Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 152&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Twelfth Captain's Tale&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Spitta, 1&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(281) The Sea   Rose of the Girl of China&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Garcin, 307&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(282) Windows   on the Garden of History&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Mohdy I, 44&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;a/ The Poet Duraid and His Love&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 83, 268-90&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;b/ The Warrior Daughters of Find&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 49&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;c/ Princess Fatimah and Murakkish&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 64-69&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;d/ The Vengeance of King Hujr&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 88-91&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;e/ Men in their Wives' Judgement&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 34, 322&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;f/ Tales of Umar ibn al-Khattab&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 336-41&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;g/ Blue Salamah the Singer&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 477-81&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;h/ The Tale of the Parasite&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 514-15&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;i/ The Tale of the Slave of Destiny&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 502-11&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;j/ The Tale of the Fatal Collar&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 543-45&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;k/ Ishak of Mosul and the Lost Melody&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 458-63&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;l/ The Two Dancers&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Perron, 486-89&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 83&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;m/ The Pistachio Oil Cream&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;[No. 383]&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VII, 114&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;&lt;span style=""&gt;  &lt;/span&gt;n/ The Arab Girl at the Fountain&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;No. 246&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;VI, 78&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt;  &lt;tr style="height: 12.75pt;" height="17"&gt;   &lt;td class="xl64" style="border-top: medium none; height: 12.75pt;" height="17"&gt;(283) Prince   Jasmine and Almond&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;Garcin, 481&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;IX, 84&lt;/td&gt;   &lt;td class="xl64" style="border-top: medium none;"&gt;-&lt;/td&gt;  &lt;/tr&gt; &lt;/tbody&gt;&lt;/table&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" alt="" id="BLOGGER_PHOTO_ID_5362591049088274098" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-698111676588052445?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/698111676588052445/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=698111676588052445' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/698111676588052445'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/698111676588052445'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/concordance-notes.html' title='Table of References'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZO6brBJskrI/RvsnQkrOrzI/AAAAAAAAAVg/uZtLuV7DWo8/s72-c/art6.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-1795654204819275309</id><published>2007-09-26T16:49:00.000-07:00</published><updated>2009-07-26T13:06:45.724-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Preface'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><title type='text'>Preface</title><content type='html'>&lt;div style="text-align: center;"&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_ZO6brBJskrI/RvsJ20rOrtI/AAAAAAAAAUw/OKcHABie_9s/s1600-h/Sultanabad_Carpet_circa_1900_Lot_119_s.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114692639266877138" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://3.bp.blogspot.com/_ZO6brBJskrI/RvsJ20rOrtI/AAAAAAAAAUw/OKcHABie_9s/s320/Sultanabad_Carpet_circa_1900_Lot_119_s.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.persiancarpetguide.com/sw-asia/Rugs/Persian/Sultanabad_Rugs/Guide_To_Sultanabad_Rugs.htm"&gt;Sultanabad Carpet&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;The two major events in &lt;em&gt;Nights &lt;/em&gt;scholarship since the bulk of this book was written, between 1991 and 1995, have been the appearance of Ulrich Marzolph and Richard van Leeuwen's 2-volume &lt;em&gt;Arabian Nights Encyclopedia &lt;/em&gt;(Santa Barbara, CA / Denver CO / Oxford, UK: ABC Clio, 2004) - a peerlessly authoritative (and instantly indispensable) work of scholarship - and the completion of Andre Miquel and Jamel Eddine Bencheikh's fully-annotated 3-volume French translation of the Arabic text in the Bibliotheque de la Pleiade (Paris: Gallimard, 2005-6).&lt;br /&gt;&lt;br /&gt;The &lt;em&gt;Arabian Nights Encyclopedia &lt;/em&gt;includes (in volume 2 pp. 743-82), a list of stories and editions of the Nights which largely supersedes my own more tortuous attempts to reconcile the numbering systems created by the two pioneers in this endeavour: W. F. Kirby and Nikita Eliseef. Nevertheless, I have still thought it worthwhile to include my story-concordance in this collected version of my &lt;em&gt;Arabian Nights&lt;/em&gt; papers to date. There are certain features in it which may make it useful even to those who have the &lt;em&gt;Encyclopedia &lt;/em&gt;to hand.&lt;br /&gt;&lt;br /&gt;The main reason why it seems opportune to publish this material now is the fact that it embodies a certain attitude towards the &lt;em&gt;Nights&lt;/em&gt;, and towards their place in the larger scheme of Comparative Literature which has not yet found enough of a voice. Origin studies and linguistic analysis are still in the ascendant.&lt;br /&gt;&lt;br /&gt;I prefer to approach the &lt;em&gt;Nights &lt;/em&gt;from the point of view of the cultural impact they've had than to attempt to answer questions about what they really &lt;em&gt;are&lt;/em&gt;.&lt;br /&gt;&lt;br /&gt;In one sense the answer is obvious: a collection of Arabic tales translated (with supplementary materials) by the Frenchman Antoine Galland between 1704 and 1717. In another sense, it's the constantly-morphing &lt;em&gt;concept&lt;/em&gt; of a book which has beguiled and bedevilled writers, critics and translators for 300 years - a process which shows no signs of abating, as postmodern relativism permeates ever deeper into popular culture.&lt;br /&gt;&lt;br /&gt;We no longer have so much trouble imagining a book which could be said to have invented and written itself. Do we find it any easier to read, though? I would suspect not. "In dreams begin responsibilities." The more uncertain and malleable our readings become, the more responsibility we have to assume for them. Are the &lt;em&gt;Nights&lt;/em&gt;, finally, simply a vessel for stereotypical Western fantasies of the Oriental other, or is it possible to claim a more positive cultural role for them over the past three centuries of European hegemony?&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;- Dr Jack Ross, Massey Albany, September 2007&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-1795654204819275309?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/1795654204819275309/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=1795654204819275309' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/1795654204819275309'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/1795654204819275309'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/preface.html' title='Preface'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZO6brBJskrI/RvsJ20rOrtI/AAAAAAAAAUw/OKcHABie_9s/s72-c/Sultanabad_Carpet_circa_1900_Lot_119_s.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-1577821525982682824</id><published>2007-09-26T16:08:00.000-07:00</published><updated>2009-07-28T17:07:21.962-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kirby'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard F. Burton'/><category scheme='http://www.blogger.com/atom/ns#' term='Concordance'/><category scheme='http://www.blogger.com/atom/ns#' term='Chauvin'/><category scheme='http://www.blogger.com/atom/ns#' term='Eliséef'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><category scheme='http://www.blogger.com/atom/ns#' term='translations'/><title type='text'>A List of Stories in the 1001 Nights</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ZO6brBJskrI/SS8GMIYXGgI/AAAAAAAACA0/Q64rAtjBpG8/s1600-h/arabic+graffiti.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_ZO6brBJskrI/SS8GMIYXGgI/AAAAAAAACA0/Q64rAtjBpG8/s400/arabic+graffiti.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5273440494151997954" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://lobodelmar.blogspot.com/2008/02/graffiti.html"&gt;Arabic graffiti&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;TITLES / NIGHTS&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;List of Abbreviations:&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;[Anderson]&lt;/strong&gt; = Anderson's recension of the Wortley-Montague Ms.&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[B]&lt;/strong&gt; = Breslau Edition, 12 vols (1825-43)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Bulaq]&lt;/strong&gt; = Bulaq Edition, 2 vols (1835)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Burton]&lt;/strong&gt; = Burton Translation, 16 vols (1885-88)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[C1]&lt;/strong&gt; = First Calcutta Edition, 2 vols (1814-18)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Calc. 2]&lt;/strong&gt; = Macnaghten or Second Calcutta Edition, 4 vols (1839-42)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Chauvin]&lt;/strong&gt; = Victor Chauvin, &lt;em&gt;Bibliographie des ouvrages arabes&lt;/em&gt;, 12 vols (1892-1922)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Ch]&lt;/strong&gt; = Chavis and Cazotte Translation, 4 vols (1788-89)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[D]&lt;/strong&gt; = &lt;em&gt;Les Dames de Bagdad&lt;/em&gt;, trans. André Miquel (1991)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Encyclopedia]&lt;/strong&gt; = Ulrich Marzolph and Richard van Leeuwen, ed. &lt;em&gt;Arabian Nights Encyclopedia&lt;/em&gt;, 2 vols (2004), 2: 743-82&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Eliséef]&lt;/strong&gt; = Nikita Eliséef, &lt;em&gt;Thèmes et Motifs des Mille et Une Nuits&lt;/em&gt; (1949: 190-205)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Galland]&lt;/strong&gt; = Galland Translation, 12 vols (1704-17)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Gerhardt]&lt;/strong&gt; = Mia I. Gerhardt, &lt;em&gt;The Art of Story-telling&lt;/em&gt; (1963)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[H]&lt;/strong&gt; = Habicht Translation, 15 vols (1824-25)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Kirby]&lt;/strong&gt; = W. F. Kirby, “Contributions to the Bibliography of the 1001 Nights” (Burton, 1885, X: 514-31)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[M]&lt;/strong&gt; = Mardrus Translation, 16 vols (1899-1904)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[PI-III]&lt;/strong&gt; = &lt;em&gt;Tales from the Arabic&lt;/em&gt;, trans. John Payne, 3 vols (1884)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[P2]&lt;/strong&gt; = &lt;em&gt;Alaeddin &amp;amp; Zein ul Asnam&lt;/em&gt;, trans. John Payne (1889)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Reinhardt]&lt;/strong&gt; = Aboubakr Chraïbi, &lt;em&gt;Contes nouveaux des 1001 Nuits: Étude du manuscrit Reinhardt&lt;/em&gt; (1996)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[S]&lt;/strong&gt; = &lt;em&gt;Tales, Anecdotes and Letters&lt;/em&gt;, trans. Jonathan Scott (1800)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[T]&lt;/strong&gt; = Felix Tauer, &lt;em&gt;Neue Erzählungen aus den 1001 Nächten&lt;/em&gt;, 2 vols (1982)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[Tr]&lt;/strong&gt; = Trébutien Translation, 3 vols (1828)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[W]&lt;/strong&gt; = Weil Translation, 4 vols (1838-41)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[WM]&lt;/strong&gt; = Wortley-Montague Ms., 7 vols (1764-65)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;[ZER]&lt;/strong&gt; = ‘Zotenberg’s Egyptian Recension’ (Paris, 1888)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;strong&gt;Key to Numbering:&lt;/strong&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Ross&lt;/strong&gt; = Decimal numbers&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Encyclopedia&lt;/strong&gt; = {curly brackets}&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Eliséef&lt;/strong&gt; = [square brackets]&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Kirby&lt;/strong&gt; = (parentheses)&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Burton&lt;/strong&gt; = &lt;em&gt;Titles&lt;/em&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Calc. 2 &amp;c.&lt;/strong&gt; = (Nights)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_ZO6brBJskrI/SmzAuEFugvI/AAAAAAAACXs/tBwJzFAmnrA/s1600-h/abacus.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 266px;" src="http://1.bp.blogspot.com/_ZO6brBJskrI/SmzAuEFugvI/AAAAAAAACXs/tBwJzFAmnrA/s400/abacus.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362873153895695090" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.physicsforums.com/showthread.php?p=1985032"&gt;Abacus&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;Introduction (-)&lt;br /&gt;&lt;br /&gt;0. {1} &lt;em&gt;Story of King Shahryar and his Brother&lt;/em&gt; (-)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{2} a) &lt;em&gt;Tale of the Bull and the Ass&lt;/em&gt; (-)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{3} b) &lt;em&gt;The Merchant and His Wife&lt;/em&gt; (-)&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;{4} [1] (1) &lt;em&gt;Tale of the Trader and the Jinni&lt;/em&gt; (Nights 1-3)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{5} a) &lt;em&gt;The First Shaykh's Story&lt;/em&gt; (Night 1)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{6} b) &lt;em&gt;The Second Shaykh's Story&lt;/em&gt; (Night 2)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{7} c) &lt;em&gt;The Third Shaykh's Story&lt;/em&gt; (Nights 2-3)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{8} [2] (2) &lt;em&gt;The Fisherman and the Jinni&lt;/em&gt; (Nights 3-9)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{9} a) &lt;em&gt;Tale of the Wazir and the Sage Duban&lt;/em&gt; (Nights 4-6)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{10} a1) &lt;em&gt;Story of King Sindibad and his Falcon&lt;/em&gt; (Night 5)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{11} a2) &lt;em&gt;Tale of the Husband and the Parrot&lt;/em&gt; (Night 5)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{12} a3) &lt;em&gt;Tale of the Prince and the Ogress&lt;/em&gt; (Night 5)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{13} b) &lt;em&gt;Tale of the Ensorcelled Prince&lt;/em&gt; (Nights 7-9)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{14} [3] (3) &lt;em&gt;The Porter and the Three Ladies of Baghdad&lt;/em&gt; (Nights 9-19)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{15} a) &lt;em&gt;The First Kalandar's Tale&lt;/em&gt; (Nights 11-12)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{16} b) &lt;em&gt;The Second Kalandar's Tale&lt;/em&gt; (Nights 12-14)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{17} b1) &lt;em&gt;Tale of the Envier and the Envied&lt;/em&gt; (Night 13)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{18} c) &lt;em&gt;The Third Kalandar's Tale&lt;/em&gt; (Nights 14-16)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{19} d) &lt;em&gt;The Eldest Lady's Tale&lt;/em&gt; (Nights 17-18)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{20} e) &lt;em&gt;Tale of the Portress&lt;/em&gt; (Night 18)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;e1) &lt;em&gt;Conclusion of the Story of the Porter and Three Ladies&lt;/em&gt; (Nights 18-19)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{21} [4] (4) &lt;em&gt;Tale of the Three Apples&lt;/em&gt; (Nights 19-20)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{22} [5] (5) &lt;em&gt;Tale of Nur Al-Din and his Son Badr Al-Din Hasan&lt;/em&gt; (Nights 20-24)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{23} [6] (6) &lt;em&gt;The Hunchback's Tale&lt;/em&gt; (Nights 24-34)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{24} a) &lt;em&gt;The Nazarene Broker's Story&lt;/em&gt; (Nights 25-26)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{25} b) &lt;em&gt;The Reeve's Tale&lt;/em&gt; (Nights 27-28)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{26} c) &lt;em&gt;Tale of the Jewish Doctor&lt;/em&gt; [= (202)] (Nights 28-29)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{27} d) &lt;em&gt;Tale of the Tailor&lt;/em&gt; [= 276/h] (Nights 29-33)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{28} e) &lt;em&gt;The Barber's Tale of Himself&lt;/em&gt; (Nights 31-33)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{29} e1) &lt;em&gt;The Barber's Tale of his First Brother&lt;/em&gt; (Night 31)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{30} e2) &lt;em&gt;The Barber's Tale of his Second Brother&lt;/em&gt; (Nights 31-32)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{31} e3) &lt;em&gt;The Barber's Tale of his Third Brother&lt;/em&gt; (Night 32)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{32} e4) &lt;em&gt;The Barber's Tale of his Fourth Brother&lt;/em&gt; (Night 32)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{33} e5) &lt;em&gt;The Barber's Tale of his Fifth Brother&lt;/em&gt; (Nights 32-33)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{34} e6) &lt;em&gt;The Barber's Tale of his Sixth Brother&lt;/em&gt; (Night 33)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d1) &lt;em&gt;The End of the Tailor's Tale&lt;/em&gt; (Night 33)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{35} [7] (7) &lt;em&gt;Nur Al-Din Ali and the Damsel Anis Al-Jalis&lt;/em&gt; (Nights 34-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{36} [8] (8) &lt;em&gt;Tale of Ghanim Bin Ayyub, the Distraught, the Thrall o' Love&lt;/em&gt; (Nights 38-45)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{37} a) &lt;em&gt;Tale of the First Eunuch, Bukhayt&lt;/em&gt; (Night 39)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{38} b) &lt;em&gt;Tale of the Second Eunuch, Kafur&lt;/em&gt; (Nights 39-40)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{39} [9] (9) &lt;em&gt;Tale of King Omar Bin Al-Nu'uman, and his Sons Sharrkan and Zau Al-Makan&lt;/em&gt; (Nights 45-145)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{40} a) &lt;em&gt;Tale of Taj Al-Muluk and the Princess Dunya&lt;/em&gt; (Nights 107-37)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{41} a1) &lt;em&gt;Tale of Aziz and Azizah&lt;/em&gt; (Nights 112-29)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{42} b) &lt;em&gt;Tale of the Hashish-Eater&lt;/em&gt; (Nights 142-43)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{43} c) &lt;em&gt;Tale of Hammad the Badawi&lt;/em&gt; (Night 144)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{44} [10] &lt;em&gt;Parables: i)&lt;/em&gt; (10) &lt;em&gt;The Birds and Beasts and the Carpenter&lt;/em&gt; (Nights 146-47)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{45} (11) &lt;em&gt;The Hermits&lt;/em&gt; (Nights 147-48)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;[ii] &lt;em&gt;The Hermit and the Pigeons&lt;/em&gt; (Nights 147-48)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[iii] &lt;em&gt;The Temptation of the Pious Shepherd&lt;/em&gt; (Night 148)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{46} [iv] (12) &lt;em&gt;The Water-fowl and the Tortoise&lt;/em&gt; (Night 148)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{47} [v] (13) &lt;em&gt;The Wolf and the Fox&lt;/em&gt; (Nights 148-50)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{48} a) &lt;em&gt;Tale of the Falcon and the Partridge&lt;/em&gt; (Night 149)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;The Two Invalids&lt;/em&gt; (Night 149)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;The Man and the Serpent&lt;/em&gt; (Night 150)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{49} [vi] (14) &lt;em&gt;The Mouse and the Ichneumon&lt;/em&gt; (Night 150)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{50} [vii] (15) &lt;em&gt;The Cat and the Crow&lt;/em&gt; (Night 150)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{51} [viii] (16) &lt;em&gt;The Fox and the Crow&lt;/em&gt; (Nights 150-52)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{52} a) &lt;em&gt;The Flea and the Mouse&lt;/em&gt; (Nights 150-51)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{53} b) &lt;em&gt;The Saker and the Birds&lt;/em&gt; (Nights 151-52)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{54} c) &lt;em&gt;The Sparrow and the Eagle&lt;/em&gt; (Night 152)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{55} [ix] (17) &lt;em&gt;The Hedgehog and the Wood Pigeons&lt;/em&gt; (Night 152)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Seed Badly Sown&lt;/em&gt; (Night 152)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{56} b) &lt;em&gt;The Merchant and the Two Sharpers&lt;/em&gt; (Night 152)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{57} [x] (18) &lt;em&gt;The Thief and his Monkey&lt;/em&gt; (Night 152)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{58} a) &lt;em&gt;The Foolish Weaver&lt;/em&gt; (Night 152)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{59} [xi] (19) &lt;em&gt;The Sparrow and the Peacock&lt;/em&gt; (Night 152)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{60} [11] (20) &lt;em&gt;Ali Bin Bakkar and Shams Al-Nahar&lt;/em&gt; (Nights 153-69)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{61} [12] (21) &lt;em&gt;Tale of Kamar Al-Zaman&lt;/em&gt; (Nights 170-249)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{62} a) &lt;em&gt;Ni'amah bin Al-Rabia and Naomi his Slave-Girl&lt;/em&gt; (Nights 237-49)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{63} [13] (22) &lt;em&gt;Ala Al-Din Abu Al-Shamat&lt;/em&gt; (Nights 249-69)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{64} [14] (23) &lt;em&gt;Hatim of the Tribe of Tayy&lt;/em&gt; (Nights 269-71)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{65} [15] (24) &lt;em&gt;Ma'an the Son of Zaidah and the Three Girls&lt;/em&gt; (Nights 271-72)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{66} [16] (25) &lt;em&gt;Ma'an son of Zaidah and the Badawi&lt;/em&gt; (Night 272)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{67} [17] (26) &lt;em&gt;The City of Labtayt&lt;/em&gt; (Nights 272-73)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{68} [18] (27) &lt;em&gt;The Caliph Hisham and the Arab Youth&lt;/em&gt; (Night 273)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{69} [19] (28) &lt;em&gt;Ibrahim bin Al-Mahdi and the Barber-Surgeon&lt;/em&gt; (Nights 273-76)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{70} [20] (29) &lt;em&gt;The City of Many-Columned Iram and Abdullah Son of Abi Kalabah&lt;/em&gt; (Nights 276-79)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{71} [21] (30) &lt;em&gt;Isaac of Mosul&lt;/em&gt; (Nights 279-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{72} [22] (31) &lt;em&gt;The Sweep and the Noble Lady&lt;/em&gt; (Nights 282-85)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{73} [23] (32) &lt;em&gt;The Mock Caliph&lt;/em&gt; (Nights 285-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{74} [24] (33) &lt;em&gt;Ali the Persian&lt;/em&gt; [= (207/a)] (Nights 294-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{75} [25] (34) &lt;em&gt;Harun Al-Rashid and the Slave-Girl and the Imam Abu Yusuf&lt;/em&gt; [= 281/m] (Nights 296-97)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{76} [26] (35) &lt;em&gt;The Lover who feigned himself a Thief&lt;/em&gt; (Nights 297-99)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{77} [27] (36) &lt;em&gt;Ja'afar the Barmecide and the Bean-Seller&lt;/em&gt; (Night 299)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{78} [28] (37) &lt;em&gt;Abu Mohammed hight Lazybones&lt;/em&gt; (Nights 299-305)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{79} [29] (38) &lt;em&gt;Generous dealing of Yahya bin Khalid the Barmecide with Mansur&lt;/em&gt; (Nights 305-06)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{80} [30] (39) &lt;em&gt;Generous dealing of Yahya son of Khalid with a man who forged a letter&lt;/em&gt; [= (199)] (Nights 306-07)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{81} [31] (40) &lt;em&gt;Caliph Al-Maamun and the Strange Scholar&lt;/em&gt; (Nights 307-08)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{82} [32] (41) &lt;em&gt;Ali Shar and Zumurrud&lt;/em&gt; (Nights 308-27)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{83} [33] (42) &lt;em&gt;The Loves of Jubayr bin Umayr and the Lady Budur&lt;/em&gt; [cf. (147)] (Nights 327-34)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{84} [34] (43) &lt;em&gt;The Man of Al-Yaman and his Six Slave-Girls&lt;/em&gt; (Nights 334-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{85} [35] (44) &lt;em&gt;Harun Al-Rashid and the Damsel and Abu Nowas&lt;/em&gt; (Nights 338-40)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{86} [36] (45) &lt;em&gt;The Man who stole the dish of gold whereon the dog ate&lt;/em&gt; (Nights 340-41)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{87} [37] (46) &lt;em&gt;The Sharper of Alexandria and the Chief of Police&lt;/em&gt; (Nights 341-42)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{88} [38] (47) &lt;em&gt;Al-Malik Al-Nasir and the Three Chiefs of Police&lt;/em&gt; (Nights 342-44)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{89} a) &lt;em&gt;Story of the Chief of the New Cairo Police&lt;/em&gt; (Night 342)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{90} b) &lt;em&gt;Story of the Chief of the Bulak Police&lt;/em&gt; (Night 343)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{91} c) &lt;em&gt;Story of the Chief of the Old Cairo Police&lt;/em&gt; (Night 344)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{92} [39] (48) &lt;em&gt;The Thief and the Shroff&lt;/em&gt; (Nights 344-45)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{93} [40] (49) &lt;em&gt;The Chief of the Kus Police and the Sharper&lt;/em&gt; (Nights 345-46)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{94} [41] (50) &lt;em&gt;Ibrahim bin Al-Mahdi and the Merchant's Sister&lt;/em&gt; (Nights 346-47)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{95} [42] (51) &lt;em&gt;The Woman whose hands were cut off for almsgiving&lt;/em&gt; (Nights 347-48)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{96} [43] (52) &lt;em&gt;The devout Israelite&lt;/em&gt; (Nights 348-49)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{97} [44] (53) &lt;em&gt;Abu Hassan Al-Ziyadi and the Khorasan Man&lt;/em&gt; (Nights 349-51)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{98} [45] (54) &lt;em&gt;The Poor Man and his Friend in Need&lt;/em&gt; (Night 351)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{99} [46] (55) &lt;em&gt;The Ruined Man who became rich again through a Dream&lt;/em&gt; (Nights 351-52)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{100} [47] (56) &lt;em&gt;Caliph Al-Mutawakkil and his Concubine Mahbubah&lt;/em&gt; (Nights 352-53)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{101} [48] (57) &lt;em&gt;Wardan the Butcher's Adventure with the Lady and the Bear&lt;/em&gt; (Nights 353-55)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{102} [49] (58) &lt;em&gt;The King's Daughter and the Ape&lt;/em&gt; (Nights 355-57)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{103} [50] (59) &lt;em&gt;The Ebony Horse&lt;/em&gt; (Nights 357-71)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{104} [51] (60) &lt;em&gt;Uns Al-Wujud and the Wazir's Daughter Rose-in-Hood&lt;/em&gt; (Nights 371-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{105} [52] (61) &lt;em&gt;Abu Nowas with the Three Boys and the Caliph Harun Al-Rashid&lt;/em&gt; (Nights 381-83)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{106} [53] (62) &lt;em&gt;Abdullah bin Ma'amar with the Man of Bassorah and his Slave-Girl&lt;/em&gt; (Night 383)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{107} [54] (63) &lt;em&gt;The Lovers of the Banu Ozrah&lt;/em&gt; (Nights 383-84)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{108} [55] (64) &lt;em&gt;The Wazir of Al-Yaman and his Young Brother&lt;/em&gt; (Night 384)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{109} [56] (65) &lt;em&gt;The Loves of the Boy and Girl at School&lt;/em&gt; (Nights 384-85)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{110} [57] (66) &lt;em&gt;Al-Mutalammis and His Wife Umaymah&lt;/em&gt; (Night 385)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{111} [58] (67) &lt;em&gt;Harun Al-Rashid and Zubaydah in the Bath&lt;/em&gt; (Nights 385-86)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{112} [59] (68) &lt;em&gt;Harun Al-Rashid and the Three Poets&lt;/em&gt; (Night 386)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{113} [60] (69) &lt;em&gt;Mus'ab bin Al-Zubayr and Ayishah his Wife&lt;/em&gt; (Nights 386-87)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{114} [61] (70) &lt;em&gt;Abu Al-Aswad and his Slave-Girl&lt;/em&gt; (Night 387)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{115} [62] (71) &lt;em&gt;Harun Al-Rashid and the Two Slave-Girls&lt;/em&gt; (Night 387)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{116} [62] (72) &lt;em&gt;Harun Al-Rashid and the Three Slave-Girls&lt;/em&gt; (Night 387)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{117} [63] (73) &lt;em&gt;The Miller and his Wife&lt;/em&gt; (Nights 387-88)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{118} [64] (74) &lt;em&gt;The Simpleton and the Sharper&lt;/em&gt; (Night 388)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{119} [65] (75) &lt;em&gt;The Kazi Abu Yusuf with Harun Al-Rashid and Queen Zubaydah&lt;/em&gt; (Nights 388-89)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{120} [68] (76) &lt;em&gt;The Caliph Al-Hakim and the Merchant&lt;/em&gt; (Night 389)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{121} [69] (77) &lt;em&gt;King Kisra Anushirwan and the Village Damsel&lt;/em&gt; (Nights 389-90)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{122} [70] (78) &lt;em&gt;The Water-Carrier and the Goldsmith's Wife&lt;/em&gt; (Nights 390-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{123} [71] (79) &lt;em&gt;Khusrau and Shirin and the Fisherman&lt;/em&gt; (Night 391)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{124} [72] (80) &lt;em&gt;Yahya bin Khalid and the Poor Man&lt;/em&gt; (Nights 391-92)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{125} [73] (81) &lt;em&gt;Mohammed Al-Amin and the Slave-Girl&lt;/em&gt; (Night 392)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{126} [74] (82) &lt;em&gt;The Sons of Yahya bin Khalid and Said bin Salim&lt;/em&gt; (Nights 392-93)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{127} [75] (83) &lt;em&gt;The Woman's Trick against her Husband&lt;/em&gt; [cf. (184)] (Nights 393-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{128} [76] (84) &lt;em&gt;The Devout Woman and the Two Wicked Elders&lt;/em&gt; (Night 394)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{129} [77] (85) &lt;em&gt;Ja'afar the Barmecide and the Old Badawi&lt;/em&gt; (Nights 394-95)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{130} [78] (86) &lt;em&gt;Omar bin Al-Khattab and the Young Badawi&lt;/em&gt; (Nights 395-97)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{131} [79] (87) &lt;em&gt;Al-Maamun and the Pyramids of Egypt&lt;/em&gt; (Nights 397-98)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{132} [80] (88) &lt;em&gt;The Thief and the Merchant&lt;/em&gt; (Nights 398-99)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{133} [81] (89) &lt;em&gt;Masrur the Eunuch and Ibn Al-Karibi&lt;/em&gt; (Nights 399-401)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{134} [82] (90) &lt;em&gt;The Devotee Prince&lt;/em&gt; (Nights 401-02)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{135} [83] (91) &lt;em&gt;The Schoolmaster who fell in Love by Report&lt;/em&gt; (Nights 402-03)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{136} [84] (92) &lt;em&gt;The Foolish Dominie&lt;/em&gt; (Night 403)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{137} [85] (93) &lt;em&gt;The Illiterate who set up for a Schoolmaster&lt;/em&gt; (Nights 403-04)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{138} [86] (94) &lt;em&gt;The King and the Virtuous Wife&lt;/em&gt; (Night 404)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{139} [87] (95) &lt;em&gt;Abd Al-Rahman the Maghribi's Tale of the Rukh&lt;/em&gt; (Nights 404-05)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{140} [88] (96) &lt;em&gt;Adi bin Zayd and the Princess Hind&lt;/em&gt; (Nights 405-07)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{141} [89] (97) &lt;em&gt;Di'ibil Al-Khuza'i with the Lady and Muslim bin Al-Walid&lt;/em&gt; (Night 407)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{142} [90] (98) &lt;em&gt;Isaac of Mosul and the Merchant&lt;/em&gt; (Nights 407-09)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{143} [91] (99) &lt;em&gt;The Three Unfortunate Lovers&lt;/em&gt; (Nights 409-10)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{144} [-] (100) &lt;em&gt;How Abu Hasan brake Wind&lt;/em&gt; (Night 410)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{145} [92] (101) &lt;em&gt;The Lovers of the Banu Tayy&lt;/em&gt; (Nights 410-11)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{146} [93] (102) &lt;em&gt;The Mad Lover&lt;/em&gt; (Nights 411-12)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{147} [94] (103) &lt;em&gt;The Prior who became a Moslem&lt;/em&gt; (Nights 412-14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{148} [95] (104) &lt;em&gt;The Loves of Abu Isa and Kurrat Al-Ayn&lt;/em&gt; (Nights 414-18)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{149} [96] (105) &lt;em&gt;Al-Amin and his Uncle Ibrahim bin Al-Mahdi&lt;/em&gt; (Nights 418-19)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{150} [97] (106) &lt;em&gt;Al-Fath bin Khakan and Al-Mutawakkil&lt;/em&gt; (Night 419)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{151} [98] (107) &lt;em&gt;The Man's Dispute with a Woman about the relative excellence of the Sexes&lt;/em&gt; (Nights 419-23)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{152} [99] (108) &lt;em&gt;Abu Suwayd and the pretty Old Woman&lt;/em&gt; (Nights 423-24)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{153} [100] (109) &lt;em&gt;Ali bin Tahir and the girl Muunis&lt;/em&gt; (Night 424)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{154} [101] (110) &lt;em&gt;The Woman who had a Boy, and the other who had a Man to Lover&lt;/em&gt; (Night 424)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{155} [102] (111) &lt;em&gt;Ali the Cairene and the Haunted House in Baghdad&lt;/em&gt; (Nights 424-34)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{156} [103] (112) &lt;em&gt;The Pilgrim Man and the Old Woman&lt;/em&gt; (Nights 434-36)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{157} [104] (113) &lt;em&gt;Abu Al-Husn and his Slave-Girl Tawaddud&lt;/em&gt; (Nights 434-62)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{158} [105] (114) &lt;em&gt;The Angel of Death with the Proud King and the Devout Man&lt;/em&gt; (Night 462)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{159} [106] (115) &lt;em&gt;The Angel of Death and the Rich King&lt;/em&gt; (Nights 462-63)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{160} [107] (116) &lt;em&gt;The Angel of Death and the King of the Children of Israel&lt;/em&gt; (Nights 463-64)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{161} [108] (117) &lt;em&gt;Iskander zu Al-Karnayn and a certain Tribe of Poor Folk&lt;/em&gt; (Night 464)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{162} [109] (118) &lt;em&gt;The Righteousness of King Anushirwan&lt;/em&gt; (Nights 464-65)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{163} [110] (119) &lt;em&gt;The Jewish Kazi and his Pious Wife&lt;/em&gt; [= (241)] (Nights 465-66)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{164} [111] (120) &lt;em&gt;The Shipwrecked Woman and her Child&lt;/em&gt; (Nights 466-67)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{165} [112] (121) &lt;em&gt;The Pious Black Slave&lt;/em&gt; (Nights 467-68)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{166} [113] (122) &lt;em&gt;The Devout Tray-maker and his Wife&lt;/em&gt; (Nights 468-70)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{167} [114] (123) &lt;em&gt;Al-Hajjaj bin Yusuf and the Pious Man&lt;/em&gt; (Nights 470-71)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{168} [115] (124) &lt;em&gt;The Blacksmith who could handle Fire without Hurt&lt;/em&gt; (Nights 471-73)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{169} [116] (125) &lt;em&gt;The Devotee to whom Allah gave a Cloud for Service and the Devout King&lt;/em&gt; (Nights 473-74)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{170} [117] (126) &lt;em&gt;The Moslem Champion and the Christian Damsel&lt;/em&gt; (Nights 474-77)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{171} [118] (127) &lt;em&gt;The Christian King's Daughter and the Moslem&lt;/em&gt; (Nights 477-78)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{172} [119] (128) &lt;em&gt;The Prophet and the Justice of Providence&lt;/em&gt; (Nights 478-79)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{173} [120] (129) &lt;em&gt;The Ferryman of the Nile and the Hermit&lt;/em&gt; (Night 479)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{174} [121] (130) &lt;em&gt;The Island King and the Pious Israelite&lt;/em&gt; (Nights 479-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{175} [122] (131) &lt;em&gt;Abu Al-Hasan and Abu Ja'afar the Leper&lt;/em&gt; (Nights 481-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{176} [123] (132) &lt;em&gt;The Queen of the Serpents&lt;/em&gt; (Nights 482-536)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{177} a) &lt;em&gt;The Adventure of Bulukiya&lt;/em&gt; (Nights 486-533)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{178} b) &lt;em&gt;The Story of Janshah&lt;/em&gt; (Nights 499-530)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{179} [124] (133) &lt;em&gt;Sindbad the Seaman and Sindbad the Landsman&lt;/em&gt; (Nights 537-66)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;[A] a) &lt;em&gt;The 1st Voyage of Sindbad the Seaman&lt;/em&gt; [The Floating Island] (Nights 538-42)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[B] b) &lt;em&gt;the 2nd Voyage of Sindbad the Seaman&lt;/em&gt; [The Valley of Diamonds] (Nights 542-46)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[C] c) &lt;em&gt;The 3rd Voyage of Sindbad the Seaman&lt;/em&gt; [The Mountain of Apes and Cannibals] (Nights 546-50)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[D] d) &lt;em&gt;the 4th Voyage of Sindbad the Seaman&lt;/em&gt; [Buried Alive with His Dead Wife] (Nights 550-55)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[E] e) &lt;em&gt;the 5th Voyage of Sindbad the Seaman&lt;/em&gt; [The Old Man of the Sea] (Nights 556-59)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;f) &lt;em&gt;The 6th Voyage of Sindbad the Seaman&lt;/em&gt; [The Embassy from Serendib (Gerhardt A)] (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[F] f1) &lt;em&gt;The 6th Voyage of Sindbad the Seaman&lt;/em&gt; [Embassy from the Indies (Gerhardt B)] (Nights 559-63)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[G] g) &lt;em&gt;The 7th Voyage of Sindbad the Seaman&lt;/em&gt; [The Elephant's Burial-Place (Gerhardt A)] (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[H] g1) &lt;em&gt;The 7th Voyage of Sindbad the Seaman&lt;/em&gt; [The City of the Flying Men (Gerhardt B)] (Nights 563-66)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{180} [125] (134) &lt;em&gt;The City of Brass&lt;/em&gt; (Nights 566-78)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{181} [126] (135) &lt;em&gt;The Craft and Malice of Women&lt;/em&gt; (Nights 578-606)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{182} a) &lt;em&gt;The King and his Wazir's Wife&lt;/em&gt; (Nights 578-79)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{183} b) &lt;em&gt;The Confectioner, his Wife and the Parrot&lt;/em&gt; (Night 579)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{184} c) &lt;em&gt;The Fuller and his Son&lt;/em&gt; (Nights 579-80)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{185} d) &lt;em&gt;The Rake's Trick against the Chaste Wife&lt;/em&gt; (Night 580)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{186} e) &lt;em&gt;The Miser and the Loaves of Bread&lt;/em&gt; (Nights 580-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{187} f) &lt;em&gt;The Lady and her Two Lovers&lt;/em&gt; (Night 581)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{188} g) &lt;em&gt;The King's Son and the Ogress&lt;/em&gt; (Nights 581-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{189} h) &lt;em&gt;The Drop of Honey&lt;/em&gt; (Night 582)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{190} i) &lt;em&gt;The Woman who made her Husband sift Dust&lt;/em&gt; (Night 582)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{191} j) &lt;em&gt;The Enchanted Spring&lt;/em&gt; (Nights 582-84)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{192} k) &lt;em&gt;The Wazir's Son and the Hammam-keeper's Wife&lt;/em&gt; (Night 584)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{193} l) &lt;em&gt;The Wife's Device to cheat her Husband&lt;/em&gt; (Nights 584-86)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{194} m) &lt;em&gt;The Goldsmith and the Cashmere Singing-Girl&lt;/em&gt; (Nights 586-87)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{195} n) &lt;em&gt;The Man who never laughed during the rest of his days&lt;/em&gt; (Nights 587-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{196} o) &lt;em&gt;The King's Son and the Merchant's Wife&lt;/em&gt; (Nights 591-92)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{197} p) &lt;em&gt;The Page who feigned to know the Speech of Birds&lt;/em&gt; (Night 592)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{198} q) &lt;em&gt;The Lady and her Five Suitors&lt;/em&gt; (Nights 593-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{199} r) &lt;em&gt;The Three Wishes, or the Man who longed to see the Night of Power&lt;/em&gt; (Night 596)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{200} s) &lt;em&gt;The Stolen Necklace&lt;/em&gt; (Nights 596-97)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{201} t) &lt;em&gt;The Two Pigeons&lt;/em&gt; (Night 597)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{202} u) &lt;em&gt;Prince Behram and the Princess Al-Datma&lt;/em&gt; (Nights 597-98)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{203} v) &lt;em&gt;The House with the Belvedere&lt;/em&gt; (Nights 598-602)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{204} w) &lt;em&gt;The King's Son and the Ifrit's Mistress&lt;/em&gt; (Nights 602-03)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;x) &lt;em&gt;The Poisoning&lt;/em&gt; (Night 603)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{205} y) &lt;em&gt;The Sandal-wood Merchant and the Sharpers&lt;/em&gt; (Nights 603-05)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{206} z) &lt;em&gt;the Debauchee and the Three-year-old Child&lt;/em&gt; (Night 605)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{207} aa) &lt;em&gt;The Stolen Purse&lt;/em&gt; (Nights 605-06)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{208} bb) &lt;em&gt;The Fox and the Folk&lt;/em&gt; (Night 606)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{209} [127] (136) &lt;em&gt;Judar and his Brethren&lt;/em&gt; (Nights 606-24)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{210} [128] (137) &lt;em&gt;The History of Gharib and his Brother Ajib&lt;/em&gt; (Nights 624-80)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{211} [129] (138) &lt;em&gt;Otbah and Rayya&lt;/em&gt; (Nights 680-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{212} [130] (139) &lt;em&gt;Hind, daughter of Al-Nu'uman and Al-Hajjaj&lt;/em&gt; (Nights 681-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{213} [131] (140) &lt;em&gt;Khuzaymah bin Bishr and Ekrimah Al-Fayyaz&lt;/em&gt; (Nights 683-84)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{214} [132] (141) &lt;em&gt;Yunus the Scribe and the Caliph Walid bin Sahl&lt;/em&gt; (Nights 684-85)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{215} [133] (142) &lt;em&gt;Harun Al-Rashid and the Arab Girl&lt;/em&gt; (Nights 685-86)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{216} [134] (143) &lt;em&gt;Al-Asma'i and the Three Girls of Bassorah&lt;/em&gt; (Nights 686-87)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{217} [135] (144) &lt;em&gt;Ibrahim of Mosul and the Devil&lt;/em&gt; (Nights 687-88)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{218} [136] (145) &lt;em&gt;The Lovers of the Banu Uzrah&lt;/em&gt; [= (209/a)] (Nights 688-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{219} [137] (146) &lt;em&gt;the Badawi and his Wife&lt;/em&gt; (Nights 691-93)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{220} [138] (147) &lt;em&gt;The Lovers of Bassorah&lt;/em&gt; [= (216/a)] (Nights 693-95)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{221} [139] (148) &lt;em&gt;Ishak of Mosul and his Mistress and the Devil&lt;/em&gt; (Nights 695-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{222} [140] (149) &lt;em&gt;The Lovers of Al-Medinah&lt;/em&gt; (Nights 696-97)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{223} [141] (150) &lt;em&gt;Al-Malik Al-Nasir and his Wazir&lt;/em&gt; (Nights 697-98)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{224} [142] (151) &lt;em&gt;The Rogueries of Dalilah the Crafty &amp;amp; her Daughter Zaynab Coney-Catcher&lt;/em&gt; (Nights 698-719)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{225} a) &lt;em&gt;The Adventures of Mercury Ali of Cairo&lt;/em&gt; (Nights 708-19)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{226} [143] (152) &lt;em&gt;Ardashir and Hayat Al-Nufus&lt;/em&gt; (Nights 719-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{227} [144] (153) &lt;em&gt;Julnar the Sea-born and her Son King Badr Basim of Persia&lt;/em&gt; (Nights 738-56)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{228} [145] (154) &lt;em&gt;King Mohammed bin Sabaik and the Merchant Hasan&lt;/em&gt; (Nights 756-78)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{229} a) &lt;em&gt;Story of Prince Sayf Al-Muluk and the Princess Badi'a Al-Jamal&lt;/em&gt; (Nights 758-78)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{230} [146] (155) &lt;em&gt;Hasan of Bassorah&lt;/em&gt; (Nights 778-831)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{231} [147] (156) &lt;em&gt;Khalifah the Fisherman of Baghdad&lt;/em&gt; (Nights 831-45)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt; a) &lt;em&gt;The same from the Breslau Edition&lt;/em&gt; (B 321-22)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{232} [148] (157) &lt;em&gt;Masrur and Zayn Al-Mawassif&lt;/em&gt; (Nights 845-63)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{233} [149] (158) &lt;em&gt;Ali Nur Al-Din and Miriam the Girdle-Girl&lt;/em&gt; (Nights 863-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{234} [150] (159) &lt;em&gt;The Man of Upper Egypt and his Frankish Wife&lt;/em&gt; (Nights 894-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{235} [151] (160) &lt;em&gt;The Ruined Man of Baghdad and his Slave-Girl&lt;/em&gt; (Nights 896-99)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{236} [152] (161) &lt;em&gt;King Jali'ad of Hind and his Wazir Shimas ...&lt;/em&gt; (Nights 900-30)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{237} [152/2] a) &lt;em&gt;The Mouse and the Cat&lt;/em&gt; (Nights 901-02)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{238} [152/3] b) &lt;em&gt;The Fakir and his Jar of Butter&lt;/em&gt; (Nights 902-03)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{239} [152/4] c) &lt;em&gt;The Fishes and the Crab&lt;/em&gt; (Night 903)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{240} [152/5] d) &lt;em&gt;The Crow and the Serpent&lt;/em&gt; (Nights 903-04)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{241} [152/6] e) &lt;em&gt;The Wild Ass and the Jackal&lt;/em&gt; (Night 904)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{242} [152/7] f) &lt;em&gt;The Unjust King and the Pilgrim Prince&lt;/em&gt; (Night 905)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{243} [152/8] g) &lt;em&gt;The Crows and the Hawk&lt;/em&gt; (Night 906)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{244} [152/9] h) &lt;em&gt;The Serpent-Charmer and his Wife&lt;/em&gt; (Night 907)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{245} [152/10] i) &lt;em&gt;The Spider and the Wind&lt;/em&gt; (Night 908)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{246} [152/12] j) &lt;em&gt;The Two Kings&lt;/em&gt; (Nights 909-10)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{247} [152/13] k) &lt;em&gt;The Blind Man and the Cripple&lt;/em&gt; (Night 910)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;[152/15] l) &lt;em&gt;The Lion and the Hunter&lt;/em&gt; (Night 911)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{248} [152/16] m) &lt;em&gt;The Foolish Fisherman&lt;/em&gt; (Night 918)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{249} [152/17] n) &lt;em&gt;The Boy and the Thieves&lt;/em&gt; (Night 918-19)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{250} [152/19] o) &lt;em&gt;The Man and his Wife&lt;/em&gt; (Nights 919-20)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{251} [152/20] p) &lt;em&gt;The Merchant and the Robbers&lt;/em&gt; (Night 920)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{252} [152/21] q) &lt;em&gt;The Jackals and the Wolf&lt;/em&gt; (Night 921)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{253} [152/22] r) &lt;em&gt;The Shepherd and the Rogue&lt;/em&gt; (Nights 921-22)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{254} [152/23] s) &lt;em&gt;The Francolin and the Tortoises&lt;/em&gt; (Night 924)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{255} [153] (162) &lt;em&gt;Abu Kir the Dyer and Abu Sir the Barber&lt;/em&gt; (Nights 930-40)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{256} [154] (163) &lt;em&gt;Abdullah the Fisherman and Abdullah the Merman&lt;/em&gt; (Nights 940-46)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{257} [155] (164) &lt;em&gt;Harun Al-Rashid and Abu Hasan, the Merchant of Oman&lt;/em&gt; (Nights 946-52)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{258} [156] (165) &lt;em&gt;Ibrahim and Jamilah&lt;/em&gt; (Nights 952-59)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{259} [157] (166) &lt;em&gt;Abu Al-Hasan of Khorasan&lt;/em&gt; (Nights 959-63)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{260} [158] (167) &lt;em&gt;Kamar Al-Zaman and the Jeweller's Wife&lt;/em&gt; (Nights 963-78)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{261} [159] (168) &lt;em&gt;Abdullah bin Fazil and his Brothers&lt;/em&gt; (Nights 978-89)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{262} [160] (169) &lt;em&gt;Ma'aruf the Cobbler and his Wife Fatimah&lt;/em&gt; (Nights 989-1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{263} [66] (170) &lt;em&gt;The Sleeper and the Waker&lt;/em&gt; (B 272-91)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{264} [67] a) &lt;em&gt;Story of the Larrikin and the Cook&lt;/em&gt; (B 273)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{265} (171) &lt;em&gt;The Caliph Omar bin Abd Al-Aziz and the Poets&lt;/em&gt; (B 432-34)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{266} (172) &lt;em&gt;Al-Hajjaj and the Three Young Men&lt;/em&gt; (B 434)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{267} (173) &lt;em&gt;Harun Al-Rashid and the Woman of the Barmecides&lt;/em&gt; (B 434)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{268} (174) &lt;em&gt;The Ten Wazirs; or The History of King Azadbakht and his Son&lt;/em&gt; (B 435-87)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;Of the Uselessness of Endeavour against Persistent Ill Fortune&lt;/em&gt; (B 440)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{269} {a1) &lt;em&gt;Story of the Merchant who Lost his Luck&lt;/em&gt; (B 440)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;Of Looking to the Ends of Affairs&lt;/em&gt; (B 444)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{270} b1) &lt;em&gt;Tale of the Merchant and his Sons&lt;/em&gt; (B 444) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;Of the Advantages of Patience&lt;/em&gt; (B 448)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{271} c1) &lt;em&gt;Story of Abu Sabir&lt;/em&gt; (B 448) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;Of the Ill Effects of Impatience&lt;/em&gt; (B 453)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{272} d1) &lt;em&gt;Story of Prince Bihzad&lt;/em&gt; (B 453) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt; e) &lt;em&gt;Of the Issues of Good and Evil Actions&lt;/em&gt; (B 455)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{273} e1) &lt;em&gt;Story of King Dadbin and his Wazirs&lt;/em&gt; (B 455) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;f) &lt;em&gt;Of Trust in Allah&lt;/em&gt; (B 461)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{274} f1) &lt;em&gt;Story of King Bakhtzaman&lt;/em&gt; (B 461) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;g) &lt;em&gt;Of Clemency&lt;/em&gt; (B 464)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{275} g1) &lt;em&gt;Story of King Bihkard&lt;/em&gt; (B 464) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;h) &lt;em&gt;Of Envy and Malice&lt;/em&gt; (B 466)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{276} h1) &lt;em&gt;Story of Aylan Shah and Abu Tammam&lt;/em&gt; (B 466) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;i) &lt;em&gt;Of Destiny or that which is Written on the Forehead&lt;/em&gt; (B 471)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{277} i1) &lt;em&gt;Story of King Ibrahim and his Son&lt;/em&gt; (B 471) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;j) &lt;em&gt;Of the Appointed Term, which, if it be Advanced, may not be Deferred ...&lt;/em&gt; (B 475)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{278} j1) &lt;em&gt;Story of King Sulayman Shah and his Niece&lt;/em&gt; (B 475) )&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;k) &lt;em&gt;Of the Speedy Relief of Allah&lt;/em&gt; (B 485)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{279} k1) &lt;em&gt;Story of the Prisoner and how Allah gave him Relief&lt;/em&gt; (B 485)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{280} (175) &lt;em&gt;Ja'afar bin Yahya and Abd Al-Malik bin Salih the Abbaside&lt;/em&gt; (B 565)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{281} (176) &lt;em&gt;Al-Rashid and the Barmecides&lt;/em&gt; (B 567)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{282} (177) &lt;em&gt;Ibn Al-Sammak and Al-Rashid&lt;/em&gt; (B 568)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{283} (178) &lt;em&gt;Al-Maamun and Zubaydah&lt;/em&gt; (B 568)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{284} (179) &lt;em&gt;Al-Nu'uman and the Arab of the Banu Tay&lt;/em&gt; (B 660-61)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{285} (180) &lt;em&gt;Firuz and his Wife&lt;/em&gt; (B 675-76)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{286} (181) &lt;em&gt;King Shah Bakht and his Wazir Al-Rahwan&lt;/em&gt; (B 885-930)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{287} a) &lt;em&gt;Tale of the Man of Khorasan, his Son and his Tutor&lt;/em&gt; (B 886)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{288} b) &lt;em&gt;Tale of the Singer and the Druggist&lt;/em&gt; (B 888)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{289} c) &lt;em&gt;Tale of the King who Kenned the Quintessence of Things&lt;/em&gt; (B 891)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{290} d) &lt;em&gt;Tale of the Richard who Married his Beautiful Daughter to the Poor Old Man&lt;/em&gt; (B 892)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{291} e) &lt;em&gt;Tale of the Sage and his Three Sons&lt;/em&gt; (B 893)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{292} f) &lt;em&gt;Tale of the Prince who fell in love with the Picture&lt;/em&gt; (B 894)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{293} g) &lt;em&gt;Tale of the Fuller and his Wife and the Trooper&lt;/em&gt; (B 896)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{294} h) &lt;em&gt;Tale of the Merchant, the Crone and the King&lt;/em&gt; (B 896)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{295} i) &lt;em&gt;Tale of the Simpleton Husband&lt;/em&gt; [= (216/e)] (B 898)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{296} j) &lt;em&gt;Tale of the Unjust King and the Tither&lt;/em&gt; (B 899)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{297} j1) &lt;em&gt;Story of David and Solomon&lt;/em&gt; (B 899)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{298} k) &lt;em&gt;Tale of the Robber and the Woman&lt;/em&gt; (B 899)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{299} l) &lt;em&gt;Tale of the Three men and our Lord Isa&lt;/em&gt; (B 901)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{300} l1) &lt;em&gt;The Disciple's Story&lt;/em&gt; (B 901)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{301} m) &lt;em&gt;Tale of the Dethroned Ruler whose Reign and Wealth were Restored to Him&lt;/em&gt; (B 901)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{302} n) &lt;em&gt;Tale of the Man whose Caution slew him&lt;/em&gt; (B 903)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{303} o) &lt;em&gt;Tale of the Man who was lavish of his House and his Provision&lt;/em&gt; (B 904)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{304} p) &lt;em&gt;Tale of the Melancholist and the Sharper&lt;/em&gt; (B 905)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{305} q) &lt;em&gt;Tale of Khalbas and his Wife and the Learned Man&lt;/em&gt; (B 906)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{306} r) &lt;em&gt;Tale of the Devotee accused of Lewdness&lt;/em&gt; (B 907)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{307} s) &lt;em&gt;Tale of the Hireling and the Girl&lt;/em&gt; (B 909)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{308} t) &lt;em&gt;Tale of the Weaver who became a Leach by Order of his Wife&lt;/em&gt; (B 909)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{309} u) &lt;em&gt;Tale of the Two Sharpers who each cozened his Compeer&lt;/em&gt; (B 911)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{310} v) &lt;em&gt;Tale of the Sharpers with the Shroff and the Ass&lt;/em&gt; (B 914)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{311} w) &lt;em&gt;Tale of the Cheat and the Merchants&lt;/em&gt; (B 915)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{312} w1) &lt;em&gt;Story of the Falcon and the Locust&lt;/em&gt; (B 916)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{313} x) &lt;em&gt;Tale of the King and his Chamberlain's Wife&lt;/em&gt; (B 917)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{314} x1) &lt;em&gt;Story of the Crone and the Draper's Wife&lt;/em&gt; (B 917)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{315} y) &lt;em&gt;Tale of the Ugly Man and his Beautiful Wife&lt;/em&gt; (B 918)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{316} z) &lt;em&gt;Tale of the King who Lost Kingdom and Wife and Wealth and Allah Restored them&lt;/em&gt; (B 919)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{317} z1) &lt;em&gt;Tale of Salim the Youth of Khorasan and Salma, his Sister&lt;/em&gt; (B 922)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{318} z2) &lt;em&gt;Tale of the King of Hind and his Wazir&lt;/em&gt; (B 928)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{319} [164] (182) &lt;em&gt;Bibars Al-Bundukari &amp;amp; the 16 Policemen&lt;/em&gt; [= 279] (B 930-40)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{320} a) &lt;em&gt;First Constable's History&lt;/em&gt; [= (227)] (B 930)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{321} b) &lt;em&gt;Second Constable's History&lt;/em&gt; (B 932)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{322} c) &lt;em&gt;Third Constable's History&lt;/em&gt; (B 932)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{323} d) &lt;em&gt;Fourth Constable's History&lt;/em&gt; (B 934)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{324} e) &lt;em&gt;Fifth Constable's History&lt;/em&gt; (B 934)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{325} f) &lt;em&gt;Sixth Constable's History&lt;/em&gt; (B 934)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{326} g) &lt;em&gt;Seventh Constable's History&lt;/em&gt; (B 934)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{327} h) &lt;em&gt;Eighth Constable's History&lt;/em&gt; (B 935)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{328} h1) &lt;em&gt;The Thief's Tale&lt;/em&gt; (B 938)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{329} i) &lt;em&gt;Ninth Constable's History&lt;/em&gt; (B 938)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{330} j) &lt;em&gt;Tenth Constable's History&lt;/em&gt; (B 938)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{331} k) &lt;em&gt;Eleventh Constable's History&lt;/em&gt; (B 938)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{332} l) &lt;em&gt;Twelfth Constable's History&lt;/em&gt; (B 939)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{333} m) &lt;em&gt;Thirteenth Constable's History&lt;/em&gt; (B 939)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{334} n) &lt;em&gt;Fourteenth Constable's History&lt;/em&gt; (B 939)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{335} n1) &lt;em&gt;A Merry Jest of a Clever Thief&lt;/em&gt; (B 940)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{336} n2) &lt;em&gt;Tale of the Old Sharper&lt;/em&gt; (B 940)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{337} o) &lt;em&gt;Fifteenth Constable's History&lt;/em&gt; (B 940)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{338} p) &lt;em&gt;Sixteenth Constable's History&lt;/em&gt; (B 940)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(183) &lt;em&gt;Tale of Harun Al-Rashid and Abdullah bin Nafi&lt;/em&gt; (B 941-57)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{339} a) &lt;em&gt;Tale of the Damsel Tohfat Al-Kulub and the Caliph Harun Al-Rashid&lt;/em&gt; (B 942-57)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{340} (184) &lt;em&gt;Women's Wiles&lt;/em&gt; [= (204/d)] (C1 196-200)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{341} (185) &lt;em&gt;Nur Al-Din Ali of Damascus and the Damsel Sitt Al-Milah&lt;/em&gt; (B 958-65)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{342} (186) &lt;em&gt;Tale of King Ins bin Kays and his Daughter with the Son of King Al-'Abbás&lt;/em&gt; (B 966-79)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(187) &lt;em&gt;Tale of the Two Kings and the Wazir's Daughters&lt;/em&gt; (B 1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{343} (188) &lt;em&gt;The Concubine and the Caliph&lt;/em&gt; (B 1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{344} (189) &lt;em&gt;The Concubine of Al-Maamun&lt;/em&gt; (B 1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(190) &lt;em&gt;Conclusion&lt;/em&gt; (–)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{345} (191) &lt;em&gt;The Tale of Zayn Al-Asnam&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{347} [167] (192) &lt;em&gt;Khudadad and his Brothers&lt;/em&gt; (Galland)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{348} a) &lt;em&gt;History of the Princess of Daryabar&lt;/em&gt; (Galland)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{346} [161] (193) &lt;em&gt;Alaeddin; or, the Wonderful Lamp&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{349} [166] (194) &lt;em&gt;The Caliph's Night Adventure&lt;/em&gt; (Galland)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{350} a) &lt;em&gt;The Story of the Blind Man, Baba Abdullah&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{351} b) &lt;em&gt;History of Sidi Nu'uman&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{352} c) &lt;em&gt;History of Khwajah Hasan Al-Habbal&lt;/em&gt; (Galland)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{353} [162] (195) &lt;em&gt;Ali Baba and the Forty Thieves&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{354} [168] (196) &lt;em&gt;Ali Khwajah and the Merchant of Baghdad&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{355} [163] (197) &lt;em&gt;Prince Ahmad and the Fairy Peri-Banu&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{356} [165] (198) &lt;em&gt;The Two Sisters who Envied their Cadette&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(199) &lt;em&gt;Weil's Anecdote of Ja'afar the Barmecide&lt;/em&gt; [= (39)] (W 483)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{442} (200) &lt;em&gt;Weil's Adventures of Ali and Zaher of Damascus&lt;/em&gt; (W 834-68)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Story of Tarad&lt;/em&gt; (W 848-50)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{445} (201) &lt;em&gt;Weil's Adventures of the Fisherman, Judar of Cairo, with Mahmood and Beibars&lt;/em&gt; (W 881-917)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;Mahmood's Story&lt;/em&gt; (W 885-88)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;The Story of Queen Daruma&lt;/em&gt; (W 895-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;The Story of Taj Al-Muluk, King of Tauris&lt;/em&gt; (W 905-07)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;The Story of the Golden Castle&lt;/em&gt; (W 915-17)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(202) &lt;em&gt;The Physician and the young man of Mosul&lt;/em&gt; [= (6/c)] (WM 92)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{357} (203) &lt;em&gt;Story of the Sultan of Al-Yaman and his Three Sons&lt;/em&gt; (WM 329-34)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{358} (204) &lt;em&gt;Story of the Three Sharpers&lt;/em&gt; (WM 334-42)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{359} a) &lt;em&gt;The Sultan who fared forth in the Habit of a Darwaysh&lt;/em&gt; (WM 342)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{360} b) &lt;em&gt;History of Mohammed, Sultan of Cairo&lt;/em&gt; (WM 343-48)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{361} c) &lt;em&gt;Story of the First Lunatic&lt;/em&gt; (WM 348-55)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{362} d) &lt;em&gt;Story of the Second Lunatic&lt;/em&gt; [= (184)] (WM 355-57)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{363} e) &lt;em&gt;Story of the Sage and the Scholar&lt;/em&gt; (WM 357-62)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{364} f) &lt;em&gt;The Night-Adventure of Sultan Mohammed of Cairo with the three Foolish Schoolmasters&lt;/em&gt; (WM 362)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{365} g) &lt;em&gt;Story of the Broke-back Schoolmaster&lt;/em&gt; (WM 363)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{366} h) &lt;em&gt;Story of the Split-mouthed Schoolmaster&lt;/em&gt; (WM 363 )&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{367} i) &lt;em&gt;Story of the Limping Schoolmaster&lt;/em&gt; (WM 364-65)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;j) &lt;em&gt;The Sultan's second visit to the Sisters&lt;/em&gt; (WM 366)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{368} k) &lt;em&gt;Story of the Three Sisters and their Mother the Sultanah&lt;/em&gt; (WM 366-86)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{369} (205) &lt;em&gt;History of the Kazi who bare a Babe&lt;/em&gt; (WM 386-92)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{370} (206) &lt;em&gt;Tale of the Kazi and the Bhang-Eater&lt;/em&gt; (WM 392-403)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{371} a) &lt;em&gt;History of the Bhang-Eater and his Wife&lt;/em&gt; (WM 397-400)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{372} b) &lt;em&gt;How Drummer Abu Kasim became a Kazi&lt;/em&gt; (WM 400-12)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{373} c) &lt;em&gt;Story of the Kazi and his Slipper&lt;/em&gt; (WM 401-02)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;Tale of the Bhang-Eater&lt;/em&gt; (WM 402-09)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;d1) &lt;em&gt;Who became the Just Wazir and who decided two difficult Cases&lt;/em&gt; (WM 409-11)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(207) &lt;em&gt;The Sultan and the Traveller Mahmud the 'Ajamí&lt;/em&gt; (WM 412)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;Tale of Mahmud the Persian and the Kurd Sharper&lt;/em&gt; [= (33)] (WM 413-16)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;Tale of the Sultan and the Poor Man who brought to him Fruit&lt;/em&gt; (WM 416-25)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{374} c) &lt;em&gt;Tale of the Sultan and his Three Sons and the Enchanting Bird&lt;/em&gt; (WM 417-26)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;Adventure of the Fruit-Seller and the Concubine&lt;/em&gt; (WM 425)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{375} e) &lt;em&gt;Story of the King of Al-Yaman and his Three Sons and the Enchanting Bird&lt;/em&gt; (WM 426-39)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{376} f) &lt;em&gt;History of the First Larrikin&lt;/em&gt; (WM 439-43)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{377} g) &lt;em&gt;History of the Second Larrikin&lt;/em&gt; (WM 443-45)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{378} h) &lt;em&gt;History of the Third Larrikin&lt;/em&gt; (WM 445-46)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{379} i) &lt;em&gt;Story of a Sultan of Al-Hind and his Son Mohammed&lt;/em&gt; (WM 446-58)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{380} (208) j) &lt;em&gt;Tale of the Fisherman and his Son&lt;/em&gt; (WM 459-69)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{381} k) &lt;em&gt;Tale of the Third Larrikin concerning Himself&lt;/em&gt; (WM 469-72)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{382} (209) &lt;em&gt;History of Abu Niyyah and Abu Niyyatayn&lt;/em&gt; (WM 472-83)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Courtier's Story, or Tale of the Nadím to the Emir of Cairo&lt;/em&gt; [= (145)] (WM 483-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;Another relation of the Courtier&lt;/em&gt; (WM 491)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;The Shaykh with Beard shorn by the Shaytan&lt;/em&gt; (WM 492)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{383} (210) &lt;em&gt;The History of the King's Son of Sind and the Lady Fatimah&lt;/em&gt; (WM 492-501)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{384} (211) &lt;em&gt;History of the Lovers of Syria&lt;/em&gt; (WM 501-10)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{385} (212) &lt;em&gt;History of Al-Hajjaj bin Yusuf and the Young Sayyid&lt;/em&gt; (WM 510-20)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;Story of the Sultan's Son and Daughter of the Wazir&lt;/em&gt; (WM 541-45)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(213) &lt;em&gt;Tale of Sultan Káyyish&lt;/em&gt; (WM 545-57)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(214) &lt;em&gt;The Young Lady transformed into a Gazelle by her Step-mother&lt;/em&gt; (WM 558-63)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(215) &lt;em&gt;The History of Mázin&lt;/em&gt; (WM 548-624)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{386} (216) &lt;em&gt;Night Adventure of Harun Al-Rashid and the Youth Manjab&lt;/em&gt; (WM 625-50)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Loves of the Lovers of Bassorah&lt;/em&gt; [= (147)] (WM 626-33)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;Night Adventure of Harun Al-Rashid&lt;/em&gt; (WM 633-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;Tale told by Manjab&lt;/em&gt; (WM 639-50)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{387} d) &lt;em&gt;Story of the Darwaysh and the Barber's Boy and the Greedy Sultan&lt;/em&gt; (WM 651-55)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{388} e) &lt;em&gt;Tale of the Simpleton Husband&lt;/em&gt; [= (181/i)] (WM 655-56)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;f) &lt;em&gt;Story of the Wife and her two Gallants&lt;/em&gt; (WM 656-60)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{389} (217) &lt;em&gt;The Loves of Al-Hayfa and Yusuf&lt;/em&gt; [= (242/a)] (WM 660-710)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{390} (218) &lt;em&gt;The Three Princes of China&lt;/em&gt; (WM 710-17)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(219) &lt;em&gt;History of the first Brave&lt;/em&gt; (WM 717-22)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(220) &lt;em&gt;History of another Brave&lt;/em&gt; (WM 722-23)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(221) &lt;em&gt;The Merry Adventures of a Simpleton&lt;/em&gt; (WM 723-26)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(222) &lt;em&gt;The Goodwife of Cairo and the three Rakehells&lt;/em&gt; (WM 726-28)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{391} (223) &lt;em&gt;The Righteous Wazir wrongfully gaoled&lt;/em&gt; (WM 728-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{392} (224) &lt;em&gt;The Cairene Youth, the Barber and the Captain&lt;/em&gt; (WM 733-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{393} (225) &lt;em&gt;The Goodwife of Cairo and her Four Gallants&lt;/em&gt; (WM 738-43)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{394} a) &lt;em&gt;The Tailor and the Lady and the Captain&lt;/em&gt; (WM 742-46)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{395} b) &lt;em&gt;The Syrian and the Three Women of Cairo&lt;/em&gt; (WM 746-49)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{396} c) &lt;em&gt;The Lady with Two Coyntes&lt;/em&gt; (WM 749-52)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{397} d) &lt;em&gt;The Whorish Wife who vaunted her Virtue&lt;/em&gt; (WM 752-55)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{398} (226) &lt;em&gt;Cœlebs the Droll and his Wife and her Four Lovers&lt;/em&gt; (WM 755-60)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{399} (227) &lt;em&gt;The Gate-Keeper of Cairo and the cunning She-Thief&lt;/em&gt; [= (182/a)] (WM 759-65)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{400} (228) &lt;em&gt;Tale of Mohsin and Musa&lt;/em&gt; (WM 765-72)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{401} (229) &lt;em&gt;Mohammed the Shalabi and his Mistress and his Wife&lt;/em&gt; (WM 772-77)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{402} (230) &lt;em&gt;The Fellah and his wicked Wife&lt;/em&gt; (WM 777-780)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{403} (231) &lt;em&gt;The Woman who humoured her Lover at her Husband's Expense&lt;/em&gt; (WM 780-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{404} (232) &lt;em&gt;The Kazi schooled by his Wife&lt;/em&gt; (WM 781-85)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{405} (233) &lt;em&gt;The Merchant's Daughter and the Prince of Al-Irak&lt;/em&gt; (WM 785-824)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(234) &lt;em&gt;The Story of Ahmad and Ali who cuckolded their Masters&lt;/em&gt; (WM 824-29)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(235) &lt;em&gt;The Fellah and his fair Wife&lt;/em&gt; (WM 829-30)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{406} (236) &lt;em&gt;Story of the Youth who would futter his Father's Wives&lt;/em&gt; (WM 830-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{407} (237) &lt;em&gt;Story of the Two Lack-Tacts of Cairo and Damascus&lt;/em&gt; (WM 838-40)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(238) &lt;em&gt;The Tale of Musa and Ibrahim, including Anecdotes of the Berberines&lt;/em&gt; (WM 840-43)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(239) &lt;em&gt;The Brother Wazirs, Ahmad and Mohammed&lt;/em&gt; (WM 843-95)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Story of the Unfaithful Wife&lt;/em&gt; (WM 895-97)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(240) &lt;em&gt;Story of the thieving Youth and his Step-mother&lt;/em&gt; (WM 897-900)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(241) &lt;em&gt;The Kazi of Baghdad and his virtuous Wife&lt;/em&gt; [= (119)] (WM 900-911)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{408} a) &lt;em&gt;Tale of Himself told by the King&lt;/em&gt; (WM 911-17)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;The Sultan of Al-'Irák, Zunnár ibn Zunnár&lt;/em&gt; (WM 917-21)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(242) &lt;em&gt;Story of Shaykh Nakkit the Fisherman&lt;/em&gt; (WM 968-78)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Sultan of Andalusia and the Prince of Al-'Irák&lt;/em&gt; [= (217)] (WM 978-88)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(243) &lt;em&gt;Tale of Sultan Taylún and the generous Fellah&lt;/em&gt; (WM 988-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(244) &lt;em&gt;The retired Sage and his Servant-lad&lt;/em&gt; (WM 998)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(245) &lt;em&gt;The Merchant's Daughter who married an Emperor of China&lt;/em&gt; (WM 998-1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{410} (246) &lt;em&gt;The History of Al-Bundukani&lt;/em&gt; (H 528-30)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{412} (247) &lt;em&gt;The Warlock and Cook of Baghdad&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{409} (248) &lt;em&gt;The Say of Haykar the Sage&lt;/em&gt; (H 561-68)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{415}(249) &lt;em&gt;The Tale of Attaf&lt;/em&gt; (H 546-49)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{416} (250) &lt;em&gt;The History of Prince Habib&lt;/em&gt; (H 512-17)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The History of Durrat Al-Ghawwas&lt;/em&gt; (H 513)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{434} (251) &lt;em&gt;The Forty Wazirs&lt;/em&gt; (H 14-19)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{435} a) &lt;em&gt;Story of Shaykh Shahabeddin&lt;/em&gt; (H 14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{436} b) &lt;em&gt;Story of the Gardener, his Son, and the Ass&lt;/em&gt; (H 14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{437} c) &lt;em&gt;The Sultan Mahmoud and his Wazir&lt;/em&gt; (H 14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{438} d) &lt;em&gt;Story of the Brahman Padmanaba and the young Fyquai&lt;/em&gt; (H 14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;e) &lt;em&gt;Story of Sultan Akshid&lt;/em&gt; (H 14)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{439} f) &lt;em&gt;Story of the Husband, the Lover and the Thief&lt;/em&gt; (H 15)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{418} g) &lt;em&gt;Story of the Prince of Carisme and the Princess of Georgia&lt;/em&gt; (H 16-17)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{440} h) &lt;em&gt;The Cobbler and the King's Daughter&lt;/em&gt; (H 17)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;i) &lt;em&gt;The Woodcutter and the Genius&lt;/em&gt; (H 18)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{441} j) &lt;em&gt;The Royal Parrot&lt;/em&gt; (H 18)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{419} (252) &lt;em&gt;Story of the King and Queen of Abyssinia&lt;/em&gt; (H 448-51)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{420} &lt;em&gt;The Sultan and His Storyteller&lt;/em&gt; (H 11: 164-205)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{421} (253) &lt;em&gt;Story of Princess Amina&lt;/em&gt; (H 498-512)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;Story of the Princess of Tartary&lt;/em&gt; (H 503-22)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{422} b) &lt;em&gt;Story told by the Old Man's Wife&lt;/em&gt; (H 507-09)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{423} (254) &lt;em&gt;Story of Ali Johari&lt;/em&gt; (H 517-23)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{424} (255) &lt;em&gt;Story of the two Princes of Cochin China&lt;/em&gt; (H 531-35)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{425} (256) &lt;em&gt;Story of the two Husbands&lt;/em&gt; (H 535-40)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{426} a) &lt;em&gt;Story of Abdallah&lt;/em&gt; (H 537-38)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{427} b) &lt;em&gt;Story of the Favourite&lt;/em&gt; (H 539)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{428} (257) &lt;em&gt;Story of Yusuf and the Indian Merchant&lt;/em&gt; (H 540-42)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{429} (258) &lt;em&gt;Story of Prince Benazir&lt;/em&gt; (H 542-45)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{430} (259) &lt;em&gt;Story of Selim, Sultan of Egypt&lt;/em&gt; (H 553-60)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{431} a) &lt;em&gt;Story of the Cobbler's Wife&lt;/em&gt; (H 554-55)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{432} b) &lt;em&gt;Story of Adileh&lt;/em&gt; (H 555-56)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{433} c) &lt;em&gt;Story of the scarred Kalender&lt;/em&gt; (H 556-58)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;Continuation of the Story of Selim&lt;/em&gt; (H 558-60)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(260) &lt;em&gt;Story of Seif Sul Yesn&lt;/em&gt; (H 884)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(261) &lt;em&gt;Story of the Labourer and the Chair&lt;/em&gt; (Anderson)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;(262) &lt;em&gt;Story of Ahmed the Orphan&lt;/em&gt; (Anderson)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{417} &lt;em&gt;Story of the Three Princes and the Genius Morhagian and His Daughters&lt;/em&gt; (Galland)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{411} &lt;em&gt;The Linguist-Dame, the Duenna and the King's Son&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{413} &lt;em&gt;The Pleasant History of the Cock and the Fox&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{414} &lt;em&gt;History of What Befel the Fowl-let with the Fowler&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Idiot; or, Story of Xailoun&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;Adventures of Alibengiad, Sultan of Herat, and of the False Birds of Paradise&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;History of the Family of the Schebandad of Surat&lt;/em&gt; (Chavis)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Lover of the Stars: or, Abil Hasan's Story&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;History of Captain Tranchemont and his Brave Companions: Debil Hasan's Story&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;The Dream of Valid Hasan&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;History of Maugraby; or, The Magician&lt;/em&gt; (Chavis)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;History of Halaiaddin, Prince of Persia&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;History of Yemaladdin, Prince of Great Katay&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;History of Baha-Ildur, Prince of Cinigae&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;History of Badvildinn, Prince of Tartary&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;e) &lt;em&gt;History of Shahadildin, Prince of Damascus&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;f) &lt;em&gt;The Amours of Maugraby with Auhata al-Kawakik, daughter of the King of Egypt&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;g) &lt;em&gt;History of the Birth of Maugraby&lt;/em&gt; (Chavis)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{443} &lt;em&gt;Solomon and the Queen of Sheba&lt;/em&gt; (W 868-77)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The Death and Downfall of Solomon&lt;/em&gt; (W 873-74)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;The Story of the Deceitful Widow&lt;/em&gt; (W 874-77)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{444} &lt;em&gt;The Story of Ibn Tamim Addari, the Companion of the Prophet&lt;/em&gt; (W 878-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{446} &lt;em&gt;The Adventures of Sultan Zaher Beibars&lt;/em&gt; (W 937-95)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;a) &lt;em&gt;The History of the Moslems from the Death of Mohammed&lt;/em&gt; (W 937-41)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;b) &lt;em&gt;The Despicable Priest Djawan, the Betrayer&lt;/em&gt; (W 941-45)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c) &lt;em&gt;The Early Life of Schahin, and his First Meeting with Djawan&lt;/em&gt; (W 945-47)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;d) &lt;em&gt;Salech's Dream, the Birth of Beibars and his Adventures until his Arrival in Egypt&lt;/em&gt; (W 947-48)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;e) &lt;em&gt;Youth and Upbringing of Zaher Beibars&lt;/em&gt; (W 948-56)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;f) &lt;em&gt;Djawan and Eibek's Plot against Beibars, and his Gradual Rise&lt;/em&gt; (W 956-62)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;g) &lt;em&gt;Beibars' Adventure with Maruf and the Genoese Princess Mariam&lt;/em&gt; (W 962-66)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;h) &lt;em&gt;Beibars Becomes Governor of Alexandria, Meets his Brother and Uncle, Travels to Genoa&lt;/em&gt; (W 966-70)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;i) &lt;em&gt;Djawan's New Plot, Salech's Death and Beibars' Dream&lt;/em&gt; (W 970-77)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;j) &lt;em&gt;Beibars' Adventures in Syria with Hasan, Schiha and Aischa&lt;/em&gt; (W 977-82)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{447} &lt;em&gt;Ali the Fisherman&lt;/em&gt; (W 995-98)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{448} &lt;em&gt;Satilatlas and Hamamatelliwa&lt;/em&gt; (W 998-1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{449} &lt;em&gt;The Parable of True Learning&lt;/em&gt; (M 774)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{450} &lt;em&gt;The Keys of Destiny&lt;/em&gt; (M 788-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Diwan of Easy Jests and Laughing Wisdom&lt;/em&gt; (M 794-806)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{451} a) &lt;em&gt;Buhlûl the Jester&lt;/em&gt; (M 795)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{452} b) &lt;em&gt;The Tale of the Kadi-Mule&lt;/em&gt; (M 800-01)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{453} c) &lt;em&gt;The Kadi and the Ass's Foal&lt;/em&gt; (M 802-03)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{454} d) &lt;em&gt;The Tale of the Astute Kadi&lt;/em&gt; (M 803-04)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{455} e) &lt;em&gt;The Man Who Understood Women&lt;/em&gt; (M 804-06)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{456} &lt;em&gt;The Two Lives of Sultan Mahmûd&lt;/em&gt; (M 819-21)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{457} &lt;em&gt;The Tale of the Unending Treasure&lt;/em&gt; (M 821-26)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{458} &lt;em&gt;The Youth Behind Whom Chinese and Indian Airs were Played&lt;/em&gt; (M 866-68)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{459} &lt;em&gt;The Tale of Princess Zulaikah&lt;/em&gt; (M 876-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt; &lt;em&gt;Sweet Tales of Careless Youth&lt;/em&gt; (M 881-94)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{460} a) &lt;em&gt;Hard-Head and his Sister Little-Foot&lt;/em&gt; (M 881-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{461} b) &lt;em&gt;The Anklet&lt;/em&gt; (M 882-83)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{462} c) &lt;em&gt;The He-Goat and the King's Daughter&lt;/em&gt; (M 883-86)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{463} d) &lt;em&gt;The Prince and the Tortoise&lt;/em&gt; (M 886-88)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{464} e) &lt;em&gt;The Chick-Pea Seller's Daughter&lt;/em&gt; (M 888-89)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{465} f) &lt;em&gt;The Looser&lt;/em&gt; (M 889-90)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{466} g) &lt;em&gt;The Captain of Police&lt;/em&gt; (M 890-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{467} h) &lt;em&gt;The Gelded Barber&lt;/em&gt; [= (6/d)] (M 892-93)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{468} &lt;em&gt;The Splendid Tale of Prince Diamond&lt;/em&gt; (M 904-22)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{469} &lt;em&gt;Some Jests and Suggestions of the Master of Shifts and Laughter&lt;/em&gt; (M 922-26)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Tale of Al-Malik Baibars and His Captains of Police&lt;/em&gt; [= (182)] (M 937-54)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{470} a) &lt;em&gt;The Second Captain's Tale&lt;/em&gt; (M 939-40)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{471} b) &lt;em&gt;The Third Captain's Tale&lt;/em&gt; (M 940-41)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{472} c) &lt;em&gt;The Fourth Captain's Tale&lt;/em&gt; (M 941-43)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{473} d) &lt;em&gt;The Fifth Captain's Tale&lt;/em&gt; (M 943-45)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{474} e) &lt;em&gt;The Sixth Captain's Tale&lt;/em&gt; (M 945-48)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{475} f) &lt;em&gt;The Eighth Captain's Tale&lt;/em&gt; (M 948-50)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{476} g) &lt;em&gt;The Ninth Captain's Tale&lt;/em&gt; (M 950-51)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{477} h) &lt;em&gt;The Tenth Captain's Tale&lt;/em&gt; (M 951-52)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{478} i) &lt;em&gt;The Eleventh Captain's Tale&lt;/em&gt; (M 952)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{479} j) &lt;em&gt;The Twelfth Captain's Tale&lt;/em&gt; (M 952-54)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{480} &lt;em&gt;The Tale of the Sea Rose of the Girl of China&lt;/em&gt; (M 954-59)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{481} &lt;em&gt;Windows on the Garden of History&lt;/em&gt; (M 971-94)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{482} a) &lt;em&gt;The Poet Duraid, His Generosity, and His Love for Tumadir al-Khansah&lt;/em&gt; (M 972-74)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{483} b) &lt;em&gt;Ufairah the Suns, and Hudhailah the Moons, the Warrior Daughters of the Poet Find&lt;/em&gt; (M 974-75)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{484} c) &lt;em&gt;The Love Story of Princess Fatimah and the Poet Murakkish&lt;/em&gt; (M 975-76)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{485} d) &lt;em&gt;The Vengeance of King Hujr&lt;/em&gt; (M 976-77)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{486} e) &lt;em&gt;Men in the Judgement of Their Wives&lt;/em&gt; (M 977-78)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{487} f) &lt;em&gt;Tales of Umar ibn al-Khattab&lt;/em&gt; (M 978-80)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{488} g) &lt;em&gt;Blue Salamah the Singer&lt;/em&gt; (M 980-81)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{489} h) &lt;em&gt;The Tale of the Parasite&lt;/em&gt; (M 981-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{490} i) &lt;em&gt;The Tale of the Slave of Destiny&lt;/em&gt; (M 982-84)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{491} j) &lt;em&gt;The Tale of the Fatal Collar&lt;/em&gt; (M 984-86)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{492} k) &lt;em&gt;Ishak of Mosul and the Lost Melody&lt;/em&gt; (M 986-88)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{493} l) &lt;em&gt;The Two Dancers&lt;/em&gt; (M 988-89)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;m) &lt;em&gt;The Pistachio Oil Cream and the Legal Point&lt;/em&gt; [= (34)] (M 989-91)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;n) &lt;em&gt;The Arab Girl at the Fountain&lt;/em&gt; (M 991-93)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{494} &lt;em&gt;The End of Ja’afar and the Barmakids&lt;/em&gt; (M 994-998)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{495} &lt;em&gt;The Tender Tale of Prince Jasmine and Princess Almond&lt;/em&gt; (M 998-1001)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{496} &lt;em&gt;The Vizier’s Clever Daughter&lt;/em&gt; (WM 341-47)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{497} &lt;em&gt;Sultan Qáyish, His Borther Ardashir and the Emir ’Urwa&lt;/em&gt; (WM 350-67)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{498} &lt;em&gt;The Maiden Who Was Transformed into a Gazelle&lt;/em&gt; (WM 368-74)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{499} &lt;em&gt;The Wife and Her Two Lovers&lt;/em&gt; (WM 422-28)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{500} &lt;em&gt;The Ten Slave-Girls&lt;/em&gt; (WM 498-515)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{501} &lt;em&gt;The Admonished Adulteress&lt;/em&gt; (WM 528-32)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{502} &lt;em&gt;The Coward Belied by His Wife&lt;/em&gt; (WM 533-35)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{503} &lt;em&gt;The Numskull Who Does Not Count the Ass He Is Sitting On&lt;/em&gt; (WM 535-40)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{504} &lt;em&gt;The Three Corpses&lt;/em&gt; (WM 540-44)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{505} &lt;em&gt;‘Ali with the Large Member&lt;/em&gt; (WM 682-92)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{506} &lt;em&gt;The Peasant’s Beautiful Wife&lt;/em&gt; (WM 692-96)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{507} &lt;em&gt;Mûsâ and Ibrâhîm&lt;/em&gt; (WM 710-800)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{508} &lt;em&gt;The Stupid Berbers&lt;/em&gt; (WM 712-15)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{509} &lt;em&gt;The Two Viziers and Their Children&lt;/em&gt; (WM 715-97)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{510} &lt;em&gt;The Love Exposed by Way of a Special Perfume&lt;/em&gt; (WM 797-800)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{511} &lt;em&gt;The Silly Woman Who Wanted to Blind her Stepson&lt;/em&gt; (WM 800-05)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{512} &lt;em&gt;Oft-Proved Fidelity&lt;/em&gt; (WM 805-42)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{513} &lt;em&gt;Zunnâr ibn Zunnâr&lt;/em&gt; (WM 834-42)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{514} &lt;em&gt;Shaykh Nakkît&lt;/em&gt; (WM 842-919)&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;{515} &lt;em&gt;Sitt al-Banât and the King of Irak’s Son&lt;/em&gt; (WM 861-82)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{516} &lt;em&gt;Sultan Taylun and the Generous Man&lt;/em&gt; (WM 883-94)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{517} &lt;em&gt;The Soothsayer and His Apprentice&lt;/em&gt; (WM 894-903)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{518} &lt;em&gt;The Merchant’s Daughter Who Married the King of China&lt;/em&gt; (WM 904-19)&lt;/li&gt;&lt;/ol&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{519} &lt;em&gt;Hasan, the Love-stricken&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{520} &lt;em&gt;Hasan, the Old Poet&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{521} &lt;em&gt;Yâsamîn and Husayn the Butcher&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{522} &lt;em&gt;Muhammad of Damascus and Sa‘d of Baghdad&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{523} &lt;em&gt;Qamar al-Zamân and Shams&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{524} &lt;em&gt;Alexander the Great and the Water of Life&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{525} &lt;em&gt;Solomon&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{526} &lt;em&gt;King Sabâ&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{527} &lt;em&gt;Alexander the Great&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{528} &lt;em&gt;Hâyid’s Expedition to the Sources of the Nile&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{529} &lt;em&gt;The Barmakids&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{530} &lt;em&gt;Abû Hasan, the Old Man Who Bemoans Ja‘far&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{531} &lt;em&gt;Al-Mundhir ibn al-Mughîra who Bemoans Ja‘far &lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{532} &lt;em&gt;Al-Ma’mûn and the Parasite &lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{533} &lt;em&gt;‘Alî al-Khawâja &lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{534} &lt;em&gt;Hasan, the Youth Whose Wishes Are Fulfilled&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{535} &lt;em&gt;Zahr al-Rawd&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{536} &lt;em&gt;Sayf ibn Dhî Yazan&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{537} &lt;em&gt;‘Abbâs&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{538} &lt;em&gt;Ma‘dîkarib&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{539} &lt;em&gt;Ma‘n Obtains Pardon for a Rebel&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{540} &lt;em&gt;It is Impossible to Arouse the Anger of Ma‘n&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{541} &lt;em&gt;Ishâq and the Roses&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{542} &lt;em&gt;The Kiss&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{543} &lt;em&gt;al-Ma’mûn and the Kilabite Girl&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{544} &lt;em&gt;Sayf al-Tijân&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{545} &lt;em&gt;Hasan, the King of Egypt&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{546} &lt;em&gt;Fâris al-Khayl and al-Badr al-Fâyiq&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{547} &lt;em&gt;Mâlik ibn Mîrdas&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{548} &lt;em&gt;Sirkhâb and Aftûna&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{549} &lt;em&gt;Dâmire and al- ‘Anqâ’&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{550} &lt;em&gt;Mahmûd and His Three Sons&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;{551} &lt;em&gt;The Omanite&lt;/em&gt; (Reinhardt)&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-1577821525982682824?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/1577821525982682824/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=1577821525982682824' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/1577821525982682824'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/1577821525982682824'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/list-of-stories-in-1001-nights.html' title='A List of Stories in the &lt;em&gt;1001 Nights&lt;/em&gt;'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_ZO6brBJskrI/SS8GMIYXGgI/AAAAAAAACA0/Q64rAtjBpG8/s72-c/arabic+graffiti.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-7441008861666607925</id><published>2007-09-26T15:45:00.000-07:00</published><updated>2009-07-25T21:14:06.765-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Chronology'/><category scheme='http://www.blogger.com/atom/ns#' term='history'/><category scheme='http://www.blogger.com/atom/ns#' term='adaptations'/><category scheme='http://www.blogger.com/atom/ns#' term='texts'/><category scheme='http://www.blogger.com/atom/ns#' term='translations'/><title type='text'>An Arabian Nights Chronology</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_ZO6brBJskrI/RvspO0rOr0I/AAAAAAAAAVo/vz4qhoN6e1k/s1600-h/one_arabian_night_cover_2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/RvspO0rOr0I/AAAAAAAAAVo/vz4qhoN6e1k/s320/one_arabian_night_cover_2.jpg" alt="" id="BLOGGER_PHOTO_ID_5114727136444198722" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.polanegri.com/old_news.htm"&gt;Pola Negri&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Political History&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;c.570-632: Life of Muhammad&lt;/li&gt;&lt;br /&gt;&lt;li&gt;622: The Hegira&lt;/li&gt;&lt;br /&gt;&lt;li&gt;632-61: The First Caliphs (Abu Bakr, Omar, Othman and Ali)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;638: Omar conquers Jerusalem&lt;/li&gt;&lt;br /&gt;&lt;li&gt;661-750: Ummayad Caliphs (Damascus)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;711-13: The Conquest of Spain&lt;/li&gt;&lt;br /&gt;&lt;li&gt;718: The Arabs fail to take Constantinople&lt;/li&gt;&lt;br /&gt;&lt;li&gt;732: Charles Martel halts Islamic expansion into Western Europe&lt;/li&gt;&lt;br /&gt;&lt;li&gt;750-1258: Abbasid Caliphs (Baghdad)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;778: The Ummayad Abd-al-Rahman repulses Charlemagne from Spain&lt;/li&gt;&lt;br /&gt;&lt;li&gt;909-1171: Fatimid Caliphs (Egypt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1071: The Turks defeat and capture the Byzantine Emperor at Manzikart&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1095-1099: The First Crusade, and foundation of the Kingdom of Jerusalem&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1169-1250: Saladin and the Ayubites (Egypt and Syria)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1187: The Horns of Hattin, and recapture of Jerusalem&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1189-92: The Third Crusade, and consolidation of the Kingdom of Acre&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1202-04: The Fourth Crusade, and Latin conquest of Constantinople&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1250-1517: Mamluk Sultans (Egypt)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1258: The Mongols take Baghdad&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1291: The Destruction of Acre, and end of Outremer&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1326-1914: Ottoman Sultans (Turkey)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1453: The Fall of Constantinople&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1492: Ferdinand and Isabella take Granada&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1798: Napoleon invades Egypt&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1802-05: Wahhabi Revolt in Iraq, Syria and Arabia&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1805: Muhammad Ali Pasha takes control of Egypt&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1869: The Suez Canal is opened&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1882: The British occupy Egypt&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Textual History&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;?: The &lt;em&gt;Hazār Afsāna&lt;/em&gt; (“Thousand Nights”) is composed in Persia from Iranian and Sanskrit sources&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c.800: This &lt;em&gt;Thousand Nights &lt;/em&gt;is translated into Arabic&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c.900: The &lt;em&gt;Alf Layla &lt;/em&gt;(“Thousand Nights”) is expanded with Arabic materials&lt;/li&gt;&lt;br /&gt;&lt;li&gt;947: al-Mas’udi mentions the book called the &lt;em&gt;Thousand Nights &lt;/em&gt;in his &lt;em&gt;Plains of Gold&lt;/em&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;987: al-Nadïm’s Fihrist mentions the &lt;em&gt;Thousand Nights&lt;/em&gt;, as well as the unfinished &lt;em&gt;Alf Samar &lt;/em&gt;(or “Thousand Stories”) collected by Ibn ‘Abdüs&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c.1170: al-Kurtï’s history of Egypt under the Fatimids mentions the popularity of a collection called &lt;em&gt;Alf Layla wa Layla &lt;/em&gt;(“The Thousand and One Nights”), which probably included material from the &lt;em&gt;Thousand Stories &lt;/em&gt;as well as local Egyptian sources&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c.1400: Composition of the Syrian Ms. of &lt;em&gt;The Thousand and One Nights&lt;/em&gt; employed by Galland&lt;/li&gt;&lt;br /&gt;&lt;li&gt;c.1500: Compilation of the prototype Mss. of ‘Zotenberg’s Egyptian Recension’ of &lt;em&gt;The 1001 Nights&lt;/em&gt;&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1764-65: Omar-al-Safatí (scribe) [The Wortley-Montague Ms.], &lt;em&gt;The Thousand Nights and a Night of the Acts and Deeds of the Kings  and what befel them from sundry  women that were whorish  and witty  and various Tales  therein&lt;/em&gt;, 7 vols (Cairo)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1814-18: Ahmed al-Shirwani, ed. [1st 200 nights only], &lt;em&gt;The Arabian Nights’ Entertainments in the Original Arabic&lt;/em&gt;, 2 vols (Calcutta: Pereira)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1825-43: Maximilian Habicht and M. H. L. Fleischer, ed., &lt;em&gt;Tausend und Eine Nacht Arabisch. Nach einer Handschrift aus Tunis&lt;/em&gt;, 12 vols (Breslau)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1835: &lt;em&gt;Alf Laylah wa Laylah&lt;/em&gt;, 2 vols (Bulaq, A.H. 1251)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1839-42: Sir William Hay Macnaghten, ed., &lt;em&gt;The Alif Laila, or Book of the Thousand Nights and One Night, Commonly Known as ‘The Arabian Nights’ Entertainments;’ Now, for the First Time, Published Complete in the Original Arabic, from an Egyptian Manuscript Brought to India by the Late Major Turner Macan, Editor of the Shah-Nameh&lt;/em&gt;, 4 vols (Calcutta: W. Thacker)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1863: Sheikh Mahommed Qotch Al-Adewi, ed., &lt;em&gt;Alf Laylah wa Laylah&lt;/em&gt;, 4 vols (Bulaq, A.H. 1279)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1881-83: Khalil Sarkis, ed., &lt;em&gt;Alif-Leila we Leila&lt;/em&gt;, 5 vols (Beirut)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1981: &lt;em&gt;Alph Laylé Wa Laylé&lt;/em&gt;, 4 vols (Beirut: Al-Maktaba Al-Thakafiyat, A.H. 1401)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1984: Muhsin Mahdi, ed. [Galland’s manuscript], &lt;em&gt;Alf Layla wa Layla&lt;/em&gt;, 2 vols (Leiden: Brill)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Principal Translations&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;1704-17: Antoine Galland, &lt;em&gt;Les Mille et une Nuit: Contes arabes&lt;/em&gt;, 12 vols (Paris: chez la veuve de Claude Barbin)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1706-17: Anonymous [from Galland], &lt;em&gt;Arabian Nights Entertainments: Consisting of One Thousand and One Stories, Told by the Sultaness of the Indies, to divert the Sultan from the Execution of a bloody Vow he had made to marry a Lady every day, and have her cut off next Morning, to avenge himself for the Disloyalty of his first Sultaness, &amp;amp;c. Containing a better Account of the Customs, Manners, and Religion of the Eastern Nations, viz. Tartars, Persians, and Indians, than is to be met with in any Author hitherto published. Translated into French from the Arabian Mss. by M. Galland of the Royal Academy, and now done into English from the last Paris Edition&lt;/em&gt;, 12 vols in 6 (London: Andrew Bell)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1708: Pétis de la Croix, &lt;em&gt;Histoire de la Sultane de Perse et des Vizirs: Contes turcs &lt;/em&gt;(Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1710-12: Pétis de la Croix, &lt;em&gt;Les Mille et un Jour: Contes persanes&lt;/em&gt;, 5 vols (Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1714: Dr. King et al. [from Pétis de la Croix], &lt;em&gt;The Persian and Turkish Tales, compleat&lt;/em&gt;. 2 vols (London: Richard Ware)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1722: Ambrose Philips [from Pétis de la Croix], &lt;em&gt;The Thousand and One Days: Persian Tales&lt;/em&gt;, 3 vols (London)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1788-89: Dom Dennis Chavis &amp;amp; M. Cazotte [Cabinet des Fées, 38-41], &lt;em&gt;Les Veillées du Sultan Schahriar avec la Sultane Scheherazade; histoires incroyables, amusantes et morales ... Faisant suite aux Nille et une Nuits&lt;/em&gt;, 4 vols (Geneva: Barde &amp;amp; Manget)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1792: Robert Heron [from Chavis &amp;amp; Cazotte], &lt;em&gt;Arabian Tales, or a Continuation of the Arabian Nights’ Entertainments: Consisting of Stories Related by the Sultana of the Indies to divert her Husband from the Performance of a rash vow; Exhibiting A most interesting view of the Religion, Laws, Manners, Customs, Arts, and Literature of the nations of the East, And Affording a rich Fund of the most pleasing Amusement, which fictitious writings can supply&lt;/em&gt;, 4 vols (Edinburgh: Bell, Bradfute et al.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1800: Jonathan Scott, &lt;em&gt;Tales, Anecdotes, and Letters, translated from the Arabic and Persian &lt;/em&gt;(London: Cadell and Davies)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1811: Jonathan Scott [from Galland, with additional material], &lt;em&gt;The Arabian Nights’ Entertainments, Carefully Revised and Occasionally Corrected from the Arabic&lt;/em&gt;, 6 vols (London: Longman, Hurst etc.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1812: Henry Weber, &lt;em&gt;Tales of the East: comprising the most popular Romances of Oriental origin, and the best imitations by European authors, with new translations and additional tales never before published&lt;/em&gt;, 3 vols (Edinburgh)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1823: Aug. E. Zinserling, &lt;em&gt;Der Tausend und einen Nacht noch nicht übersetzte Märchen, Erzählungen und Anekdoten, zum erstenmale aus dem Arabischen in’s Französische übersetzt von Joseph von Hammer, und aus dem Französischen in’s Deutsch&lt;/em&gt;, 3 vols (Stuttgart und Tübingen)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1824-25: Max. Habicht, Fr. H. von der Hagen, and Carl Schall, &lt;em&gt;Tausend und Eine Nacht. Arabische Erzählungen. Zum erstenmal aus einer Tunesischen Handschrift ergänzt and vollständig übersetzt&lt;/em&gt;, 15 vols (Breslau: Josef Mar)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1826: George Lamb [from Zinserling], &lt;em&gt;New Arabian Nights Entertainments, selected from the original Oriental MS. by Jos. Von Hammer, and now first translated into English&lt;/em&gt;, 3 vols (London: Henry Colburn)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1828: G. S. Trébutien [from Zinserling], &lt;em&gt;Contes inédits des Mille et une Nuits&lt;/em&gt;, 3 vols (Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1836: E. W. Lane, &lt;em&gt;An Account of the Manners and Customs of the Modern Egyptians&lt;/em&gt;, 2 vols (London: Charles Knight)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1838: Henry Torrens, &lt;em&gt;The Book of the Thousand Nights and One Night: from the Arabic of the Ægyptian MS. as edited by Wm. Hay McNaghten ... &lt;/em&gt;(Calcutta: W. Thacker and Co.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1838-40: E. W. Lane, &lt;em&gt;The Thousand and One Nights. A New Translation &lt;/em&gt;[monthly parts]&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1838-41: Gustav Weil, &lt;em&gt;Tausend und Eine Nacht: Arabische Erzählungen. Zum Erstenmale aus dem Urtexte vollständig und treu übersetzt&lt;/em&gt;, 4 vols (Stuttgart und Pforzheim)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1839-41: E. W. Lane, &lt;em&gt;The Thousand and One Nights; Commonly Called, in England, The Arabian Nights’ Entertainments. A New Translation from the Arabic, with Copious Notes&lt;/em&gt;, 3 vols (London: Charles Knight)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1863-74: E. W. Lane, &lt;em&gt;An Arabic-English Lexicon&lt;/em&gt;, 5 parts, ed. Stanley Lane-Poole (London)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1877-92: S. Lane-Poole, &lt;em&gt;Supplement to Lane’s Arabic-English Lexicon &lt;/em&gt;(London)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1882: W. F. Kirby, &lt;em&gt;The New Arabian Nights. Select Tales not included by Galland or Lane&lt;/em&gt; (London)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1882-84: John Payne, &lt;em&gt;The Book of the Thousand Nights and One Night; Now First Completely Done into English Prose and Verse, from the Original Arabic&lt;/em&gt;, 9 vols (London: The Villon Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1883: E. W. Lane, &lt;em&gt;Arabian Society in the Middle Ages&lt;/em&gt;, ed. S. Lane-Poole (London: Chatto)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1884: John Payne, &lt;em&gt;Tales from the Arabic of the Breslau and Calcutta (1814-’18) Editions of the Book of the Thousand Nights and One Night, Not Occurring in the Other Printed Texts of the Work; Now First Done into English&lt;/em&gt;, 3 vols (London: Villon Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1885: Richard F. Burton, &lt;em&gt;The Book of the Thousand Nights and a Night: A Plain and Literal Translation of the Arabian Nights Entertainments&lt;/em&gt;, 10 vols (Benares [=Stoke-Newington]: The Kamashastra Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1886: Lady Burton and J. H. McCarthy, &lt;em&gt;The Book of the Thousand Nights and a Night: Prepared for Household Reading&lt;/em&gt;, 6 vols (London: Waterlow)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1886-88: Richard F. Burton, &lt;em&gt;Supplemental Nights to the Book of the Thousand Nights and a Night with Notes Anthropological and Explanatory&lt;/em&gt;, 6 vols (Benares [=Stoke-Newington]: The Kamashastra Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1889: John Payne, &lt;em&gt;Alaeddin and the Enchanted Lamp; Zein ul Asnam and the King of the Jinn; two stories done into English from the recently discovered Arabic text &lt;/em&gt;(London: Villon Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1892: J. H. McCarthy, &lt;em&gt;The Thousand and One Days: Persian Tales&lt;/em&gt;, 2 vols (London: Chatto &amp;amp; Windus)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1895-97: Max Henning, &lt;em&gt;Tausend und eine Nacht. Aus dem Arabischen übertragen&lt;/em&gt;, 24 vols (Leipzig: Reclam)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1898: Andrew Lang, &lt;em&gt;The Arabian Nights Entertainments &lt;/em&gt;(London: Longmans)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1899-1904: J. C. Mardrus, &lt;em&gt;Le Livre des Mille et une Nuits&lt;/em&gt;, 16 vols (Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1900-05: Victor Chauvin, "Les Mille et une nuits," &lt;em&gt;Bibliographie des ouvrages arabes ou relatifs aux Arabes publiés dans l’Europe chrétienne de 1810 à 1885&lt;/em&gt;, 12 vols (Liège: H. Vaillant-Carmanne, Leipzig: O. Harrassowitz, 1892-1922) vols 4-7, 9.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1906-14: Cary von Karwath, &lt;em&gt;1001 Nacht: Vollständige Ausgabe in 18 Taschenbüchern mit einem Zusatzband: Nach dem arabischen Urtext angeordnet und übertragen&lt;/em&gt;, 19 vols (München: Goldmann Verlag)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1907: Laurence Housman, &lt;em&gt;Stories from the Arabian Nights &lt;/em&gt;(London: Hodder &amp;amp; Stoughton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1907-08: Felix Paul Greve, &lt;em&gt;Die Erzählungen aus den Tausend und ein Nächten. Vollständige deutsche Ausgabe auf Grund der Burton’schen englischen Ausgabe&lt;/em&gt;, 12 vols (Leipzig: Insel)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1911: M. Gaudefroy-Demombynes, &lt;em&gt;Les Cent et Une Nuits &lt;/em&gt;(Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1911: Laurence Housman, &lt;em&gt;Ali Baba and other stories from the Arabian Nights &lt;/em&gt;(London: Hodder &amp;amp; Stoughton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1913: Laurence Housman, &lt;em&gt;Princess Badoura: A Tale from the Arabian Nights &lt;/em&gt;(London: Hodder &amp;amp; Stoughton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1914: Laurence Housman, Sindbad the Sailor, &amp;amp; other stories from the Arabian Nights (London: Hodder &amp;amp; Stoughton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1921-28: Enno Littmann, &lt;em&gt;Die Erzählungen aus den Tausendundein Nächten: Vollständige deutsche Ausgabe in sechs Bänden zum ersten Mal nach dem arabischen Urtext der Calcuttaer Ausgabe aus dem Jahre 1839&lt;/em&gt;, 6 vols (Leipzig)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1923: Vicente Blasco Ibañez [from Mardrus], &lt;em&gt;Las Mil y Una Noches &lt;/em&gt;(Spain)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1923: E. Powys Mathers, &lt;em&gt;The Book of the Thousand Nights and One Night: Rendered from the Literal and Complete Version of Dr. J. C. Mardrus; and Collated with Other Sources&lt;/em&gt;, 8 vols (London: The Casanova Society)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1927-30: E. Powys Mathers, &lt;em&gt;The Anthology of Eastern Love&lt;/em&gt;, 12 vols in 4 (London: John Rodker)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1929-36: M. A. Salier, &lt;em&gt;Tisyacha Odna Nochi &lt;/em&gt;(U. S. S. R), 8 vols&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1948: Francesco Gabrieli, &lt;em&gt;Le mille e una notte: Prima versione integrale dall’arabo&lt;/em&gt;, trans. Francesco Gabrieli, Antonio Cesaro, Constantino Pansera, Umberto Rizzitano and Virginia Vacca, 4 vols (Torino: Einaudi)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1949: E. Powys Mathers, &lt;em&gt;The Book of the Thousand Nights and One Night: Rendered into English from the Literal and Complete French Translation of Dr. J. C. Mardrus&lt;/em&gt;, 4 vols (London: Routledge and Kegan Paul)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1953: A. J. Arberry, &lt;em&gt;Scheherazade: Tales from the Thousand and One Nights &lt;/em&gt;(London: Allen and Unwin)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1954:  N. J. Dawood, &lt;em&gt;The Thousand and One Nights: The Hunchback, Sindbad, and Other Tales&lt;/em&gt;, Penguin 1001 (Harmondsworth: Penguin)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1957: N. J. Dawood, &lt;em&gt;Aladdin and Other Tales from The Thousand and One Nights &lt;/em&gt;(Harmondsworth: Penguin)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1965-67: René R. Khawam, &lt;em&gt;Les Mille et une nuits&lt;/em&gt;, 4 vols (Paris)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1973: N. J. Dawood, &lt;em&gt;Tales from the Thousand and One Nights&lt;/em&gt;, 2nd ed. (Harmondsworth: Penguin)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1982: Felix Tauer, &lt;em&gt;Neue Erzählungen aus den Tausendundein Nächten: Die in anderen Versionen von »1001 Nacht« nicht enthaltenen Geschichten der Wortley-Montague-Handschrift der Oxforder Bodleian Library; Aus dem arabischen Urtext vollständig übertragen und erläutert von Felix Tauer&lt;/em&gt;. 2 vols (Frankfurt: Insel Verlag)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1985: René R. Khawam, &lt;em&gt;Les Aventures de Sindbad le Marin &lt;/em&gt;(Paris: Phébus)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1986: René R. Khawam, &lt;em&gt;Les Mille et une nuits&lt;/em&gt;, 4 vols (Paris: Phébus)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1986: René R. Khawam, &lt;em&gt;Les Aventures de Sindbad le Terrien &lt;/em&gt;(Paris: Phébus)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1987: Paul Ernst, ed., &lt;em&gt;Erzählungen aus tausendundein Tag; Vermehrt um andere Morgenländische Geschichten&lt;/em&gt;, trans. Felix Paul Greve and Paul Hansmann, 2 vols (Frankfurt: Insel Verlag)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1990: Husain Haddawy, &lt;em&gt;The Arabian Nights: Based on the Text of the Fourteenth-Century Syrian Manuscript edited by Muhsin Mahdi &lt;/em&gt;(New York: Norton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1991-2001: Jamel Eddine Bencheikh, André Miquel and Touhami Bencheikh, &lt;em&gt;Les Mille et Une Nuits: Contes choisis&lt;/em&gt;, 4 vols (Paris: Gallimard)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1995: Husain Haddawy, &lt;em&gt;The Arabian Nights II: Sindbad and Other Popular Stories&lt;/em&gt;.(New York: Norton)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;2004: Ulrich Marzolph &amp;amp; Richard van Leeuwen, &lt;em&gt;The Arabian Nights Encyclopedia&lt;/em&gt;, 2 vols (Santa Barbara, CA / Denver CO / Oxford, UK: ABC Clio)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;2005: Jamel Eddine Bencheikh &amp;amp; André Miquel, &lt;em&gt;Les Mille et Une Nuits&lt;/em&gt;, 3 vols (Paris: Bibliothèque de la Pléiade)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;2008: Malcolm &amp; Ursula Lyons, &lt;em&gt;The Arabian Nights: Tales of 1001 Nights&lt;/em&gt;. 3 vols (Harmondsworth: Penguin)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Theatrical &amp;amp; Cinematic History&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;br /&gt;&lt;li&gt;1911: Edward Knoblock, Kismet: An “Arabian Night” in Three Acts (First produced at the Garrick Theatre, London, April 19th)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1922: James Elroy Flecker, &lt;em&gt;Hassan: The Story of Hassan of Bagdad and How he Came to Make the Golden Voyage to Samarkand, A Play in Five Acts &lt;/em&gt;(London: Heinemann)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1924: “The Thief of Bagdad,” dir. Raoul Walsh - with Douglas Fairbanks, Julanne Johnston, Anna May Wong, and Snitz Edwards - (U.S.A.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1940: “The Thief of Baghdad,” dir. Michael Powell - with Conrad Veidt, Sabu, Rex Ingram - (U.K.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1947: ‘Sinbad the Sailor’, dir. Richard Wallace - with Douglas Fairbanks, Jnr., Maureen O’Hara, and Anthony Quinn - (U.S.A.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1954: ‘Ali Baba et les quarante voleurs’, dir. Jacques Becker - with Fernandel, Dieter Borsche, Henri Vilkarl, Samia Gamal - (France)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1973: “The Golden Voyage of Sinbad,” dir. Gordon Hassler - with John Philip Law, Caroline Munro, and Tom Baker - (U.K.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1974: “Il Fiore delle mille e una notte,” dir. Pier Paolo Pasolini (Italy)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1977: “Sinbad and the Eye of the Tiger, “ dir. Sam Wanamaker - with Patrick Wayne, Jame Seymour and Patrick Troughton - (U.K.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1979: “Arabian Adventure,” dir. Kevin Connor - with Christopher Lee, Milo O’Shea and Oliver Tobias - (U.K.)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1981: Michael Hayes, “Tales from the 1001 Nights” (BBC)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1989: Tariq Ali &amp;amp; Howard Brenton, ‘Iranian Nights’ (UK Broadcast May 20th on ITV)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1989: “Sinbad of the Seven Seas,” dir. Enzo G. Castellari - with Lou Ferrigno, John Steiner - (Italy)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;1992: “Aladdin,” dir. Ron Clements &amp;amp; John Musker - with the voices of Robin Williams, Jonathan Freeman, Brad King - (USA)&lt;/li&gt;&lt;br /&gt;&lt;li&gt;2000: “Arabian Nights,” dir. Steve Barron, writ. Peter Barnes –  with Mili Avital, Alan Bates, Dougray Scott – (USA)&lt;/li&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-7441008861666607925?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/7441008861666607925/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=7441008861666607925' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/7441008861666607925'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/7441008861666607925'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/arabian-nights-chronology.html' title='An &lt;em&gt;Arabian Nights&lt;/em&gt; Chronology'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_ZO6brBJskrI/RvspO0rOr0I/AAAAAAAAAVo/vz4qhoN6e1k/s72-c/one_arabian_night_cover_2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-4012048669506008906</id><published>2007-09-26T14:24:00.000-07:00</published><updated>2009-12-13T14:21:57.454-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Bibliography'/><category scheme='http://www.blogger.com/atom/ns#' term='imitations'/><category scheme='http://www.blogger.com/atom/ns#' term='criticism'/><category scheme='http://www.blogger.com/atom/ns#' term='history'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><category scheme='http://www.blogger.com/atom/ns#' term='translations'/><category scheme='http://www.blogger.com/atom/ns#' term='commentary'/><title type='text'>An Arabian Nights Bibliography</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_ZO6brBJskrI/RvrPD0rOrpI/AAAAAAAAAUQ/_eZ4qxnyu3g/s1600-h/ist2_146121_arabian_nighst.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114627991419137682" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://2.bp.blogspot.com/_ZO6brBJskrI/RvrPD0rOrpI/AAAAAAAAAUQ/_eZ4qxnyu3g/s320/ist2_146121_arabian_nighst.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.fineartprintsondemand.com/"&gt;Sleeping Woman&lt;/a&gt;]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Texts &amp;amp; Translations:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Arabic&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;Alph Laylé Wa Laylé&lt;/em&gt;. 4 vols. Beirut: Al-Maktaba Al-Thakafiyat, A.H. 1401 [= 1981].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;Arabic Key Readers. A Thousand and One Nights: Graduated Readings for English Speaking Students – Book 1: Story of the Book, Nights 1 through 9&lt;/em&gt;. Retold by Michel Nicola. Troy, Michigan: International Book Centre, 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Macnaghten, W. H., ed. &lt;em&gt;The Alif Laila, or Book of the Thousand Nights and One Night, Commonly Known as ‘The Arabian Nights’ Entertainments;’&lt;/em&gt; Now, for the First Time, Published Complete in the Original Arabic, from an Egyptian Manuscript Brought to India by the Late Major Turner Macan, Editor of the Shah-Nameh. 4 vols. Calcutta: W. Thacker, 1839-42.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zotenberg, Hermann. &lt;em&gt;Histoire d’Alâ al-Din ou La Lampe Merveilleuse: Texte Arabe publié avec une notice sur quelques manuscrits des Mille et une nuits&lt;/em&gt;. Paris; Imprimerie Nationale, 1888.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;English&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;Arabian Nights Entertainments: Consisting of One Thousand and One Stories, Told by the Sultaness of the Indies, to divert the Sultan from the Execution of a bloody Vow he had made to marry a Lady every day, and have her cut off next Morning, to avenge himself for the Disloyalty of his first Sultaness, &amp;amp;c. Containing a better Account of the Customs, Manners, and Religion of the Eastern Nations, viz. Tartars, Persians, and Indians, than is to be met with in any Author hitherto published.&lt;/em&gt; Translated into French from the Arabian Mss. by M. Galland of the Royal Academy, and now done into English from the last Paris Edition. London: Andrew Bell, 1706-17. 16th ed. 4 vols. London &amp;amp; Edinburgh: C. Elliot, 1781&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;em&gt;The Arabian Nights’ Entertainments&lt;/em&gt;. [Trans. Antoine Galland]. Sir John Lubbock’s Hundred Books 67. London: Routledge, 1893.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Arberry, A. J., trans. &lt;em&gt;Scheherazade: Tales from the Thousand and One Nights&lt;/em&gt;. London: Allen and Unwin, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Blyton, Enid. &lt;em&gt;Tales from the Arabian Nights&lt;/em&gt;. Illustrated by Anne &amp;amp; Janet Johnstone. 1951. London: Latimer House, 1956.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://www.mythfolklore.net/1001nights/burton/index.htm"&gt;Burton, Richard F, trans.&lt;/a&gt; &lt;em&gt;A Plain and Literal Translation of The Arabian Nights’ Entertainments, Now Entituled The Book of the Thousand Nights and a Night: With Introduction, Explanatory Notes on the Manners and Customs of Moslem Men and a Terminal Essay upon the History of the Nights&lt;/em&gt;. 10 vols. Benares [= Stoke-Newington]: Kamashastra Society, 1885. N.p. [= Boston]: The Burton Club, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;Supplemental Nights to the Book of the Thousand Nights and a Night with Notes Anthropological and Explanatory&lt;/em&gt;. 6 vols. Benares [= Stoke-Newington]: Kamashastra Society, 1886-88. 7 vols.&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-bibliography.html#_ftn1" name="_ftnref1" title="" class="style23"&gt;[1]&lt;/a&gt; N.p. [= Boston]: The Burton Club, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;The Book of the Thousand Nights and a Night&lt;/em&gt;. Library Edition. Ed. Leonard C. Smithers. 12 vols. London: H. S. Nichols, 1897.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;The Arabian Nights’ Entertainments, or The Book of the Thousand Nights and a Night: A Selection of the Most Famous and Representative of these Tales&lt;/em&gt;. Ed. Bennett A Cerf. 1932. Introductory Essay by Ben Ray Redman. New York: Modern Library, 1959.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;The Book of the Thousand Nights and a Night: A Plain and Literal Translation of the Arabian Nights Entertainments&lt;/em&gt;. 1885. 3 vols. New York: The Heritage Press, 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;The Book of the Thousand Nights and a Night: A Plain and Literal Translation of the Arabian Nights Entertainments&lt;/em&gt;. 1885. 10 vols. U.S.A.: The Burton Club, n.d. [c.1940s].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;Supplemental Nights to the Book of the Thousand and One Nights with Notes Anthropological and Explanatory&lt;/em&gt;. 1886-88. 6 vols. U.S.A..: The Burton Club, n.d. [c. 1940s].&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;A Plain and Literal Translation of the Arabian Nights’ Entertainments, now entituled The Book of the Thousand Nights and a Night: A Selection&lt;/em&gt;. Ed. P. H. Newby. 1950. London: Arthur Barker, 1953.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;More Stories from the Arabian Nights&lt;/em&gt;. Ed. Julian Franklyn. London: Arthur Barker, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., trans. &lt;em&gt;Tales from the Arabian Nights: Selected from the Book of the Thousand Nights and a Night&lt;/em&gt;. Ed. David Shumaker. New York: Avenel Books, 1978.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dawood, N. J., trans. &lt;em&gt;The Thousand and One Nights: The Hunchback, Sindbad, and Other Tales&lt;/em&gt;. Penguin 1001. 1954. Penguin Classics L64. Harmondsworth: Penguin, 1955.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dawood, N. J., trans. &lt;em&gt;Aladdin and Other Tales from The Thousand and One Nights&lt;/em&gt;. Penguin Classics L71. Harmondsworth: Penguin, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Dawood, N. J., trans. &lt;em&gt;Tales from the Thousand and One Nights&lt;/em&gt;. 1954-57. 2nd ed. 1973. Harmondsworth: Penguin, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Forster, Edward, trans. &lt;em&gt;The Arabian Nights’ Entertainments&lt;/em&gt;. 1812. Rev. G. Moir Bussey. London: J. J. Chidley, 1846.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Haddawy, Husain, trans. &lt;em&gt;The Arabian Nights: Based on the Text of the Fourteenth-Century Syrian Manuscript edited by Muhsin Mahdi&lt;/em&gt;. New York: W. W. Norton &amp;amp; Co., 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Haddawy, Husain, trans. &lt;em&gt;The Arabian Nights II: Sindbad and Other Popular Stories&lt;/em&gt;. New York: W. W. Norton &amp;amp; Co., 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hanley, Sylvanus. &lt;em&gt;Caliphs and Sultans, Being Tales Omitted in the Usual Editions of the Arabian Nights Entertainments; rewritten and rearranged&lt;/em&gt;. London: L. Reeve, 1868.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Housman, Laurence. &lt;em&gt;Stories from the Arabian Nights&lt;/em&gt;. Illus. Edmund Dulac. 1907. New York: Doran, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kirby, W. F. &lt;em&gt;The New Arabian Nights. Select Tales, not included by Galland or Lane&lt;/em&gt;. London: W. Swan Sonnenschein, 1882.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lane, Edward William, trans. &lt;em&gt;The Thousand and One Nights, Commonly Called, in England, The Arabian Nights’ Entertainments. A New Translation from the Arabic, with Copious Notes&lt;/em&gt;. 3 vols. London: Charles Knight, 1839-41.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lane, Edward William, trans. &lt;em&gt;The Thousand and One Nights; Commonly Called The Arabian Nights’ Entertainments&lt;/em&gt;. Ed. Edward Stanley Poole. 3 vols. 1859. London: Chatto, 1912.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lane, Edward William, trans. &lt;em&gt;The Arabian Nights’ Entertainments&lt;/em&gt;. Ed. Stanley Lane-Poole. 4 vols. 1906. Bohn’s Popular Library. London: G. Bell, 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lane, Edward William, trans. &lt;em&gt;Stories from the Thousand and One Nights (The Arabian Nights’ Entertainments).&lt;/em&gt; Ed. Stanley Lane-Poole. The Harvard Classics 16. New York: P. F. Collier, 1909.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lane, Edward William, trans. &lt;em&gt;The Arabian Nights’ Entertainments or The Thousand and One Nights: The Complete, Original Translation of Edward William Lane, with the Translator’s Complete, Original Notes and Commentaries on the Text&lt;/em&gt;. New York: Tudor Publishing Co., 1927.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://www.mythfolklore.net/1001nights/lang/index.htm"&gt;Lang, Andrew, ed.&lt;/a&gt; &lt;em&gt;Tales from the Arabian Nights&lt;/em&gt;. Illustrated by H. J. Ford. 1898. London: Wordsworth Classics, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lang, Andrew, trans. &lt;em&gt;Tales from The Arabian Nights&lt;/em&gt;. 1898. Illustrated by Edmond Dulac. Afterword by Pete Hamill. The World’s Best Reading. Sydney &amp;amp; Auckland: Reader’s Digest, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lyons, Malcolm &amp;amp; Ursula, trans. &lt;span style="font-style: italic;"&gt;The Arabian Nights: Tales of 1001 Nights&lt;/span&gt;. Introduction by Robert Irwin. 3 vols. Harmondsworth: Penguin, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lyons, Malcolm &amp;amp; Ursula, trans. &lt;span style="font-style: italic;"&gt;Three Tales from The Arabian Nights&lt;/span&gt;. Harmondsworth: Penguin Classics, 2008.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mack, Robert L., ed. &lt;em&gt;Arabian Nights’ Entertainments&lt;/em&gt;. The World’s Classics. Oxford: Oxford University Press, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mathers, Edward Powys, trans. &lt;em&gt;The Book of the Thousand Nights and One Night: Rendered from the Literal and Complete Version of Dr. J. C. Mardrus; and Collated with Other Sources&lt;/em&gt;. 1923. 8 vols. London: The Casanova Society, 1929.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mathers, E. Powys, trans. &lt;em&gt;The Book of the Thousand Nights and One Night: Rendered into English from the Literal and Complete French Translation of Dr. J. C. Mardrus&lt;/em&gt;. 4 vols. 1949. 2nd ed. 1964. London: Routledge and Kegan Paul, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mathers, E. Powys, trans. &lt;em&gt;Arabian Love Tales: Being Romances Drawn from the Book of the Thousand Nights and One Night, Rendered into English from the Literal French Translation of Dr. J. C. Mardrus&lt;/em&gt;. London: The Folio Society, 1949.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mathers, E. Powys. &lt;em&gt;Sung to Shahryar: Poems from the Book of the Thousand Nights and One Night&lt;/em&gt;. London: The Casanova Society, 1925.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://www.mythfolklore.net/1001nights/payne/index.htm"&gt;Payne, John, trans.&lt;/a&gt; &lt;em&gt;The Book of the Thousand Nights and One Night; Now First Completely Done into English Prose and Verse, from the Original Arabic&lt;/em&gt;. 9 vols. London: Villon Society, 1882-84.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Payne, John, trans. &lt;em&gt;Tales from the Arabic of the Breslau and Calcutta (1814-’18) Editions of the Book of the Thousand Nights and One Night, Not Occurring in the Other Printed Texts of the Work; Now First Done into English&lt;/em&gt;. 3 vols. London: Villon Society, 1884.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Payne, John, trans. &lt;em&gt;Alaeddin and the Enchanted Lamp; Zein ul Asnam and the King of the Jinn: Two Stories Done into English from the Recently Discovered Arabic Text&lt;/em&gt;. London: Villon Society, 1889.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Payne, John, trans. &lt;em&gt;The Book of the Thousand Nights and One Night&lt;/em&gt;. Publisher's Note by Steven Moore. 3 vols. Ann Arbor, MI: Borders Classics, 2007.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Scott, Anne, ed. &lt;em&gt;Tales from the Arabian Nights&lt;/em&gt;. Retold by Vladimir Hulpach. Trans. Vera Gissing. Illustrated by Mária Zelibská. London: Cathay Books, 1981.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Scott, Jonathan, trans. &lt;em&gt;Tales, Anecdotes and Letters, translated from the Arabic and Persian&lt;/em&gt;. London: Cadell and Davies, 1800.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;&lt;a href="http://www.mythfolklore.net/1001nights/scott/index.htm"&gt;Scott, Jonathan, trans.&lt;/a&gt; &lt;em&gt;Tales Selected from the Manuscript copy of the 1001 Nights brought to Europe by Edward Wortley Montague, Esq&lt;/em&gt;. London, 1811. Vol. 6 of The Arabian Nights Entertainments, Carefully Revised and Occasionally Corrected from the Arabic. 6 vols.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Torrens, Henry, trans. The &lt;em&gt;Book of the Thousand Nights and One Night, from the Arabic of the Ægyptian MS. edited by Mr. William H. Macnaghten&lt;/em&gt;. Calcutta: W. Thacker, 1838.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Wiggin, Kate Douglas &amp;amp; Nora A. Smith, eds. &lt;em&gt;The Arabian Nights: Their Best-Known Tales.&lt;/em&gt; Illustrated by Maxfield Parrish. New York: Quality Paperback Book Club, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Williams-Ellis, Amabel. &lt;em&gt;The Arabian Nights Stories Retold&lt;/em&gt;. 1957. London: Blackie, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zipes, Jack, ed. &lt;em&gt;Arabian Nights: The Marvels and Wonders of the Thousand and One Nights, Adapted from Richard F. Burton’s Unexpurgated Translation&lt;/em&gt;. Signet Classic. New York: Penguin, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Zipes, Jack, ed. &lt;em&gt;Arabian Nights, Volume II: More Marvels and Wonders of the Thousand and One Nights, Adapted from Sir Richard F. Burton’s Unexpurgated Translation&lt;/em&gt;. Signet Classic. New York: New American Library, 1999.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;French&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Bencheikh, Jamel Eddine, and André Miquel, trans. &lt;em&gt;Les Mille et Une Nuits&lt;/em&gt;. 3 vols. Bibliothèque de la Pléiade. Paris: Gallimard, 2005-7.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bencheikh, Jamel Eddine, and André Miquel, ed. &lt;em&gt;Les Mille et Une Nuits: Contes choisis&lt;/em&gt;. Trans. Jamel Eddine Bencheikh, André Miquel &amp;amp; Touhami Bencheikh. 2 vols. Folio 2256-57. Paris: Gallimard, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bencheikh, Jamel Eddine, and André Miquel, ed &amp;amp; trans. &lt;em&gt;Les Mille et Une Nuits: Contes choisis III&lt;/em&gt;. Folio 2775. Paris: Gallimard, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Bencheikh, Jamel Eddine, and André Miquel, ed &amp;amp; trans. &lt;em&gt;Sindbâd de la mer et autres contes des Mille et Une Nuits: Contes choisis IV&lt;/em&gt;. Folio 3581. Paris: Gallimard, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Chavis, Dom, and M. Cazotte, trans. &lt;em&gt;La Suite des Mille et une Nuits, Contes Arabes&lt;/em&gt;. Cabinet des Fées 38-41. 4 vols. Geneva: Barde &amp;amp; Manget, 1788-89.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Chraibi, Aboubakr. &lt;em&gt;Contes nouveaux des 1001 nuits: Étude du manuscript Reinhardt&lt;/em&gt;. Paris: J. Maisonneuve, 1996.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Galland, Antoine, trans. &lt;em&gt;Les Mille et Une Nuits: Contes arabes traduits par Galland&lt;/em&gt;. 12 vols. 1704-17. Ed. Gaston Picard. 2 vols. 1960. Paris: Garnier, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Galland, Antoine, trans. &lt;em&gt;Les Mille et Une Nuits: Contes arabes&lt;/em&gt;. 12 vols. 1704-17. Ed. Jean Gaulmier. 3 vols. 1965. Paris: Garnier-Flammarion, 1990, 1985, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Galland, Antoine, trans. &lt;em&gt;Les Mille et Une Nuits: Le Pêcheur et le Génie; Histoire de Ganem&lt;/em&gt;. Ed. Marie-Louise Astre. Étonnants Classiques. Paris: GF-Flammarion, 1995.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gauttier, Edouard, trans. &lt;em&gt;Les Mille et une nuits, contes arabes, traduits en français par Galland. Nouvelle édition revue ... avec les continuations et plusieurs contes, traduits pour la première fois du persan, du turc et de l’arabe&lt;/em&gt;. 7 vols. Paris: Société de traduction, 1822-23.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Guerne, A., trans. &lt;em&gt;Les Mille et Une Nuits&lt;/em&gt;. 6 vols. Paris, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Khawam, René R., trans. &lt;em&gt;Les Mille et une nuits. Traduction Nouvelle et Complète faite sur les Manuscrits par René R. Khawam&lt;/em&gt;. 4 vols. Paris: Editions Albin Michel, 1965-67.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Khawam, René R., trans. &lt;em&gt;Les Mille et une nuits&lt;/em&gt;. 4 vols. 2nd ed. 1986. 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S., trans. &lt;em&gt;Contes inédits des Mille et une Nuits, extraits de l’original arabe par M. J. de Hammer&lt;/em&gt;. 3 vols. Paris: Dondey-Dupré, 1828.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;German (&amp;amp; Czech)&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Greve, Felix Paul, trans. &lt;em&gt;Die Erzählungen aus den Tausend und ein Nächten. Vollständige deutsche Ausgabe ... aug Grund der Burton’schen englischen Ausgabe&lt;/em&gt;. 12 vols. Leipzig: Insel, 1907-08.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Habicht, Max., Fr. H. von der Hagen, and Carl Schall, trans. Tausend und Eine Nacht, Arabische Erzählungen. 1824-25. Ed. Karl Martin Schiller. 12 vols. Leipzig: F. W. Hendel, 1926.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Henning, Max, trans. &lt;em&gt;Tausend und eine Nacht. Aus dem Arabischen übertragen&lt;/em&gt;. 24 vols. Leipzig: Reclam, 1895-99.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Henning, Max, trans. &lt;em&gt;Tausend und eine Nacht&lt;/em&gt;. 1895-99. Ed. Hans W. Fischer. Berlin &amp;amp; Darmstadt: Deutsche Buch-Gemeinschaft, 1957.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Karwath, Cary Von, trans. &lt;em&gt;1001 Nacht: Vollständige Ausgabe in 18 Taschenbüchern mit einem Zusatzband: Nach dem arabischen Urtext angeordnet und übertragen von Cary von Karwath&lt;/em&gt;. 1906-14. 19 vols. München: Goldmann Verlag, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Littmann, Enno, trans. &lt;em&gt;Die Erzählungen aus den Tausendundein Nächten: Vollständige deutsche Ausgabe in zwölf Teilbänden zum ersten mal nach dem arabischen Urtext der Calcuttaer Ausgabe aus dem Jahre 1839 übertragen von Enno Littmann&lt;/em&gt;. 1921-28. 2nd ed. 1953. 6 vols in 12. Frankfurt am Main: Insel Verlag, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Littmann, Enno, trans. &lt;em&gt;Geschichten der Liebe aus den 1001 Nächten: Aus dem arabischen Urtext übertragen von Enno Littmann&lt;/em&gt;. Frankfurt am Main: Insel Verlag, 1973.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Tauer, Felix, trans. &lt;em&gt;Erotische Geschichten aus den tausendundein Nächten: Aus dem arabischen Urtext der Wortley Montague-Handschrift übertragen und herausgegeben von Felix Tauer&lt;/em&gt;. 1966. Frankfurt am Main: Insel Verlag, 1983.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Tauer, Felix, trans. &lt;em&gt;Neue Erzählungen aus den Tausendundein Nächten: Die in anderen Versionen von &gt;1001 Nacht&lt;&gt; Aus dem arabischen Urtext vollständig übertragen und erläutert von Felix Tauer&lt;/em&gt;. 2 vols. 1982. Frankfurt am Main: Insel Verlag, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Tauer, Felix, trans. &lt;em&gt;Tisic a Jedna Noc&lt;/em&gt;. 5 vols. 1973. Praha: Ikar, 2001.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Weil, Gustav, trans. &lt;em&gt;Liebesgeschichten aus Tausendundeiner Nacht, übertragen aus dem arabischen Urtext von Gustav Weil: Mit Holzstichen der Ausgabe von 1865&lt;/em&gt;. 1837-41. München: Delphin Verlag, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Weil, Gustav, trans. &lt;em&gt;Tausendundeine Nacht&lt;/em&gt;. 1838-41. Ed. Inge Dreecken. 3 vols. Wiesbaden: R. Löwit, n.d. [c. 1960s]&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Italian&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Faccioli, Emilio, ed. &lt;em&gt;Le mille e una notte: Scelta di racconti. Dall’edizione integrale diretta da Francesco Gabrieli&lt;/em&gt;. Letture per la Scuola Media 56. Torino: Einaudi, 1980.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gabrieli, Francesco, ed. &lt;em&gt;Le mille e una notte: Prima versione integrale dall’arabo&lt;/em&gt;. Trans. Francesco Gabrieli, Antonio Cesaro, Constantino Pansera, Umberto Rizzitano and Virginia Vacca. 1948. Gli struzzi 35. 4 vols. Torino: Einaudi, 1972.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Russian&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Salier, M. A., trans. Tysyacha i Odna Noch'. 8 vols. 1929-36. Saint Petersburg: Kristall, 2000.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;Spanish&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Cansinos-Assens, Rafael, trans. &lt;em&gt;Las Mil y Una Noches&lt;/em&gt;. Spain, 1960.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Galland, A. &lt;em&gt;Las Mil y Una Noches: Cuentos orientales&lt;/em&gt;. Trans. Pedro Pedraza y Páez. Biblioteca Hispania. Barcelona: Editorial Ramón Sopena, 1934.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ibañez, Vicente Blasco, trans. &lt;em&gt;Las Mil y Una Noches&lt;/em&gt;. Spain, n.d.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Larraya, Juan A. G., and Leonor Martínez Martín, trans. &lt;em&gt;Las Mil y Una Noches&lt;/em&gt;. 3 vols. Barcelona, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Samsó, Julio, trans. &lt;em&gt;Antología de Las Mil y Una Noches&lt;/em&gt;. Libro de Bolsillo: Clásicos 599. Madrid: Alianza Editorial, 1975.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Vernet, Juan, trans. &lt;em&gt;Las Mil y Una Noches&lt;/em&gt;. 3 vols. Barcelona, 1964-67.&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;Cognate Collections:&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Attar, Farid ud-Din. &lt;em&gt;The Conference of the Birds&lt;/em&gt;. Trans. Afkham Darbandi and Dick Davis. Harmondsworth: Penguin, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Attar, Farid ud-Din. &lt;em&gt;The Conference of the Birds, Mantiq ut-Tair: A Philosophical Religious Poem in Prose - Rendered into English from the Literal and Complete French Translation of Garcin de Tassy&lt;/em&gt;. Trans. C. S. Nott. 1954. London: Routledge &amp;amp; Kegan Paul, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Basile, Giovanni Batiste. &lt;em&gt;Il Pentamerone: or The Tale of Tales&lt;/em&gt;. Trans. Richard F. Burton. 1893. New York: Liveright, 1932.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Besson, Gisèle, and Michèle Brossard-André, trans. &lt;em&gt;Le Livre de l’échelle de Mahomet: Liber Scale Machometi&lt;/em&gt;. Préface de Roger Arnaldez. Lettres Gothiques. Paris: Livre de Poche, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., and F. F. Arbuthnot, trans. &lt;em&gt;The Kama Sutra of Vatsyayana&lt;/em&gt;. 1883. Ed. John Muirhead-Gould. 1963. London: Panther, 1968.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Burton, Richard F., and F. F. Arbuthnot, trans. &lt;em&gt;The Ananga Ranga of Kalyana Malla&lt;/em&gt;. 1885. London: Kimber, 1963.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Clerk, Mrs. Godfrey, trans. &lt;em&gt;Ilâm-en-Nâs. Historical Tales and Anecdotes of the Time of the Early Kalîfahs.&lt;/em&gt; London: Henry S. King, 1873.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Edgerton, Franklin, trans. &lt;em&gt;The Panchatantra&lt;/em&gt;. London: Allen &amp;amp; Unwin, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ernst, Paul, ed. &lt;em&gt;Erzählungen aus tausendundein Tag; Vermehrt um andere Morgenländische Geschichten&lt;/em&gt;. Trans. Felix Paul Greve and Paul Hansmann. 2 vols. Frankfurt: Insel Verlag, 1987.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Fehse, Willi, ed. &lt;em&gt;The Thousand and One Days&lt;/em&gt;. Trans. Anthea Bell. London: Abelard-Schumann, 1971.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ferdowsi. &lt;em&gt;The Epic of the Kings: Shah-Nama, the National Epic of Persia&lt;/em&gt;. Trans. Reuben Levy. 1967. Rev. Amin Banani. London: Routledge &amp;amp; Kegan Paul, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gaudefroy-Demombynes, M., trans. &lt;em&gt;Les Cent et une Nuits&lt;/em&gt;. 1911. Bibliothèque Arabe. Paris: Sinbad, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ibn Khaldûn, ‘Abd-ar Rahmân. &lt;em&gt;The Muqaddimah: An Introduction to History&lt;/em&gt;. Trans. Franz Rosenthal. 1958. Abridged and ed. N. J. Dawood. London: Routledge &amp;amp; Kegan Paul, 1967.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kritzeck, James, ed. &lt;em&gt;Anthology of Islamic Literature: From the Rise of Islam to Modern Times&lt;/em&gt;. Harmondsworth: Pelican Books, 1964&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Levy, Reuben, trans. &lt;em&gt;The Three Dervishes and other Persian Tales and Legends&lt;/em&gt;. Oxford: Humphrey Milford, 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lewis, Geoffrey, trans. &lt;em&gt;The Book of Dede Korkut&lt;/em&gt;. Penguin Classics. Harmondsworth: Penguin Books, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mathers, Edward Powys, trans. &lt;em&gt;The Anthology of Eastern Love&lt;/em&gt;. 12 vols in 4. London: John Rodker, 1927-30.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McCarthy, J., trans. &lt;em&gt;The Thousand and One Days: Persian Tales&lt;/em&gt;. London: Chatto, 1892.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Nefzawi, Shaykh. &lt;em&gt;The Perfumed Garden&lt;/em&gt;. Trans. Richard F. Burton. 1886. Ed. Alan Hull Walton. 1963. London: Panther, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Nefzawi, Shaykh. &lt;em&gt;The Glory of the Perfumed Garden: The Missing Flowers. An English Translation from the Arabic of the Second and Hitherto Unpublished Part of Shaykh Nafzawi’s Perfumed Garden&lt;/em&gt;. Trans. H. E. J. 1975. 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Leiden: Brill; London: Luzac, 1960. 1: 358-64.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “Maximilian Habicht and His Recension of the Thousand and One Nights.” &lt;em&gt;Journal of the Royal Asiatic Society &lt;/em&gt;(1909) 689-704.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “‘Ali Baba and the Forty Thieves’ in Arabic from a Bodleian Ms.” &lt;em&gt;Journal of the Royal Asiatic Society &lt;/em&gt;(1910) 327-86.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “Lost Mss. of the ‘Arabian Nights’ and a Projected Edition of that of Galland.” &lt;em&gt;Journal of the Royal Asiatic Society &lt;/em&gt;(1911) 219-21.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “Further Notes on ‘Ali Baba and the Forty Thieves.’“ &lt;em&gt;Journal of the Royal Asiatic Society &lt;/em&gt;(1913) 41-52.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “From the Arabian Nights to Spirit.” &lt;em&gt;Moslem World &lt;/em&gt;9 (1919): 336-48.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “A Preliminary Classification of Some Mss. of the Arabian Nights.” &lt;em&gt;A Volume of Oriental Studies Presented to Edward G. Browne. Ed. T. W. Arnold and Reynold A. Nicholson&lt;/em&gt;. Cambridge: Cambridge UP, 1922. 304-21.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “The Earlier History of the Arabian Nights.” &lt;em&gt;Journal of the Royal Asiatic Society&lt;/em&gt; (July 1924) 353-97.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;MacDonald, Duncan B. “A Bibliographical and Literary Study of the First Appearance of the Arabian Nights in Europe.” &lt;em&gt;Library Quarterly &lt;/em&gt;(Chicago) 2 (1932): 387-420.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Mann, Cameron. “The ‘Thousand and One Nights’ and the ‘Morte d’Arthure.’” &lt;em&gt;The North American Review &lt;/em&gt;184 (1907): 150-56.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Manzalaoui, Mahmoud A. “Arabian Nights.” &lt;em&gt;Cassell’s Encyclopaedia of World Literature&lt;/em&gt;. 3 vols. London: Cassell, 1973. 1: 38-41.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;May, Georges. &lt;em&gt;Les Mille et une nuits d’Antoine Galland, ou le chef d’oeuvre invisible&lt;/em&gt;. Paris: P.U.F., 1986.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Pinault, David. &lt;em&gt;Story-Telling Techniques in the Arabian Nights&lt;/em&gt;. Studies in Arabic Literature 15. Leiden: E. J. Brill, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ranelagh, E. J. &lt;em&gt;The Past We Share: The Near Eastern Ancestry of Western Folk Literature&lt;/em&gt;. London: Quartet, 1979.&lt;/li&gt;&lt;br /&gt;&lt;/ol&gt;&lt;br /&gt;&lt;li&gt;&lt;strong&gt;General&lt;/strong&gt;&lt;/li&gt;&lt;br /&gt;&lt;ol&gt;&lt;br /&gt;&lt;li&gt;Allen, Roger. &lt;em&gt;The Arabic Novel: An Historical and Critical Introduction&lt;/em&gt;. New York: Syracuse UP, 1982.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Arnold, Sir Thomas, and Alfred Guillaume, ed. &lt;em&gt;The Legacy of Islam&lt;/em&gt;. 1931. Oxford: Oxford UP, 1945.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Berchet, Jean-Claude. &lt;em&gt;Le Voyage en Orient: Anthologie des voyageurs français dans le Levant au XIXe siècle&lt;/em&gt;. 1985. Paris: Laffont, 1989.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Brent, Peter. &lt;em&gt;Far Arabia: Explorers of the Myth&lt;/em&gt;. 1977. London: Quartet, 1979&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Brodie, Fawn M. &lt;em&gt;The Devil Drives: A Life of Sir Richard Burton&lt;/em&gt;. 1967. Harmondsworth: Penguin, 1971&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Daniel, Norman. &lt;em&gt;Islam and the West: The Making of an Image&lt;/em&gt;. Edinburgh: Edinburgh UP, 1958.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Edwardes, Allen, and R. E. L. Masters. &lt;em&gt;The Cradle of Erotica: A Study of Afro-Asian Sexual Expression and an Analysis of Erotic Freedom in Social Relationships&lt;/em&gt;. 1962. New York: Julian P, 1966.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Gaury, Gerald de. &lt;em&gt;Travelling Gent: The Life of Alexander Kinglake (1809-1891).&lt;/em&gt; London: Routledge &amp;amp; Kegan Paul, 1972.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Glubb, John Bagot. &lt;em&gt;Haroon al Rasheed and the Great Abbasids&lt;/em&gt;. London: Hodder, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Haleby, Omar. &lt;em&gt;El Ktab des Lois Secrètes de l’Amour&lt;/em&gt;. Trans. Paul de Régla. 1893. Collection Le Nadir. Paris: Balland, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Harrison, William. &lt;em&gt;Burton and Speke&lt;/em&gt;. 1982. London: Star, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Herold, J. Christopher. &lt;em&gt;Bonaparte in Egypt &lt;/em&gt;. London: Hamish Hamilton, 1962&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Hitti, Philip K. &lt;em&gt;Islam and the West: A Historical Cultural Survey&lt;/em&gt;. Anvil Original 63. Princeton, NJ: D. Van Nostrand, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Irwin, Robert. “Slapping the Werewolf, Insanity and Its Treatment in the Islamic World: Rev. of Michael W. Dols, Majnun: The Madman in Medieval islamic Society, ed. Diana E. Immisch (Oxford: Clarendon P, 1993).” &lt;em&gt;TLS &lt;/em&gt;4685 (15/1/93): 6.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kabbani, Rana. &lt;em&gt;Europes’s Myths of Orient: Devise and Rule&lt;/em&gt;. London: Macmillan, 1986&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kabbani, Rana. &lt;em&gt;Imperial Fictions: Europe’s Myths of Orient&lt;/em&gt;. London: Pandora, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Kratz, Dennis M. “Development of the Fantastic Tradition through 1811.” &lt;em&gt;Fantasy Literature: A Reader’s Guide&lt;/em&gt;. Ed. Neil Barron. New York: Garland Publishing, 1990.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Leask, Nigel. &lt;em&gt;British Romantic Writers and the East: Anxieties of Empire&lt;/em&gt;. Cambridge Studies in Romanticism. Cambridge: Cambridge UP, 1992.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lewis, Bernard. &lt;em&gt;The Muslim Discovery of Europe&lt;/em&gt;. 1982. London: Phoenix, 1994.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lewis, C. S. “The English Prose Morte.” &lt;em&gt;Essays on Malory&lt;/em&gt;. Ed. J. A. W. Bennett. Oxford: Clarendon Press, 1963. 7-28.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Lichtenstadtler, Ilse. &lt;em&gt;Introduction to Classical Arabic Literature, with Selections from representative Works in English Translation&lt;/em&gt;. 1974. New York: Schocken Books, 1976.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;McIntosh, Carey. “Oriental Tale and Allegory.” &lt;em&gt;The Choice of Life: Samuel Johnson and the World of Fiction&lt;/em&gt;. New Haven: Yale UP, 1973. 86-93.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Metlitzki, Dorothee. &lt;em&gt;The Matter of Araby in Medieval England&lt;/em&gt;. New Haven: Yale UP, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Nicholson, Reynold A. &lt;em&gt;A Literary History of the Arabs&lt;/em&gt;. 1907. Cambridge: Cambridge UP, 1969.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Penzer, Norman M. &lt;em&gt;An Annotated Bibliography of Sir Richard Francis Burton, K.C.M.G&lt;/em&gt;. London: Philpot, 1923.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Penzer, Norman M. &lt;em&gt;The Harem: An Account of the Institution as it Existed in the Palace of the Turkish Sultans with a History of the Grand Seraglio from its Foundation to Modern Times&lt;/em&gt;. 1936. London: Bookplan, 1965.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Rice, Edward. &lt;em&gt;Captain Sir Richard Francis Burton: The Secret Agent Who Made the Pilgrimage to Mecca, Discovered the Kama Sutra, and Brought the Arabian Nights to the West&lt;/em&gt;. 1990. New York: HarperPerennial, 1991.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ritchie, Anne. “Introduction to Sketch Books: 1840-1846.” &lt;em&gt;The Biographical Edition of the Works of William Makepeace Thackeray&lt;/em&gt;. Ed. Anne Ritchie. 13 vols. London: Murray, 1911. 5: xiii-xliii.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Robinson, Francis. &lt;em&gt;Atlas of the Islamic World since 1500&lt;/em&gt;. 1982. Amsterdam: Time-Life Books, 1991&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Said, Edward W. &lt;em&gt;Culture and Imperialism&lt;/em&gt;. London: Chatto, 1993.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Said, Edward W. &lt;em&gt;Orientalism&lt;/em&gt;. 1978. Harmondsworth: Penguin, 1985.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Schacht, Joseph, and C. E. Bosworth, ed. &lt;em&gt;The Legacy of Islam&lt;/em&gt;. 2nd ed. Oxford: Clarendon Press, 1974.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Schwab, Raymond. &lt;em&gt;The Oriental Renaissance: Europe’s Rediscovery of India and the East&lt;/em&gt;. 1950. Trans. Gene Patterson-Black and Victor Reinking. New York: Columbia UP, 1984.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Shah, Idries. &lt;em&gt;The Sufis&lt;/em&gt;. 1964. London: Star, 1977.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Southern, R. W. &lt;em&gt;Western Views of Islam in the Middle Ages&lt;/em&gt;. Cambridge: Harvard UP, 1962.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Thompson, Stith. &lt;em&gt;Motif-Index of Folk-Literature: A Classification of Narrative Elements in Folktales, Ballads, Myths, Fables, Mediaeval Romances, Exempla, Fabliaux, Jest-Books and Local Legends&lt;/em&gt;. 1932-36. Rev. ed. 6 vols. Copenhagen: Rosenkilde and Bagger, 1955-58.&lt;/li&gt;&lt;br /&gt;&lt;li&gt;Ullah, Najib. &lt;em&gt;Islamic Literature: An Introductory History with Selections&lt;/em&gt;. New York: Washington Square P, 1963.&lt;/li&gt;&lt;/ol&gt;&lt;br /&gt;&lt;/ul&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvQNyVem5I/AAAAAAAACXk/GrBtr6GNOFI/s1600-h/scheherazade8.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 399px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvQNyVem5I/AAAAAAAACXk/GrBtr6GNOFI/s400/scheherazade8.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362608716583443346" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://retrotrash.org/database.htm"&gt;Scheherazade&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;&lt;hr align="left" noshade="noshade" size="1" width="70%"&gt;&lt;br /&gt;&lt;strong&gt;Notes:&lt;/strong&gt;&lt;br /&gt;&lt;div id="ftn1"&gt;&lt;p&gt;&lt;a href="http://dinarzade.blogspot.com/2007/09/arabian-nights-bibliography.html#_ftn1" name="_ftn1" title=""&gt;1.&lt;/a&gt; Volume 3 of the original Supplemental Nights has been split into two in this reissue. The pagination, however, remains continuous. For further details consult Norman M. Penzer, &lt;em&gt;An Annotated Bibliography of Sir Richard Francis Burton &lt;/em&gt;(London: Philpot, 1923) 131-32.&lt;/p&gt;&lt;/div&gt;&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-4012048669506008906?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/4012048669506008906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=4012048669506008906' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/4012048669506008906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/4012048669506008906'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/arabian-nights-bibliography.html' title='An &lt;em&gt;Arabian Nights&lt;/em&gt; Bibliography'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_ZO6brBJskrI/RvrPD0rOrpI/AAAAAAAAAUQ/_eZ4qxnyu3g/s72-c/ist2_146121_arabian_nighst.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-3655482753011737681</id><published>2007-09-25T14:51:00.000-07:00</published><updated>2009-07-25T20:39:00.410-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='3 Ladies of Baghdad'/><category scheme='http://www.blogger.com/atom/ns#' term='Richard F. Burton'/><category scheme='http://www.blogger.com/atom/ns#' term='Chapter 1'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><title type='text'>Scheherazade:</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_ZO6brBJskrI/RvmHIkrOriI/AAAAAAAAATY/Guj-ha3swHk/s1600-h/GirlsHarem.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114267433209605666" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://4.bp.blogspot.com/_ZO6brBJskrI/RvmHIkrOriI/AAAAAAAAATY/Guj-ha3swHk/s320/GirlsHarem.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.marielle.fam-smit.ws/Classes.htm"&gt;The Three Ladies of Baghdad&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;The Porter and the Three Ladies of Baghdad&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Plot Summary:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;(This story, like all the others, is told in the first person. I have switched to the third in order to make the plot summary more concise.)&lt;br /&gt;&lt;br /&gt;Page numbers in parentheses are taken from &lt;em&gt;The Book of the Thousand Nights and a Night: A Plain and Literal Translation of the Arabian Nights Entertainments&lt;/em&gt;, trans. Richard F. Burton, 10 vols, 1885 (U.S.A.: Burton Society, n.d.) 1: 82-186:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;[... &lt;em&gt;9th Night&lt;/em&gt;]:&lt;br /&gt;A Porter is hired by ‘an honourable woman’ (82). She takes him to a wine-merchant, a fruiterer, a butcher, a grocer, a confectioner, a perfumer, a greengrocer, and then home. The door is opened by ‘a lady of tall figure, some five feet high’ (84). The lady-portress welcomes the lady-cateress, and shows them both in. They come before a third lady, the eldest of the three, who pays the porter and tells him to depart. He persuades them to let him stay and join their feast, and they all start to drink wine and recite verses together. When she is sufficiently drunk, ‘the portress stood up and doffed her clothes till she was mother-naked’ (90). She disports herself in the fountain, then makes the porter guess the name of her ‘solution of continuity’ (90). He cannot, and is soundly beaten. The second and third ladies behave similarly, and finally he does too.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;10th Night&lt;/em&gt;]:&lt;br /&gt;The three ladies try to send the Porter away, but finally agree to let him stay if he observes their motto: ‘WHOSO SPEAKETH OF WHAT CONCERNETH HIM NOT, SHALL HEAR WHAT PLEASETH HIM NOT’ (93). A knocking comes at the door.&lt;br /&gt;&lt;br /&gt;The Porter lets in three Persian Kalandars [mendicant friars] ‘with their beards and heads and eyebrows shaven; and all three blind of the left eye’ (94), who are looking for a lodging for the night. Another knock is heard, and the Porter lets in the Caliph Harun al-Rashid, his Wazir Ja’afar, and Masrur ‘his Sworder of Vengeance’ (96), who are wandering the city by night disguised as merchants. They too ask for lodging and are given the same warning as the Porter and the monks. The eldest lady has ‘two black bitches with chains round their necks’ (97) brought in. She beats each of them as hard as she can, then cries over them. After this the cateress plays three sad love-songs on a lute. Each song makes the portress cry out till she ‘rent her raiment’, showing the guests ‘scars of the palm-rod on her back and welts of the whip’ (99).&lt;br /&gt;&lt;br /&gt;The Caliph demands that Ja’afar ask for an explanation of these events. The latter demurs, but the other guests are all curious as well. When he does ask, the seven men are immediately seized by armed slaves and told to prepare for death. The Porter protests amusingly.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;11th Night&lt;/em&gt;]:&lt;br /&gt;The eldest lady ‘came up to the party and spake thus, “Tell me who ye be, for ye have but an hour of life; and were ye not men of rank ... you had not been so froward and I had hastened your doom.”‘ (103) The Porter tells us as much of his story as we already know, and is told to leave. He prefers, however, to stay and hear the other stories:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The First Kalandar’s Tale&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Prince helps his cousin to conceal himself in a tomb with a veiled lady. Afterwards he repents, but cannot find the tomb again. On returning to his father’s kingdom, he finds that the Wazir has treacherously slain him and taken over the kingdom. The Wazir puts out the prince’s eye, in revenge for the fact that he himself had his eye knocked out by the prince’s slingshot years before, then commands that he be executed. The headsman takes pity on him however, and he escapes back to his uncle’s kingdom. He confesses to his uncle his part in his cousin’s disappearance, and the two finally succeed in finding the tomb. The cousin and the lady are found lying dead and charred in each other’s arms. His uncle curses and strikes the body of his son.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;12th Night&lt;/em&gt;]:&lt;br /&gt;The uncle explains that the two dead lovers were brother and sister, and that he had many a time forbidden their love, but they hid from him here. ‘Then His righteous judgement fell upon the twain and consumed them with fire from Heaven’ (111). On returning to the surface, the prince and his uncle are overtaken by the Wazir’s troops, who have invaded this city as well. The uncle is killed in the fighting, but the prince dresses himself in rags and leaves, ‘hoping that peradventure some one would assist me to the presence of the Prince of the Faithful, and the Caliph who is the Viceregent of Allah upon earth’ (112-13). He met the other two mendicants by chance.&lt;br /&gt;&lt;br /&gt;He is dismissed by the eldest lady, but prefers to stay and hear the other stories.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The Second Kalandar’s Tale&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Prince is brought up to be very skilled in all branches of learning. On his way to show off his skills to the King of Hind he is overtaken by robbers, who take everything he has. He is advised to work as a woodcutter by a Tailor whom he meets in a nearby town, for ‘the King of this city is the greatest enemy thy father hath ... and thou hast cause to fear for thy life’ (115).&lt;br /&gt;&lt;br /&gt;One day, in the forest, he discovers an underground cavern, ‘where was a damsel like a pearl of great price’ (116). The lady was stolen by an Ifrit on her wedding day, and has been kept by him in this cave ever since. She invites the prince to stay with her: ‘of every ten days one is for the Ifrit and the other nine are thine’ (118). He agrees; however one day, in a fit of drunkenness, he proposes to summon the Ifrit and slay him.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;13th Night&lt;/em&gt;]:&lt;br /&gt;The Ifrit comes and, seeing the prince’s woodcutting gear, accuses the lady of entertaining a lover. She denies it, and is tortured by the jealous demon. The prince escapes, lamenting his foolishness, but is caught and brought back again by the Ifrit. When the lady refuses either to identify her lover or to cut off his head, the Ifrit mutilates and kills her. The prince asks for mercy with the:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tale of the Envier and the Envied&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Two men lived in adjoining houses; and ‘one of them envied the other and looked on him with an evil eye’ (123). Realising this, the Envied left the neighbourhood and set up an oratory near another city. His fame as a holy man spread, until the Envier heard of it, and travelled to see him. Under pretext of having something to discuss, he drew the Envied to one side, and pushed him into an old well. ‘Now this well happened to be haunted by the Jann’ (124), who saved him and broke his fall. He also overheard them saying that the Sultan of the city would shortly come visiting to consult the holy man about the health of his daughter, who seemed mad but was in fact bewitched. She could be cured by fumigation.&lt;br /&gt;&lt;br /&gt;The Envied is saved by his disciples next day, and duly meets the Sultan and cures his daughter. He is rewarded with her hand in marriage, and is made Wazir, and (after his father-in-law’s death) Sultan. One day he comes across his old enemy the Envier, and rewards him greatly instead of punishing him.&lt;br /&gt;&lt;br /&gt;The Ifrit, unimpressed, turns the prince into an ape, and in this form he succeeds in finding a place on board a ship. The ship comes to a port whose King is looking for ‘a calligrapher of renown’ (127) to replace his previous chief minister. The entire crew, including the ape, are made to write some lines on a scroll. The ape’s writing is the best, and the King purchases him from the ship’s captain. On showing his new acquisition to his daughter, however, she asks ‘How cometh it thou art pleased to send for me and show me to strange men?’ (133), and reveals that her magic arts tell her that he is actually a prince.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;14th Night&lt;/em&gt;]:&lt;br /&gt;The King’s daughter, at her father’s instigation, summons the Ifrit in order to disenchant the prince. Their magical conflict is long, and she succeeds in killing the demon, but at the cost of her own life. The King is wounded, and the prince loses one eye from hot sparks. He is, however, turned back into a man. Afterwards the angry King banishes him from the city, and he takes on the robes of a monk and travels to Baghdad to ‘seek audience ... with the Commander of the Faithful’ (138-39).&lt;br /&gt;&lt;br /&gt;Dismissed like the others, he prefers to stay.&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;The 3rd Kalandar’s Tale&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;A Prince goes sailing, but his ship is overtaken by a storm. After some days, they come to the ‘Magnet Mountain’ (140), which draws out all the iron in their hull and wrecks them. The prince survives, and finds a way up the rock.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;15th Night&lt;/em&gt;]:&lt;br /&gt;A voice tells the prince in his dream to shoot at the brass horseman on top of the dome at the summit of the rock, and thus rid mankind of this affliction. He does so and, as the dream predicted, the waters rise up the rock, carrying with them a skiff with a brass rower inside - ‘He will come to thee and do thou embark with him but beware of saying Bismillah or otherwise naming Allah Almighty’ (142).&lt;br /&gt;&lt;br /&gt;After ten days, in sight of his destination, the prince forgets this prohibition, and is immediately thrown into the sea. He swims to an island, and there sees a youth taken ashore from a ship and put into an underground hiding-place. After the ship has left he uncovers the trap-door and talks to the youth, who has been hidden away by his father because of a prophesy that he will be killed by the prince who shot the brazen horseman. The prince lives with him for forty days, but then kills him by accident with a knife on the very day predicted.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;16th Night&lt;/em&gt;]:&lt;br /&gt;The ship returns, and the boy’s father is stricken with grief. The prince stays on the island until one day ‘the tide ebbed’ (151), making it possible for him to reach the mainland. There he finds an old Shaykh who lives with ten young men ‘all ... blind of the same eye’ (152). He stays with them, and notices their habit of lamentation, which they will not explain. Finally they reveal to him a route - by ‘Rukh’ [Roc] - to a distant palace. He reaches the palace, is welcomed by forty damsels. He lives with them in bliss, but they are forced to absent themselves for forty days at New Year, and accordingly give him the keys to forty chambers, with strict instructions not to enter the last one. He eventually does and is carried off by a winged horse which deposits him back with the old Shaykh, putting out his eye with its wing as it departs. The Shaykh and the young men refuse to let him stay, so he dresses as a monk and sets out for Baghdad.&lt;br /&gt;&lt;br /&gt;After the Caliph, Ja’afar and Masrur have repeated their story of being merchants, the eldest lady lets them all go. Next day the Caliph send for the three sisters and demands that they tell their stories.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;17th Night&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;The Eldest Lady’s Tale&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;The two dogs are her elder sisters by one mother, the portress and cateress her younger half-sisters. The two older sisters made unfortunate marriages, and had to be rescued by her on two or three occasions. Eventually they persuade her to go on a trading voyage with them, and they reach a city where all the inhabitants have been turned to black stones. Exploring, she finds a youth who was spared this fate because he was a Moslem, unlike the other ‘Magians who fire adored in lieu of the Omnipotent Lord’ (168).&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;18th Night&lt;/em&gt;]:&lt;br /&gt;The eldest lady brings the youth back with her, but her two sisters, jealous, throw them both overboard. She swims to an island but he is drowned. On shore, she saves a serpent (who turns out to be a ‘Jinniyah’) from a Dragon, and the former turns the two wicked sisters into bitches in gratitude. She also tells the eldest lady to beat them three hundred times every day or else she will ‘imprison thee forever under the earth’ (173).&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Tale of the Portress&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;She married young and was left a young widow. One day she is invited by an old woman to attend a wedding. When she reaches her destination, it turns out to be the palace of a young lady who tells her that her brother is in love with her. The brother is attractive, so she agrees to marry him, and swears never to ‘look at any other than myself nor incline thy body or thy heart to him’ (178). After a month of bliss she is persuaded by the old woman to kiss a young merchant who will not accept her money. He bites her on the cheek, and her husband, refusing to accept her explanations and excuses, has her beaten nearly to death and thrown out of the house. She has not seen him since, but now lives with her sisters in seclusion.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;19th Night ...&lt;/em&gt;]:&lt;br /&gt;The Caliph has the eldest lady summon the Jinniyah, whom he commands to disenchant the two bitches. She also tells him that the portress’s husband is his own son Al-Amin, so he commands him to take her back. He marries the eldest lady and her elder sisters to the three Kalandars, and finally marries the cateress himself.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Analysis:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;[... &lt;em&gt;9th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Porter&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;7 Shops&lt;br /&gt;3 Sisters (youngest to eldest)&lt;br /&gt;Fountain-game&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;10th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;1st Prohibition&lt;br /&gt;1st knock- 3 shaved, one-eyed monks&lt;br /&gt;2nd knock - 3 disguised Merchants&lt;br /&gt;7 Guests&lt;br /&gt;2 black bitches&lt;br /&gt;1st beating + laments&lt;br /&gt;3 love-songs&lt;br /&gt;laments + 2nd beating&lt;br /&gt;7 slaves&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;11th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;Porter’s Tale (the story to date)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1st Prince's tale:&lt;/strong&gt;&lt;br /&gt;1st tomb-descent (incest)&lt;br /&gt;1st armed insurrection (Father killed)&lt;br /&gt;1st blinding (unjust)&lt;br /&gt;2nd tomb-descent&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;12th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;2nd Prohibition&lt;br /&gt;2nd armed insurrection (Uncle killed)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2nd Prince's tale:&lt;/strong&gt;&lt;br /&gt;1st cavern-descent (adultery)&lt;br /&gt;3rd Prohibition&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;13th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;1st beating for jealousy&lt;br /&gt;2nd cavern-descent&lt;br /&gt;1st lady killed for him&lt;br /&gt;well-descent (vision)&lt;br /&gt;Exorcism&lt;br /&gt;1st transformation&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;14th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;2nd transformation&lt;br /&gt;2nd lady killed for him&lt;br /&gt;2nd blinding (accidental)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;3rd Prince's tale:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;15th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;1st magic horse&lt;br /&gt;4th Prohibition&lt;br /&gt;underground descent (the youth)&lt;br /&gt;40 days&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;16th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;40 damsels&lt;br /&gt;40 days&lt;br /&gt;40 rooms&lt;br /&gt;5th Prohibition&lt;br /&gt;2nd magic horse&lt;br /&gt;3rd blinding (at fault)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;17th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;1st Sister’s tale:&lt;/strong&gt;&lt;br /&gt;2 groups of 2 sisters&lt;br /&gt;twice deserted by husbands&lt;br /&gt;3rd transformation&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;18th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;youth killed for her&lt;br /&gt;4th transformation&lt;br /&gt;6th Prohibition&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;2nd Sister’s tale:&lt;/strong&gt;&lt;br /&gt;7th Prohibition&lt;br /&gt;2nd beating for jealousy&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;19th Night&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;5th transformation&lt;br /&gt;&lt;br /&gt;Al-Amin = Portress&lt;br /&gt;Eldest lady + 2 sisters = 3 Kalandars&lt;br /&gt;Harun = Cateress&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Recurrent Patterns:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;7 shopkeepers&lt;br /&gt;7 guests&lt;br /&gt;7 slaves&lt;br /&gt;7 stories:&lt;br /&gt;(Porter, 3 Kalandars, Ja’afar, &amp;amp; 2 Sisters)&lt;br /&gt;7 Prohibitions&lt;br /&gt;&lt;br /&gt;3 shaved monks&lt;br /&gt;3 blindings&lt;br /&gt;3 underground descents&lt;br /&gt;(Incest, Adultery, a Youth)&lt;br /&gt;3 ‘Merchants’&lt;br /&gt;3 Sisters&lt;br /&gt;3 Love-songs&lt;br /&gt;3 Floggings&lt;br /&gt;(Portress’s husband, Ifrit, and Eldest Lady)&lt;br /&gt;&lt;br /&gt;40 days underground&lt;br /&gt;40 damsels&lt;br /&gt;40 days in the palace&lt;br /&gt;40 chambers&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Doublings:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;(&lt;em&gt;1st Kalandar&lt;/em&gt;): 2 descents into the vault&lt;br /&gt;2 armed insurrections&lt;br /&gt;(&lt;em&gt;2nd Kalandar&lt;/em&gt;): 2 ladies killed for him&lt;br /&gt;2 transformations (Ifrit and Princess)&lt;br /&gt;(&lt;em&gt;3rd Kalandar&lt;/em&gt;): 2 magic horses&lt;br /&gt;(&lt;em&gt;1st Sister&lt;/em&gt;): 2 Sisters twice deserted&lt;br /&gt;2 transformations (black stones and black dogs)&lt;br /&gt;(&lt;em&gt;2nd Sister&lt;/em&gt;): Marriage and Repudiation caused by the same old woman&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-3655482753011737681?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/3655482753011737681/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=3655482753011737681' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/3655482753011737681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/3655482753011737681'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/scheherazade.html' title='Scheherazade:'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZO6brBJskrI/RvmHIkrOriI/AAAAAAAAATY/Guj-ha3swHk/s72-c/GirlsHarem.jpg' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-8231652821474369422</id><published>2007-09-25T14:33:00.000-07:00</published><updated>2009-07-25T20:35:46.155-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Morte d&apos;Arthur'/><category scheme='http://www.blogger.com/atom/ns#' term='Chapter 1'/><category scheme='http://www.blogger.com/atom/ns#' term='Malory'/><title type='text'>Malory:</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_ZO6brBJskrI/Rvl-6krOrgI/AAAAAAAAATI/v-rLjkS7osQ/s1600-h/morte_darthur2.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114258396598414850" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://4.bp.blogspot.com/_ZO6brBJskrI/Rvl-6krOrgI/AAAAAAAAATI/v-rLjkS7osQ/s320/morte_darthur2.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://www.slq.qld.gov.au/coll/austart"&gt;Aubrey Beardsley: Illustrations to Malory's &lt;em&gt;Morte d'Arthur&lt;/em&gt;&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A Noble Tale of Sir Launcelot du Lake&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;Plot Summary:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Page numbers in parentheses are taken from &lt;em&gt;The Works of Sir Thomas Malory&lt;/em&gt;, ed. Eugène Vinaver, 3 vols, 1947, 3rd ed. rev. P. J. C. Field, (Oxford: Clarendon Press, 1990) 1: 249-287:&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.1&lt;/em&gt;]:&lt;br /&gt;Sir Launcelot and Sir Lyonell ‘go seke adventures’ (253) . Launcelot goes to sleep under an apple-tree while Lyonell stays awake. Lyonell sees a ‘stronge knyght’ (254) overcome three knights in a row. Lyonell assays the knight, is beaten, and cast in prison.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.2&lt;/em&gt;]:&lt;br /&gt;Sir Ector de Marys ‘made hym redy to seke sir Launcelot’ (254). He meets a foster, who warns him of a tree hung with shields. He fights Sir Tarquyn, but is beaten by him and imprisoned.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.3&lt;/em&gt;]:&lt;br /&gt;Sir Launcelot is found by ‘foure queenys of a grete astate’ (256), and enchanted by Morgan le Fay and taken to the Castell Charyot. He refuses to choose any of them as his love.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.4&lt;/em&gt;]:&lt;br /&gt;A damsel offers to release Launcelot if he will help her father King Bagdemagus in a tournament against the King of North Galys ‘on Tewysday next commynge’ (258). He agrees and is given back his armour and horse.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.5&lt;/em&gt;]:&lt;br /&gt;Launcelot falls asleep in a ‘pavylyon of rede sendele’ (259), and fights Sir Belleus who has come expecting his lemman. She comes, and demands that Launcelot have Belleus made a knight of the Round Table.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.6&lt;/em&gt;]:&lt;br /&gt;Launcelot arrives at the abbey of white monks and again meets the ‘doughter of kyng Bagdemagus’ (261), who sends for her father. Sir Madore de la Porte, Sir Mordred and Sir Gahalantyne are the three Round Table knights who are fighting for the King of North Galys.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.7&lt;/em&gt;]:&lt;br /&gt;Launcelot enters the tournament, where he ‘smote downe the kynge of North Galys’ (262), then Sir Madore, then Sir Mordred, then Sir Gahalantyne, then sixteen knights with one spear, then twelve with another. His side wins.&lt;br /&gt;Launcelot rides back to the forest and meets a damsel on a white palfrey. She tells him about Sir Tarquyn. He meets Sir Gaheris, bound by Sir Tarquyn, and challenges the latter.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.8&lt;/em&gt;]:&lt;br /&gt;Launcelot and Tarquyn fight, the latter revealing that he holds an enmity against Launcelot for killing his brother ‘sir Carados at the Dolerous Towre’ (266). They continue fighting and Launcelot kills him.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.9&lt;/em&gt;]:&lt;br /&gt;Launcelot takes Gaheris’ horse, telling him to free the prisoners and to wait for him at court, ‘for by the feste of Pentecoste I caste me to be there’ (268). Gaheris frees them, and the foster brings them food.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.10&lt;/em&gt;]:&lt;br /&gt;The damsel leads Launcelot to another evil knight, whom he justly slays, ‘for lyke as Terquyn wacched to dystresse good knyghtes, so dud this knyght attende to destroy and dystresse ladyes, damesels and jantyllwomen; and his name was sir Perys de Foreste Savage’ (270). Launcelot and the damsel part here.&lt;br /&gt;&lt;br /&gt;Two days later Launcelot is forced to kill a carle on a bridge, in order to reach a village.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.11&lt;/em&gt;]:&lt;br /&gt;Launcelot kills two giants, and frees ‘three score of ladyes and damesels’ (272) from Tintagel.&lt;br /&gt;&lt;br /&gt;He then goes on and lodges with an old gentlewoman. Through the window he sees three knights pursuing one. Launcelot defeats the knights and makes them yield to Sir Kay, then go on to wait for him at court. In the morning, he takes Kay’s armour and leaves him his own.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.12&lt;/em&gt;]:&lt;br /&gt;Launcelot / Kay (he will retain this disguise for the rest of the adventure) passes three knights. Sir Gawtere pursues him and is defeated. Sir Gylmere is also beaten, then Sir Raynolde. The three are sent to court to yield themselves to Queen Gwenyvere.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.13&lt;/em&gt;]:&lt;br /&gt;Launcelot fights Sir Sagramoure le Desyrus, Sir Ector de Marys, then Sir Uwayne, then Sir Gawayne. ‘Than had they much sorow to gete their horsis agayne’ (278).&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.14&lt;/em&gt;]:&lt;br /&gt;Launcelot pursues a ‘blak brachette’ (278) by following a trail of blood. It leads him to a lady and a dead knight, her husband Sir Gylberd the Bastarde. Subsequently he meets a damsel, whose brother Sir Melyot de Logyrs was wounded in battle with Gylberte.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.15&lt;/em&gt;]:&lt;br /&gt;Launcelot agrees to get a bloody cloth and sword from the Chapel Perelus in order to heal Melyot’s wounds.&lt;br /&gt;&lt;br /&gt;Launcelot enters the Chapel and confronts ‘thirty grete knyghtes’ (280), then Hallewes the Sorseres. He then returns to Melyot and heals him. Melyot, too, is sent to wait at court.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.16&lt;/em&gt;]:&lt;br /&gt;Launcelot helps a lady recover her hawk by climbing a tree. Sir Phelot ambushes him there, but is stunned with a branch and then defeated and killed.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.17&lt;/em&gt;]:&lt;br /&gt;Launcelot sees ‘a knyght chasyng a lady with a naked swerde to have slayne hir’ (284). He stops him, but Sir Pedyvere slays her anyway by stealth. He is sent to Queen Gwenyvere at court with the lady’s severed head. From there he is sent to the Pope in Rome.&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.18&lt;/em&gt;]:&lt;br /&gt;Launcelot returns two days before the feast of Pentecost. Gawayne, Uwayne, Sagramour, and Ector see that it was he who defeated them. Tarquyn’s three-score prisoners are told who rescued them by Gaheris. Kay tells his story. Gawtere, Gylmere, and Raynolde discover ‘Kay’s’ identity. Then Melyot appears, and ‘all his dedys was knowyn’ (287) - the imprisonment by the four queens, King Bagdemagus’ daughter and the tournament, and his defeat there of Mador, Mordred, and Gahalantyne. Belleus and his lady arrive, and the former is made a knight of the Round Table. ‘And so at that tyme sir Launcelot had the grettyste name of ony knyght of the worlde, and moste he was honoured of hyghe and lowe’ (287).&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Analysis:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.1&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;A: ‘Sir Tarquyn’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot (apple-tree)&lt;br /&gt;Lyonell&lt;br /&gt;3 Knights(1)&lt;br /&gt;[Tarquyn]&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.2&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;Ector&lt;br /&gt;‘foster’&lt;br /&gt;Tarquyn&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.3&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;B: ‘Bagdemagus’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Morgan + 3 Queens&lt;br /&gt;Damsel(1)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.4&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.5&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;C: ‘Sir Belleus’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Belleus&lt;br /&gt;Lady(1)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.6&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;B: ‘Bagdemagus’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Damsel(1)&lt;br /&gt;3 Knights(2)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.7&lt;/em&gt;]:&lt;br /&gt;A: ‘Sir Tarquyn’&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Damsel(2)&lt;br /&gt;Gaheris&lt;br /&gt;Tarquyn&lt;br /&gt;[Sir Carados]&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.8&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.9&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;A: ‘Sir Gaheris’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Gaheris + 60 prisoners&lt;br /&gt;‘foster’&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.10&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;B1: ‘Sir Perys’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Damsel(2)&lt;br /&gt;Perys&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;B2: ‘Tintagel’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;‘carle’&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.11&lt;/em&gt;]:&lt;br /&gt;Giants+ 60 prisoners&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;C1: ‘Sir Kay’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Kay&lt;br /&gt;3 Knights(3)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.12&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;Launcelot / Kay&lt;br /&gt;3 Knights(4)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.13&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Ector&lt;br /&gt;3 Knights(5)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.14&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;C2:’Chapel Perilous’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Lady(2)&lt;br /&gt;Gylberd&lt;br /&gt;Damsel(3)&lt;br /&gt;Melyot&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.15&lt;/em&gt;]:&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;30 Knights&lt;br /&gt;Hallewes&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.16&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;B3: ‘Sir Phelot’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Lady(3)&lt;br /&gt;Phelot&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.17&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;B4: ‘Sir Pedyvere’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Pedyvere&lt;br /&gt;Lady(4)&lt;br /&gt;&lt;br /&gt;[&lt;em&gt;Caxton, VI.18&lt;/em&gt;]:&lt;br /&gt;&lt;strong&gt;A: ‘Guinevere’&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Launcelot&lt;br /&gt;Ector&lt;br /&gt;3 Knights(5)&lt;br /&gt;[Tarquyn]&lt;br /&gt;Gaheris + 60 prisoners&lt;br /&gt;&lt;br /&gt;Kay&lt;br /&gt;3 Knights(3) + 4&lt;br /&gt;Melyot&lt;br /&gt;3 Knights(2)&lt;br /&gt;Belleus&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;strong&gt;Recurrent Patterns:&lt;/strong&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;br /&gt;Damsels = King’s daughter1 (c.4 &amp;amp; 6)&lt;br /&gt;Guide2 (c.7 &amp;amp; 10)&lt;br /&gt;Melyot’s sister3 (c.14 &amp;amp; 15)&lt;br /&gt;Hallewes4 (c.15)&lt;br /&gt;Couples = Belleus + Lady1 (c.5)&lt;br /&gt;Gylberd + Lady2 (c.14)&lt;br /&gt;Phelot + Lady3 (c.16)&lt;br /&gt;Pedyvere + Lady4 (c.17)&lt;br /&gt;3 + 1 = Tarquyn + 3 Knights1 (c.1)&lt;br /&gt;Morgan + 3 Queens (c.3)&lt;br /&gt;Lancelot + 3 Knights2 (c.6)&lt;br /&gt;Kay + 3 Knights3 (c.11)&lt;br /&gt;‘Kay’ + 3 Knights4 (c.12)&lt;br /&gt;Ector + 3 Knights5 (c.13)&lt;br /&gt;&lt;br /&gt;3 score prisoners of Tarquyn (c.18)&lt;br /&gt;3 score prisoners in Tintagel (c.11)&lt;br /&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s1600-h/Arabian+Nights+girl.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 177px; height: 199px;" src="http://3.bp.blogspot.com/_ZO6brBJskrI/SmvAJZyYjrI/AAAAAAAACWk/8ZPTCccK6r0/s400/Arabian+Nights+girl.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5362591049088274098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/33189808-8231652821474369422?l=dinarzade.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://dinarzade.blogspot.com/feeds/8231652821474369422/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=33189808&amp;postID=8231652821474369422' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/8231652821474369422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/33189808/posts/default/8231652821474369422'/><link rel='alternate' type='text/html' href='http://dinarzade.blogspot.com/2007/09/malory.html' title='Malory:'/><author><name>Jack Ross</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='22' height='32' src='http://photos1.blogger.com/blogger/1704/3168/1600/bone%20sermon.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_ZO6brBJskrI/Rvl-6krOrgI/AAAAAAAAATI/v-rLjkS7osQ/s72-c/morte_darthur2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-33189808.post-3385946613572460060</id><published>2007-09-24T16:48:00.000-07:00</published><updated>2009-07-25T20:33:15.397-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Richard F. Burton'/><category scheme='http://www.blogger.com/atom/ns#' term='Chapter 2'/><category scheme='http://www.blogger.com/atom/ns#' term='1001 Nights'/><title type='text'>Plot Summaries:</title><content type='html'>&lt;div align="center"&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_ZO6brBJskrI/RvrLZUrOrmI/AAAAAAAAAT4/JpURn6OZaZQ/s1600-h/vess.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5114623962739813986" style="margin: 0px auto 10px; display: block; text-align: center;" alt="" src="http://4.bp.blogspot.com/_ZO6brBJskrI/RvrLZUrOrmI/AAAAAAAAAT4/JpURn6OZaZQ/s320/vess.jpg" border="0" /&gt;&lt;/a&gt;&lt;span style="font-size:85%;"&gt;[&lt;a href="http://endicottstudio.typepad.com/endicott_redux/2007/03/charles_vess_mo.html"&gt;Charles Vess&lt;/a&gt;]&lt;/span&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Stories concerning Christianity and the Crusades from the &lt;em&gt;Thousand and One Nights&lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;strong&gt;&lt;br /&gt;[Story I]&lt;/strong&gt; (Nights 45-145) - “The Tale of King Omar Bin Al-Nu’uman, and his sons Sharrkan and Zau Al-Makan” (Burton, &lt;em&gt;The Book of the Thousand Nights and a Night&lt;/em&gt;, (1885) 2: 77 - 3: 113):&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;Prince Sharrkan is the son and heir of the mighty King of “East and West ... with whatsoever regions lay interspersed between them” (2:77), Omar bin Al-Nu’uman. The latter has four wives and 360 concubines, one of whom - a Greek named Sophia - becomes pregnant and bears him a daughter and a son, called respectively Nuzhat al-Zamán and Zau al-Makán. Sharrkan had intended to have the child killed if it were male, but his messenger leaves after the first birth and thus does not hear of the second.&lt;br /&gt;&lt;br /&gt;One day an ambassador comes from “the King of Roum [Anatolia], Lord of Constantinople the Great” (2: 81), King Afrídún, to ask Omar’s assistance in a war he is waging with another Christian King to recover some jewels. Omar agrees, and appoints Sharrkan and his Wazir Dandán to command his forces. A few weeks travel from Baghdad, Sharrkan goes out exploring by himself one day, and observes a group of women having a wrestling match in a Christian Monastery. Sharrkan laughs as the strongest and fairest of them all defeats an old woman named Zát al-Dawáhí [“Queen of Calamities” (2: 87)], thus revealing his presence. The damsel challenges him to wrestle, and defeats him three times, because “he was confounded by her beauty and loveliness” (2: 91). She invites him home with her, and reveals that she is Abrízah, daughter of Afridun’s opponent King Hardub of Roum. The two are interrupted by some Christian soldiers, sent by Zat al-Dawahi, and, when she refuses to surrender her guest to them, Sharrkan and she slaughter them in battle. They agree to flee together, and “the two plighted their troth” (2: 110). She reveals to Sharrkan that the war is really about the fact that King Hardub sent Afridun’s daughter Sophia as tribute to King Omar, without knowing who she was, after recovering her from some pirates. The story about the jewels was a fabrication. Sharrkan rejoins his army, leaving Abrizah to meet him at Baghdad. The Christian army soon overtakes the retreating Islamic host, and in the subsequent battle one “Fr
